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57 stories by "Charlie Wilks"

BWW Review: MACBETH, Garrick Theatre by Charlie Wilks

Something wicked has arrived in the West End. It comes in the form of the National Youth Theatre REP Company's production of Macbeth, which has been abridged beautifully by Moira Buffini. Sh…

SOURCE: BroadwayWorld at 7:39am on November 30, 2018

BWW Review: CUCKOO, Soho Theatre by Charlie Wilks

Iona wants to be happy. After years of ridicule and childhood trauma she desperately seeks refuge in a more vibrant place than where she's at right now. She wants out. Her destination of cho…

SOURCE: BroadwayWorld at 3:40am on November 19, 2018

BWW Review: SUPER DUPER CLOSE UP, Yard Theatre by Charlie Wilks

Made in China present their solo show about anxiety. In it Jessica Latowicki performs a monologue that quickly descends into chaos. The text, which has been dramaturged by Tim Cowbury, is a …

SOURCE: BroadwayWorld at 9:04am on November 16, 2018

BWW Review: MIRABEL, Ovalhouse Theatre by Charlie Wilks

It's the end of the world, or alternatively, the start of a brand new one, and Mirabel seems to be the only person left. Confident and prepared, she sets off across the lonely desert to sear…

SOURCE: BroadwayWorld at 10:07am on November 11, 2018

BWW Review: LANDS, Bush Theatre by Charlie Wilks

Bush Associate Artist company Antler arrive with their Edinburgh hit Lands, a high-spirited, tender investigation into a relationship that's on its way to its end.

SOURCE: BroadwayWorld at 10:41am on November 9, 2018

BWW Review: ALL WE EVER WANTED WAS EVERYTHING, Bush Theatre by Charlie Wilks

This is a really brilliant production, full of life, energy, exuberance, and joy. Luke Barnes' script breaks your heart in the subtlest of ways. His writing poetically tells the story of aba…

SOURCE: BroadwayWorld at 10:48am on November 7, 2018

BWW Review: PICKLE JAR, Soho Theatre by Charlie Wilks

How do you keep everything together, when everything around you is falling apart Life's complicated - that's for sure - and for our central character in this story, balancing teaching, roman…

SOURCE: BroadwayWorld at 9:33am on November 6, 2018

BWW Review: VICTORIA'S KNICKERS, Soho Theatre by Charlie Wilks

The second offering in this year's National Youth Theatre REP Season is just as brilliant as the earlier reviewed Consensual. In Victoria's Knickers, Josh Azouz and Ned Bennett - who previou…

SOURCE: BroadwayWorld at 9:39am on November 4, 2018

BWW Review: ear for eye, Royal Court by Charlie Wilks

A 16-strong ensemble storms the Royal Court stage in debbie tucker green's latest play, which shows snapshots of black British and African American experiences in our contemporary day. Direc…

SOURCE: BroadwayWorld at 9:54am on November 2, 2018

BWW Review: THE WOLVES, Theatre Royal Stratford East by Charlie Wilks

This is a play about the highs and lows of teen development, exploring what it means to be a girl today. And despite being set in America, the themes are universal to all. As one of the char…

SOURCE: BroadwayWorld at 11:48am on October 31, 2018

BWW Review: CONSENSUAL, Soho Theatre by Charlie Wilks

Opening this year's National Youth Theatre REP Season is the return of Evan Placey's Consensual, originally written for the company back in 2015 when it premiered at the Ambassadors Theatre.…

SOURCE: BroadwayWorld at 11:51am on October 26, 2018

BWW Review: MEDUSA, Sadler's Wells Theatre by Charlie Wilks

Celebrating 20 years of performance excellence, Sadler's Wells Associate Artist Jasmin Vardimon's incredibly talented company present another unforgettable, highly entertaining masterpiece.

