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216 stories by "Christopher Henley"

Christopher Henley at The Helen Hayes Awards by Christopher Henley

Last night, the Helen Hayes awards took place at the National Building Museum, a new venue for the annual ceremony, now in its 30th year.  The format was also quite different, but one thi…

SOURCE: DC Theatre Scene at 3:44pm on April 22, 2014

Feldshuh is brilliant in Golda's Balcony by Christopher Henley

For the next couple of weeks, we in DC have the chance to experience something special:  Tovah Feldshuh's truly remarkable performance as Golda Meir in Golda's Balcony, William Gibson's s…

SOURCE: DC Theatre Scene at 11:24am on April 15, 2014

With Hair sold out, and new construction this summer, Keegan enters its own Age of Aquarius by Christopher Henley

"This is our crowning achievement," Mark A. Rhea told me the day after I had seen Hair at Keegan Theatre.  I saw the show on a Wednesday night, at one of the performances that had been ad…

SOURCE: DC Theatre Scene at 11:06am on April 14, 2014

Jack Marshall on producing the primal scream of the 50s and more works from the great American century by Christopher Henley

There are a lot of theaters in and around this city.  Many have identities and missions that overlap, or that may even be seen as indistinguishable from one another.  The American Cent…

SOURCE: DC Theatre Scene at 11:08am on April 8, 2014

Brief Encounter by Christopher Henley

The story of Kneehigh Theatre's Brief Encounter, familiar to older readers and film buffs, is about a man and a woman, respectable, middle-class English folks, each married to other people, …

SOURCE: DC Theatre Scene at 11:46am on April 1, 2014

A family visit to Inside Out at Imagination Stage by Christopher Henley

My husband and I brought our just turned 20-month-old twins to a performance of Inside Out, a Theatre for the Very Young production at Imagination Stage in Bethesda. Our family is no strange…

SOURCE: DC Theatre Scene at 2:00pm on March 27, 2014

Ann Randolph on her trip to Loveland by Christopher Henley

"I can't tell you how incredibly, outrageously funny this show is."  So said Ann Randolph about her solo show Loveland, which recently opened at Arena Stage as part of its Kogod Cradle se…

SOURCE: DC Theatre Scene at 11:03am on March 26, 2014

Matthew Gardiner on directing Tender Napalm and Three Penny Opera by Christopher Henley

"Eric tends to be attracted to dark, poetic worlds." Matthew Gardiner is directing Tender Napalm at Signature Theatre, where he is the Associate Artistic Director.  I began our conversati…

SOURCE: DC Theatre Scene at 11:03am on March 21, 2014

Photos from Under the Canopy " theatre for the very young by Christopher Henley

"Look at that face!  Look at that happy face!"  This was my husband, Jay Hardee, speaking about our daughter after a recent performance of Under the Canopy. Much hand wringing occurs a…

SOURCE: DC Theatre Scene at 2:10pm on March 17, 2014

Washington Stage Guild on their love for George Bernard Shaw by Christopher Henley

Since its inception, Washington Stage Guild has done 22 productions of 27 plays by the playwright with whom the group is most closely associated, George Bernard Shaw.  (Some of the produc…

SOURCE: DC Theatre Scene at 10:05am on March 7, 2014

Mamma Mia! from the pit " we talk with M.D. Kevin Casey by Christopher Henley

"It's a rock concert for people who don't go to rock concerts anymore." Kevin Casey is the Music Director of the touring production of Mamma Mia!, currently ensconced at the National Theatre…

SOURCE: DC Theatre Scene at 11:45am on March 5, 2014

Lee Mikeska Gardner's unpacked her bags in Boston. What she's brought from DC by Christopher Henley

Around WSC Avant Bard, where she was Managing Director for several years and directed a number of productions, Lee Mikeska Gardner is known simply as LMG.  Among her legacies is what has …

SOURCE: DC Theatre Scene at 9:39am on February 28, 2014

Director Lindsey Snyder on creating NextStop's Richard III by Christopher Henley

"Here's a representation of a culture that doesn't get a lot of stage time.  We had an audience last week that included 51 deaf community members.  That was about three-quarters of the…

