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59 stories by "Charlotte Irwin"

Review: Grief is the Thing with Feathers, The Barbican by Charlotte Irwin

Review: Grief is the Thing with Feathers, The Barbican4.0starsIt's hard to know where to begin with Grief is the Thing with Feathers. It's a surreal yet deceptively simple piece that almost …

SOURCE: A Younger Theatre at 6:00am on March 31, 2019

Review: No Kids, Battersea Arts Centre by Charlotte Irwin

Review: No Kids, Battersea Arts Centre4.0Overall ScoreNo Kids is much more than a play. It's an argument, a discussion, a life decision. An exchange between real-life couple Nir Paldi and Ge…

SOURCE: A Younger Theatre at 9:32am on February 9, 2019

Review: Anomaly, Old Red Lion Theatre by Charlotte Irwin

Review: Anomaly, Old Red Lion Theatre3.0starsAnomaly places itself at the heart of the Time's Up and #MeToo movement. Focusing on three daughters of a media mogul, Philip Preston, who has ju…

SOURCE: A Younger Theatre at 8:12am on January 18, 2019

Review: The Rave Space, Camden People's Theatre by Charlotte Irwin

To an extent, The Rave Space does what it says on the tin. You walk down the stairs into the dark basement of Camden People's Theatre, get your hand stamped, take your purple laser, and star…

SOURCE: A Younger Theatre at 8:32am on December 9, 2018

Review: Made In China's Super Duper Close Up, The Yard by Charlotte Irwin

Towards the end of Made In China's Super Duper Close Up, solo-performer Jess Latowicki tells the audience, "I always thought my story would be one with backing dancers." There is a certain s…

SOURCE: A Younger Theatre at 7:18am on November 17, 2018

Review: A Pupil, Park Theatre by Charlotte Irwin

A Pupil is a not just a play, but a concert of sorts. This strings-based affair is both visually and aurally commanding in its tale of a teenage violinist being taught by an old, female, mas…

SOURCE: A Younger Theatre at 7:06am on November 9, 2018

Review: Burgerz, Hackney Showroom by Charlotte Irwin

Travis Alabanza speaks from the heart. They open Burgerz with a short story about how someone threw a burger at them on Waterloo Bridge and shouted "tranny" in 2016. This anecdote of abuse i…

SOURCE: A Younger Theatre at 3:32pm on October 27, 2018

Review: POT, Stratford Circus Arts Centre by Charlotte Irwin

As you wait for POT to begin, a mist hangs in the air and around the brown-tinged set. This flat has patched up floors, a faded sofa, a grimy radiator and clutter in the form of crushed beer…

SOURCE: A Younger Theatre at 7:42pm on October 2, 2018

Review: The Outsider, The Print Room at the Coronet by Charlotte Irwin

Albert Camus's 1942 novel L'Etranger follows Meursault, whose mother dies, and who then kills an Arab man on the beach just because the sun was in his eyes. It has now been adapted for th…

SOURCE: A Younger Theatre at 1:42pm on September 22, 2018

Review: Eastern Star, Tara Theatre by Charlotte Irwin

Eastern Star looks back to Burma's 1988 revolution, comparing the viewpoints of a British Journalist and a Burmese Human Rights lawyer who reveals himself as "an architect of the revolution"…

SOURCE: A Younger Theatre at 2:04pm on September 19, 2018

Review: There But For The Grace Of God (Go I), Soho Theatre by Charlotte Irwin

Adam Walsh " no " Adam Welsh is an actor. An actor who found that when he Googles himself, the The post Review: There But For The Grace Of God (Go I), Soho Theatre appeared first on A Younge…

SOURCE: A Younger Theatre at 1:32pm on August 11, 2018

Review: Breathe, Bunker Theatre by Charlotte Irwin

Breathe begins calmly, speeds up, overlaps, hits you in the face, and…reminds you that life can get out of control The post Review: Breathe, Bunker Theatre appeared first on A Younger Thea…

SOURCE: A Younger Theatre at 5:32am on August 6, 2018

Review: Where the Hell is Bernard?, Blue Elephant Theatre by Charlotte Irwin

Where the Hell is Bernard? straddles a strange space between dystopian drama and mime. This Edinburgh preview of the play The post Review: Where the Hell is Bernard?, Blue Elephant Theatre a…

