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1,324 stories by "Charles McNulty"

Critic's Notebook: Mary Poppins is popular without pandering by Charles McNulty

The character, now in the musical at the Ahmanson Theatre, is beloved — and radical.No, that's not a UFO hovering over the Music Center. It happens to be Mary Poppins, who has glided b…

SOURCE: Los Angeles Times at 9:25pm on August 19, 2012

Critic's Notebook: 'Killer Joe' shows the graphic reality of film can kill its drama by Charles McNulty

William Friedkin's film of Tracy Letts' play leaves little to the imagination, and that can really mess up your mind.William Friedkin's film of Tracy Letts' play"Killer Joe" is nasty, brutis…

SOURCE: Los Angeles Times at 11:00am on August 18, 2012

Theater review: A blazing 'Red' with Alfred Molina as Mark Rothko by Charles McNulty

In a sensational production of John Logan's play at the Mark Taper Forum, an artist of highbrow ambition has accepted a lucrative commission, and guilt results. As imagined by John Logan in …

SOURCE: Los Angeles Times at 3:00am on August 14, 2012

Review: Liza Minnelli overcomes technical difficulties by Charles McNulty

Neither voice nor body is what it was. Still, she lives the emotions of her songs, and that goes a long way, even on a night held up by delays.The crowd was growing restless at the Hollywood…

SOURCE: Los Angeles Times at 9:35pm on August 12, 2012

Critic's Notebook: Anton Chekhov for the modern world by Charles McNulty

Soho Rep's 'Uncle Vanya' takes its time while Sydney Theatre's version moves at a quick pace. Each staging is effective, and each shows how timeless Chekhov can be.NEW YORK — Anton Che…

SOURCE: Los Angeles Times at 5:00pm on August 4, 2012

Review: 'The Producers' still zings despite flubs at the Bowl by Charles McNulty

With a short rehearsal time it's no wonder the musical stops short of perfection, but the comic level of the Mel Brooks work remains high."The Producers" returned to Los Angeles for three pe…

SOURCE: Los Angeles Times at 9:35pm on July 29, 2012

London Olympics review: Danny Boyle delivers theatrical spectacle by Charles McNulty

The director delivered opening ceremonies for the Olympics that celebrated both the eccentricity and enlightenment that are fascinatingly entwined in Britain's cultural DNA. Olympic openin…

SOURCE: Los Angeles Times at 4:42pm on July 28, 2012

Critic's Notebook: real world concerns about a fantasy 'Nightingale' by Charles McNulty

Are we really living in a post-racial world? It seems like we’re back in the 1990s, when all hell broke loose on Broadway after the British star Jonathan Pryce was cast as the Eurasian…

SOURCE: Los Angeles Times at 9:00am on July 24, 2012

In the moment with Cate Blanchett by Charles McNulty

The star juggles family with an actor's life. These days, that includes co-running a Sydney theater troupe with her husband. Their latest — Chekhov's 'Uncle Vanya.'On the surface, Cate…

SOURCE: Los Angeles Times at 4:00pm on July 14, 2012

Review: 'The Exorcist' falls short of a devilishly good time by Charles McNulty

A diabolically stilted dialogue and some patchy performances trip up the new Geffen Playhouse work, although its striking design and effective music are standouts.Two questions immediately p…

SOURCE: Los Angeles Times at 3:00am on July 13, 2012

Review: Action leads Old Globe's Shakespeare Festival by Charles McNulty

The company's staging of 'Richard III' and 'As You Like It' may emphasize plot over psychology, but the classics are still a lovely way to spend a summer night.There are as many ways to rean…

SOURCE: Los Angeles Times at 3:00am on July 11, 2012

Review: 'War Horse' at Ahmanson Theatre is a marvel of stagecraft by Charles McNulty

The Tony Award-winning play communicates the staggering waste of war but provides an opportunity to reconnect with the childhood enchantments of bedtime fables, folk tales and storybook adve…

SOURCE: Los Angeles Times at 12:00am on July 2, 2012

Review: 'A Missionary Position' unites art, activism at REDCAT by Charles McNulty

In his graceful assuming of various characters, Ntare Guma Mbaho Mwine lobs a searing riposte at Uganda's anti-gay bill in a new solo show.He roams the night in menacing military police garb…

