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1,308 stories by "Charles McNulty"

Review: Ungainly yet powerful charge of the 'Rhinoceros' by Charles McNulty

Eugene Ionesco's absurdist tale always feels drawn out, but in a visiting Theatre de la Ville-Paris production, its horror shakes the foundations.Emmanuel Demarcy-Mota's smart, sleek product…

SOURCE: Los Angeles Times at 10:30pm on September 23, 2012

Review: Step into a Factory job by Charles McNulty

A Gob Squad show inspired by Warhol films brings the audience into a very surreal 'Kitchen.'Andy Warhol is sometimes blamed for ushering in the age of reality television. Nonsense. All those…

SOURCE: Los Angeles Times at 6:40pm on September 21, 2012

Review: 'Under My Skin' may get under yours by Charles McNulty

The body-switch comedy from Robert Sternin and Prudence Fraser plays on the Pasadena Playhouse stage like a bad sitcom.Connoisseurs of really bad television — you know you're out there…

SOURCE: Los Angeles Times at 9:20pm on September 20, 2012

Theater review: 'The Book of Mormon' at Pantages is naughty, nice and fun by Charles McNulty

This national tour production matches the verve, if not the sharpness, of the original Broadway production. The musical about two mismatched Mormon missionaries assigned to Uganda is a profa…

SOURCE: Los Angeles Times at 6:18pm on September 13, 2012

Review: In 'Silence! The Musical,' a killer silliness ensues by Charles McNulty

A singing parody of the Oscar winner, 'Silence! The Musical' may overstretch at times, but a madcap cast and shameless daring make it outrageously fun.Any day now the announcement that "Jaws…

SOURCE: Los Angeles Times at 8:00pm on September 10, 2012

Theater review: 'Helen' is remade into a lively movie queen by Charles McNulty

The Playwrights' Arena production makes Helen a fugitive from Hollywood who has been sullied by the tabloids but still seeking refuge at the tomb of Proteus.Just a few years after writing hi…

SOURCE: Los Angeles Times at 9:14pm on September 7, 2012

Review: 'Elephant Room' tricksters conjure zany sparks by Charles McNulty

Sketch comedy and magic make for a fun night in the hands of madcap performers Trey Lyford, Geoff Sobelle and Steve Cuiffo.Don't let the retro styling fool you. Although they look like comic…

SOURCE: Los Angeles Times at 3:00am on August 28, 2012

Theater review: 'The Blue Iris' and Athol Fugard's self-judgment by Charles McNulty

The play receiving its U.S. premiere at the Fountain Theatre provides tantalizing insight into the South African writer. At 80, South African playwright Athol Fugard is still turning out pla…

SOURCE: Los Angeles Times at 11:15pm on August 26, 2012

Theater review: 'The City' at Son of Semele is dark, confusing by Charles McNulty

War, brutality, despair and cryptic storytelling fill the U.S. premiere. Matthew McCray directs.Enigmatic anecdote is the currency of Martin Crimp's "The City," having its U.S. premiere at S…

SOURCE: Los Angeles Times at 3:00am on August 22, 2012

Critic's Notebook: Mary Poppins is popular without pandering by Charles McNulty

The character, now in the musical at the Ahmanson Theatre, is beloved — and radical.No, that's not a UFO hovering over the Music Center. It happens to be Mary Poppins, who has glided b…

SOURCE: Los Angeles Times at 9:25pm on August 19, 2012

Critic's Notebook: 'Killer Joe' shows the graphic reality of film can kill its drama by Charles McNulty

William Friedkin's film of Tracy Letts' play leaves little to the imagination, and that can really mess up your mind.William Friedkin's film of Tracy Letts' play"Killer Joe" is nasty, brutis…

SOURCE: Los Angeles Times at 11:00am on August 18, 2012

Theater review: A blazing 'Red' with Alfred Molina as Mark Rothko by Charles McNulty

In a sensational production of John Logan's play at the Mark Taper Forum, an artist of highbrow ambition has accepted a lucrative commission, and guilt results. As imagined by John Logan in …

SOURCE: Los Angeles Times at 3:00am on August 14, 2012

Review: Liza Minnelli overcomes technical difficulties by Charles McNulty

Neither voice nor body is what it was. Still, she lives the emotions of her songs, and that goes a long way, even on a night held up by delays.The crowd was growing restless at the Hollywood…