SOURCE: BroadwayWorld at 8:24pm on October 22, 2018

BWW Review: JONNY WOO'S UN-ROYAL VARIETY, Hackney Empire by Charlie Wilks

Back for its third year, Jonny Woo brings his eclectically exuberant production to the Hackney Empire, promising it to be the most spectacular yet. And it is certainly fabulous. Woo has cura…

SOURCE: BroadwayWorld at 10:36am on October 21, 2018

BWW Review: THE INHERITANCE, Noel Coward Theatre by Charlie Wilks

Set a generation after the AIDS crisis, Matthew Lopez's two part world premiere checks in with gay men living today. What does love mean in contemporary New York How do we find our sense of …

SOURCE: BroadwayWorld at 8:36am on October 15, 2018

BWW Review: DRIP FEED, Soho Theatre by Charlie Wilks

It's Cork, 1998. Brenda sits contemplating a messy night out, which quickly escalates into a reflection on her entire adult experience. Nursing a disgusting hangover, she investigates the ac…

SOURCE: BroadwayWorld at 7:54pm on October 2, 2018

BWW Review: POET IN DA CORNER, Royal Court by Charlie Wilks

Many years ago a young girl was given an album that would go on to change her life. It would form the foundations of the woman she'd grow up to be. It'd take her from being a dyslexic strugg…

SOURCE: BroadwayWorld at 6:15pm on September 26, 2018

BWW Review: EYAM, Shakespeare's Globe by Charlie Wilks

Eyam, a place located in Derbyshire that has a law to its own. Isolated from the rest of the country, it has become a microcosm of anarchy, upheaval and deprivation. The villagers play by th…

SOURCE: BroadwayWorld at 8:48am on September 22, 2018

BWW Review: MISTY, Trafalgar Studios by Charlie Wilks

Are you a virus or a blood cell What does that even mean In his opening moments, Arinze Kene tells us the difference blood cells are the good members of society - the viruses are not. A viru…

SOURCE: BroadwayWorld at 7:03am on September 21, 2018

BWW Review: BLAK WHYTE GRAY, Barbican by Charlie Wilks

There's something simply magical happening on the Barbican's main stage at the moment. Upon entering the auditorium I didn't know what to expect, however I had been told beforehand that Boy …

SOURCE: BroadwayWorld at 8:12am on September 15, 2018

BWW Review: THE VILLAGE, Theatre Royal Stratford East by Charlie Wilks

April de Angelis has transposed Lope de Vega's Fuenteovejuna into contemporary day India, setting it in an environment of political turmoil. The Inspector uses his state-given power to abuse…

SOURCE: BroadwayWorld at 1:36pm on September 14, 2018

BWW Review: AN ADVENTURE, Bush Theatre by Charlie Wilks

Documenting his grandparent's experiences of moving overseas, Vinay Patel has written a three-hour epic, which puts ethical choice and identity at the forefront of the narrative. Spanning 60…

SOURCE: BroadwayWorld at 10:06pm on September 12, 2018

BWW Review: DISTANCE, Park Theatre by Charlie Wilks

With suicide being the most prolific killer amongst men under 40, Alex McSweeney and Simon Pittman have teamed up to uncover the reasons why. Following on from their successful run of Out of…

SOURCE: BroadwayWorld at 11:49am on September 9, 2018

BWW Review: MISSING, Battersea Arts Centre by Charlie Wilks

After seeing Missing, and experiencing an evening at BAC, all's that left to say is that this venue has truly risen from the ashes, and its future is definitely bright.

SOURCE: BroadwayWorld at 7:42pm on September 8, 2018

BWW Review: GANGSTA GRANNY: LIVE ON STAGE, Harold Pinter Theatre by Charlie Wilks

When reflecting on your fondest childhood memories, you'd probably decide upon visiting your grandparents as one of your highlights. Whilst there you could watch your favourite TV show, eat …

SOURCE: BroadwayWorld at 10:04am on August 18, 2018

BWW Review: CLUB SWIZZLE, Roundhouse by Charlie Wilks

Step inside the Roundhouse's main space right now and you'll be treated to an overwhelming onslaught of glitter, glamour and all things gorgeous. Welcome to Club Swizzle, a place where the w…

SOURCE: BroadwayWorld at 7:18pm on August 3, 2018
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