SOURCE: Los Angeles Times at 3:00am on June 30, 2012

Critic's Notebook: 'Jitney' a snapshot of '70s America by Charles McNulty

Full of the gritty textures of the '70s, August Wilson's play does something today's artists should emulate — reveal how rooted we are in our uniquely styled moment of history.The noti…

SOURCE: Los Angeles Times at 3:00am on June 27, 2012

Review: Afghanistan under fire in J.T. Rogers' 'Blood and Gifts' by Charles McNulty

A study of American involvement in the Soviet-Afghan war, J.T. Rogers' 'Blood and Gifts' artfully lays out the shortsightedness of foreign players in a rocky region.Dramatic works about Afgh…

SOURCE: Los Angeles Times at 3:00am on June 20, 2012

Theater review: 'The New Electric Ballroom' provides a jolt by Charles McNulty

The Rogue Machine production of Enda Walsh's 'The New Electric Ballroom' at Theatre/Theater captures the haunting spectacle of three sisters who often revisit the past.Enda Walsh's "The New …

SOURCE: Los Angeles Times at 3:00am on June 20, 2012

Tony Awards 2012: For 'Once' daring trumps commerce by Charles McNulty

At the Tony Awards, artistic quality and risk-taking win out over commerce as the little musical 'Once' and 'Clybourne Park' triumph.Will wonders never cease: David slayed Goliath in a rare …

SOURCE: Los Angeles Times at 11:00am on June 11, 2012

'Follies' says goodbye to the Ahmanson, hello to the Tonys by Charles McNulty

“Follies” bid farewell to the Ahmanson Theatre on Saturday night, and the emotion in the house was as charged as the emotion coursing through the Weismann Theatre, where the ex-F…

SOURCE: Los Angeles Times at 6:20pm on June 10, 2012

The buzz in the Tony Awards' big categories by Charles McNulty

Should Audra McDonald make room on a mantel? Is the movie world's new Spider-Man golden? And what about all those 'Follies' nominations?The Academy Awards telecast has been such a snooze in …

SOURCE: Los Angeles Times at 3:00am on June 8, 2012

Review: 'pool (no water)' expresses scalding insights by Charles McNulty

In a Monkey Wrench Collective production, Mark Ravenhill's play has a darker view of the artistic underground.Mark Ravenhill, the English playwright best known for his play with the unprinta…

SOURCE: Los Angeles Times at 3:00am on June 6, 2012

Theater review: 'Los Otros' merely murmurs at the Mark Taper Forum by Charles McNulty

The new 90-minute musical by Michael John LaChiusa and Ellen Fitzhugh benefits from its SoCal setting and its study of identity. But it's too diffuse.Commercial success has eluded Michael Jo…

SOURCE: Los Angeles Times at 3:00am on June 5, 2012

Critic's Notebook: The heartening resurgence of the American play by Charles McNulty

A new body of domestic work on Broadway, including Tony front-runners 'Clybourne Park' and 'Other Desert Cities,' marks a strong change of pace for playwriting.Had you polled theater pundits…

SOURCE: Los Angeles Times at 3:00am on June 3, 2012

'Porgy and Bess' recording has emotional if not textual purity by Charles McNulty

Gershwin purists, this "Porgy and Bess" is probably not for you, even though its official title is "The Gershwins' Porgy and Bess." The cast album of the current Broadway production is a str…

SOURCE: Los Angeles Times at 3:00am on May 30, 2012

Theater review: 'Hands on a Hardbody' is a fun ride by Charles McNulty

The quirky musical at the La Jolla Playhouse about contestants trying to win a pickup could use a tuneup, but its folksy, low-key approach is seductive."Hands on a Hardbody," the new musical…

SOURCE: Los Angeles Times at 3:00am on May 15, 2012

Review: 'Follies' is a source of heartache and razzmatazz by Charles McNulty

Visiting L.A. after New York, this landmark Stephen Sondheim work is a dazzling reminder of how brilliantly constructed a musical can be.There's so much to praise in the blissful Broadway re…

SOURCE: Los Angeles Times at 3:00am on May 11, 2012
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