Theater review: 'The Bungler' at A Noise Within
Charlotte Stoudt reviews A Noise Within's effervescent staging of Molière's "The Bungler"
Charlotte Stoudt reviews A Noise Within's effervescent staging of Molière's "The Bungler"
Charlotte Stoudt reviews Ken Sawyer's revival of "Deathtrap" at L.A.'s Gay and Lesbian Center.
Charlotte Stoudt reviews "The Many Mistresses of Martin Luther King," Andrew Dolan's drama on race and marriage now at the Atwater Village Theatre.
Everybody say "amen": The joint is jumping over at Celebration Theatre with its raucous, exultant staging of "The Color Purple."Everybody say "amen": The joint is jumping over at Celebration…
Charlotte Stoudt reviews Celebration Theatre's revival of the musical adaptation of "The Color Purple"
The gleeful "Night" uses sketch comedy, song and a dizzying number of wigs to survey the glories and pratfalls of the American Dream. The gleeful "Night" uses sketch comedy, song and a dizzy…
Charlotte Stoudt reviews Richard Montoya's fast-paced comic fantasia, "American Night: The Ballad of Juan José" at the Kirk Douglas Theatre.
Director Julia Fletcher finds satirical bounce in this portrait of a privileged Bay Area family going to pieces on Tom Buderwitz s bougie two-story set.Director Julia Fletcher finds satirica…
Charlotte Stoudt reviews Jennifer W. Rowland's period satire, 'The Indians are Coming to Dinner' at Pacific Resident Theatre
Think of it as "Downton Abbey" with a higher IQ.Think of it as "Downton Abbey" with a higher IQ.
Charlotte Stoudt reviews the Chrysalis Stage revival of "Candida" at the Complex in Hollywood
Charlotte Stoudt reviews Joel Drake Johnson's "The Fall to Earth" at the Odyssey Theatre Ensemble
Boy meets girl. Boy fights Hitler. Girl goes all Rosie the Riveter and wonders whether her new independence beats marriage to Boy.Boy meets girl. Boy fights Hitler. Girl goes all Rosie the R…
Charlotte Stoudt reviews the American premiere of Christy Hall's World War II epistolary romance, "Yours, Isabel," at Actors Co-op. A theater review for the Los Angeles Times.
Why hasn't Jerry Bruckheimer franchised "CSI: Leenane"? Why hasn't Jerry Bruckheimer franchised "CSI: Leenane"?
Charlotte Stoudt reviews the Ruskin Group Theatre Company's revival of Martin McDonagh's "The Lonesome West"
Wisecracking Liz Casebolt and Joel Smith take you under the tulle in "O(h)," their innovative if uneven hour of choreography and commentary now at the Actors Company Theatre in West Hollywoo…
Charlotte Stoudt reviews Liz Casebolt and Joel Smith's dance-theater hybrid, "O(h)," now at the Actors Company Theatre in West Hollywood
Charlotte Stoudt reviews Adam Szymkowicz's first-date comedy "Nerve" at El Centro Theatre.
The Troubadour Theater Company's irresistible "A Christmas Westside Story" at the Falcon Theatre mashes up the campy 1983 movie about a boy and a BB gun with the iconic Bernstein-Sondheim mu…
Charlotte Stoudt reviews Troubadour Theater Company's latest mash-up, 'A Christmas Westside Story' at the Falcon Theatre.
Charlotte Stoudt reviews Urban Theatre Movement and the Latino Theater Company's powerful revival of Miguel Piñero's 'Short Eyes,' now extending at the Los Angeles Theatre Center
Charlotte Stoudt reviews "Silver for Gold," a multimedia portrait of Edie Sedgwick by Bauhaus co-founder David J
Charlotte Stoudt talks to German-born actor Norbert Weisser, performing in Juan Mayorga's Theresienstadt-set "Way to Heaven," about the Holocaust and theater.
Charlotte Stoudt reviews Sherry Glaser's solo show, "The Second Coming: A One-Woman Comedy of Biblical Proportions," now at Two Roads Theatre.