SOURCE: A Younger Theatre at 8:18am on July 12, 2018

Review: The Lieutenant of Inishmore, Noel Coward Theatre by Charlotte Irwin

Watching The Lieutenant of Inishmore you get the feeling that everyone on stage is having a good time. That might The post Review: The Lieutenant of Inishmore, Noel Coward Theatre appeared f…

SOURCE: A Younger Theatre at 11:42am on July 7, 2018

Review: The Turn of the Screw, Regent's Park Open Air Theatre by Charlotte Irwin

Henry James' The Turn of the Screw is a story that never feels solved. It demands the questions of who The post Review: The Turn of the Screw, Regent's Park Open Air Theatre appeared first o…

SOURCE: A Younger Theatre at 5:54am on June 29, 2018

Review: A Fortunate Man, Camden People's Theatre by Charlotte Irwin

John Berger's A Fortunate Man " accompanied by Jean Mohr's photographs " was published in 1967, as a 50:50 collaboration The post Review: A Fortunate Man, Camden People's Theatre appeared fi…

SOURCE: A Younger Theatre at 10:18am on June 16, 2018

Review: Julie, National Theatre by Charlotte Irwin

This updated version of Strindberg's classic Miss Julie, drops the Miss, and plunges us into a modernised upstairs-downstairs conundrum. In The post Review: Julie, National Theatre appeared …

SOURCE: A Younger Theatre at 6:12am on June 10, 2018

Review: Red, Wyndam's Theatre by Charlotte Irwin

It's 1958 New York, and the artist Mark Rothko is painting his Seagram Murals. The series of paintings, which can The post Review: Red, Wyndam's Theatre appeared first on A Younger Theatre.

SOURCE: A Younger Theatre at 8:24am on May 20, 2018

Review: Fox Hunting, Courtyard Theatre by Charlotte Irwin

Fox Hunting as a title evokes the countryside battles between the government and wealthy hunters who chase and kill for The post Review: Fox Hunting, Courtyard Theatre appeared first on A Yo…

SOURCE: A Younger Theatre at 7:06am on May 13, 2018

Review: Absolute Hell, Lyttelton Theatre by Charlotte Irwin

Rodney Ackland's Absolute Hell was originally conceived as The Pink Room. The work delving into the hilarious and often tragic The post Review: Absolute Hell, Lyttelton Theatre appeared firs…

SOURCE: A Younger Theatre at 6:36am on May 9, 2018

Review: Moormaid, Arcola Theatre by Charlotte Irwin

Suicide. Terrorism. Adultery. The themes of Marion Blott's Moormaid don't suggest comedy, but Marion Blott's script is at its most The post Review: Moormaid, Arcola Theatre appeared first on…

SOURCE: A Younger Theatre at 6:18am on May 6, 2018

Review: This Is Not A Safe Place, Camden People's Theatre by Charlotte Irwin

Jackie Hagan is an award-winning playwright, the 2018 Jerwood Compton Poetry fellow, and working class. And so, the monologue that The post Review: This Is Not A Safe Place, Camden People's …

SOURCE: A Younger Theatre at 8:06am on May 2, 2018

Review: The Country Wife, Southwark Playhouse by Charlotte Irwin

The Country Wife was written by William Wycherley in 1675, but Morphic Graffiti's adaptation brings us to the Roaring Twenties where a group of Bright Young Things " and a few not so young "…

SOURCE: A Younger Theatre at 6:27am on April 10, 2018

Review: Coraline, Barbican by Charlotte Irwin

Coraline fast became a cult classic when Neil Gaiman's children's novella was first published in 2002. There has since been the award-winning stop-motion film adaptation, a musical, and even…

SOURCE: A Younger Theatre at 7:16am on April 7, 2018

Review: Sheep Also Dream, Camden People's Theatre by Charlotte Irwin

It is worth remembering that Sheep Also Dream is a work in progress. The two-man surrealist piece by real-life brothers, The Davis Brothers " Tom and Ben – is a little rough around the…

SOURCE: A Younger Theatre at 6:00am on March 20, 2018
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