SOURCE: DC Theatre Scene at 3:21pm on February 19, 2014

Matthew Pauli on playing Rumpelstiltskin by Christopher Henley

“It’s a story that is largely about a character who is trying to steal a baby.  We’re not shying away from how disturbing that can be.”  Matthew Pauli was talki…

SOURCE: DC Theatre Scene at 10:24am on February 14, 2014

He's got this " Jason Loewith launches his first season at Olney with How to Succeed by Christopher Henley

"How to Succeed at Olney Without Really Trying," is how Jason Loewith described his game plan for Olney Theatre Center, the venerable Montgomery County institution whose reins he took over r…

SOURCE: DC Theatre Scene at 9:42am on February 12, 2014

Peter and the Starcatcher by Christopher Henley

Peter and the Starcatcher is a lot of fun.  It's creatively staged, wonderfully acted, impressively designed, genuinely funny, and anytime it felt as if a little something different was n…

SOURCE: DC Theatre Scene at 2:16pm on February 3, 2014

Michael Kahn discloses STC's next season, and thoughts on his succession by Christopher Henley

What can you expect to see at Shakespeare Theatre Company next season?  Plays by Shakespeare, of course.  However, you will also have a chance to see the work of Stoppard and Cervantes…

SOURCE: DC Theatre Scene at 11:00am on February 3, 2014

Violet by Christopher Henley

Violet is a musical that's not big and brassy and flashy.  Based on a short story, its concerns, like that form's, are more with character and local color than with, say, life and death e…

SOURCE: DC Theatre Scene at 10:10am on February 3, 2014

"Goodbye", "Hello!" Sherri L. Edelen closes in Gypsy, opens in How To … by Christopher Henley

"Top billing Monday, Tuesday you're touring in stock…" If there was a Helen Hayes category for quick turnaround, the award would undoubtedly go to Sherri L. Edelen.  Last weekend, she c…

SOURCE: DC Theatre Scene at 11:35am on January 31, 2014

At Folger, a new way of seeing Richard III. We talk with director Robert Richmond by Christopher Henley

Folger Theatre is extremely excited about its upcoming production of Richard III.  And the play's director, Robert Richmond, seems to be the most excited of all.  "It's one of the most…

SOURCE: DC Theatre Scene at 10:41am on January 29, 2014

Kathleen Turner and Molly Smith on Mother Courage and Her Children by Christopher Henley

"It's the greatest anti-war play of all time," Molly Smith said about Bertolt Brecht's Mother Courage and Her Children.  Smith, Artistic Director of Arena Stage, is directing a cast led b…

SOURCE: DC Theatre Scene at 11:59am on January 24, 2014

Earnest director Keith Baxter on Wilde, Welles, Gielgud and others from his life in theatre by Christopher Henley

We've all heard about the actor's nightmare, a dream during which the actor is about to go on stage without having learned the lines.  At the opposite end of the spectrum, what might the …

SOURCE: DC Theatre Scene at 12:48pm on January 20, 2014

Daniel Beaty on performing the life of Paul Robeson by Christopher Henley

"At one point, he even said, 'No more singing pretty songs." Daniel Beaty was speaking about Paul Robeson, the legendary actor-singer-activist who is the subject of The Tallest Tree in the F…

SOURCE: DC Theatre Scene at 11:39am on January 10, 2014

Welcome home, Porgy and Bess and Duke Ellington star Sumayya Ali by Christopher Henley

“Summertime and the living is easy…” That is, of course, the beginning of “Summertime,” the song which is the most recorded in Broadway history, Sumayya Ali tol…

SOURCE: DC Theatre Scene at 9:24am on December 24, 2013

It's their turn: Joe Calarco and Sherri L. Edelen talk about Gypsy at Signature by Christopher Henley

Stephen Sondheim is the Shakespeare of musical theatre, Joe Calarco told me. To extend the comparison, does that make the role of Mama Rose in Gypsy Sondheim’s Lear? Certainly the powe…

SOURCE: DC Theatre Scene at 11:47am on December 18, 2013
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