SOURCE: Los Angeles Times at 9:35pm on August 12, 2012

Critic's Notebook: Anton Chekhov for the modern world by Charles McNulty

Soho Rep's 'Uncle Vanya' takes its time while Sydney Theatre's version moves at a quick pace. Each staging is effective, and each shows how timeless Chekhov can be.NEW YORK — Anton Che…

SOURCE: Los Angeles Times at 5:00pm on August 4, 2012

Review: 'The Producers' still zings despite flubs at the Bowl by Charles McNulty

With a short rehearsal time it's no wonder the musical stops short of perfection, but the comic level of the Mel Brooks work remains high."The Producers" returned to Los Angeles for three pe…

SOURCE: Los Angeles Times at 9:35pm on July 29, 2012

London Olympics review: Danny Boyle delivers theatrical spectacle by Charles McNulty

The director delivered opening ceremonies for the Olympics that celebrated both the eccentricity and enlightenment that are fascinatingly entwined in Britain's cultural DNA. Olympic openin…

SOURCE: Los Angeles Times at 4:42pm on July 28, 2012

Critic's Notebook: real world concerns about a fantasy 'Nightingale' by Charles McNulty

Are we really living in a post-racial world? It seems like we’re back in the 1990s, when all hell broke loose on Broadway after the British star Jonathan Pryce was cast as the Eurasian…

SOURCE: Los Angeles Times at 9:00am on July 24, 2012

In the moment with Cate Blanchett by Charles McNulty

The star juggles family with an actor's life. These days, that includes co-running a Sydney theater troupe with her husband. Their latest — Chekhov's 'Uncle Vanya.'On the surface, Cate…

SOURCE: Los Angeles Times at 4:00pm on July 14, 2012

Review: 'The Exorcist' falls short of a devilishly good time by Charles McNulty

A diabolically stilted dialogue and some patchy performances trip up the new Geffen Playhouse work, although its striking design and effective music are standouts.Two questions immediately p…

SOURCE: Los Angeles Times at 3:00am on July 13, 2012

Review: Action leads Old Globe's Shakespeare Festival by Charles McNulty

The company's staging of 'Richard III' and 'As You Like It' may emphasize plot over psychology, but the classics are still a lovely way to spend a summer night.There are as many ways to rean…

SOURCE: Los Angeles Times at 3:00am on July 11, 2012

Review: 'War Horse' at Ahmanson Theatre is a marvel of stagecraft by Charles McNulty

The Tony Award-winning play communicates the staggering waste of war but provides an opportunity to reconnect with the childhood enchantments of bedtime fables, folk tales and storybook adve…

SOURCE: Los Angeles Times at 12:00am on July 2, 2012

Review: 'A Missionary Position' unites art, activism at REDCAT by Charles McNulty

In his graceful assuming of various characters, Ntare Guma Mbaho Mwine lobs a searing riposte at Uganda's anti-gay bill in a new solo show.He roams the night in menacing military police garb…

SOURCE: Los Angeles Times at 3:00am on June 30, 2012

Critic's Notebook: 'Jitney' a snapshot of '70s America by Charles McNulty

Full of the gritty textures of the '70s, August Wilson's play does something today's artists should emulate — reveal how rooted we are in our uniquely styled moment of history.The noti…

SOURCE: Los Angeles Times at 3:00am on June 27, 2012

Review: Afghanistan under fire in J.T. Rogers' 'Blood and Gifts' by Charles McNulty

A study of American involvement in the Soviet-Afghan war, J.T. Rogers' 'Blood and Gifts' artfully lays out the shortsightedness of foreign players in a rocky region.Dramatic works about Afgh…

SOURCE: Los Angeles Times at 3:00am on June 20, 2012

Theater review: 'The New Electric Ballroom' provides a jolt by Charles McNulty

The Rogue Machine production of Enda Walsh's 'The New Electric Ballroom' at Theatre/Theater captures the haunting spectacle of three sisters who often revisit the past.Enda Walsh's "The New …

SOURCE: Los Angeles Times at 3:00am on June 20, 2012
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