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1,324 stories by "Charles McNulty"

Review: Elevator Repair Service's 'Gatz' a rewarding marathon by Charles McNulty

An hours-long retelling of Fitzgerald's 'The Great Gatsby,' 'Gatz' is ably served by the innovative cast and crew of Elevator Repair Service."Gatz," Elevator Repair Service's celebration of …

SOURCE: Los Angeles Times at 6:57pm on November 30, 2012

Review: 'Dead Accounts' with Katie Holmes doesn't add up to serious drama by Charles McNulty

The Broadway play starring Norbert Leo Butz as a New York banker who absconds with millions from his job and returns to Cincinnati to help his middle-class family goes to extremes with chara…

SOURCE: Los Angeles Times at 8:00pm on November 29, 2012

Review: 'Yoshimi Battles the Pink Robots' sounds thrilling, at least by Charles McNulty

The Flaming Lips-inspired score is the highlight of the literary-challenged 'Yoshimi Battles the Pink Robots' at La Jolla Playhouse.LA JOLLA — Futuristic theatrical effects are deploye…

SOURCE: Los Angeles Times at 12:35am on November 20, 2012

Review: In this 'Hamlet' at the Broad Stage, high spirits abound by Charles McNulty

The fresh-faced approach to 'Hamlet' by the Shakespeare's Globe may not bring on the tears, but a good time is had by all at the Broad Stage.Tired of the pomp and circumstance of costume dra…

SOURCE: Los Angeles Times at 7:20pm on November 16, 2012

Review: Barbara Cook rejuvenates song standards by Charles McNulty

At 85, the singer fully grasps life's meaning and channels it through songs we know but have never before heard like this.Legend has it that Juan Ponce de León set off for the New World i…

SOURCE: Los Angeles Times at 9:22pm on November 15, 2012

Review: 'Intimate Apparel' shows an unknown artist at work by Charles McNulty

Lynn Nottage's 'Intimate Apparel,' at Pasadena Playhouse with Vanessa Williams ('Soul Food'), is a portrait of a black seamstress working in obscurity in 1905.Artists come in many varieties.…

SOURCE: Los Angeles Times at 10:00pm on November 12, 2012

Review: 'Build' really just a waiting game by Charles McNulty

Michael Golamco's glossily directed play revolves around a gloomy video game designer living with his dead wife's computerized ghost. Will his mood ever lift?Gather round, 21st century drama…

SOURCE: Los Angeles Times at 6:40pm on October 25, 2012

Review: Awash in poetry in the 'Red and Brown Water' by Charles McNulty

Finally, L.A. gets a look at a play by the much-talked-about Tarell Alvin McCraney: his expressionistic tale of a young woman with choices to make.Beyond the fact that it is sensational, the…

SOURCE: Los Angeles Times at 10:10pm on October 23, 2012

Review: Antaeus' 'You Can't Take It With You' is forced by Charles McNulty

'You Can't Take It With You,' by George S. Kaufman and Moss Hart, gets a labored staging by Antaeus Company.The bohemian Sycamore family of George S. Kaufman and Moss Hart's Pulitzer Prize-w…

SOURCE: Los Angeles Times at 9:20pm on October 22, 2012

Critic's Notebook: Presidential debates as theater by Charles McNulty

As President Obama and Mitt Romney debate Monday, theatrical presentation will be scrutinized. But personalities should lead to ideas.The final presidential debate between President Obama an…

SOURCE: Los Angeles Times at 12:30am on October 22, 2012

Review: 'Seminar' is a sharp look at writing classes by Charles McNulty

Theresa Rebeck's 'Seminar,' starring Jeff Goldblum at the Ahmanson Theatre, is entertaining in its details and dynamics, but the story and sitcom humor falter.Masochism is the chief prerequi…

SOURCE: Los Angeles Times at 7:02pm on October 18, 2012

Theater review: In 'The Rivals,' zingers from 1775 hit their mark by Charles McNulty

The Actors' Gang's staging captures the silliness of Richard Brinsley Sheridan's comedy. The problem remains the dizzying plot.Let's congratulate the Actors' Gang for at least bringing some …

SOURCE: Los Angeles Times at 1:00am on October 17, 2012

Review: John Hurt is magnificent in Beckett's 'Krapp's Last Tape' by Charles McNulty

John Hurt eloquently stars in Samuel Beckett's 'Krapp's Last Tape' at Kirk Douglas Theatre in a production directed by Michael Colgan.With his shock of silver-gray hair, his face etched by t…

SOURCE: Los Angeles Times at 8:00am on October 12, 2012

Review: The underworld calls in South Coast's 'Eurydice' by Charles McNulty

Visually, this telling of Sarah Ruhl's rethought Orpheus tale is a stunner. The whimsy, though, is overplayed."Eurydice," Sarah Ruhl's playful retelling of the Orpheus myth from a female per…

SOURCE: Los Angeles Times at 4:44pm on October 4, 2012

Review: 'Meet Vera Stark' for an entertaining look at challenges by Charles McNulty

Lynn Nottage takes a fictional look at a real actress, providing a view into the sisterhood of African American women as they face a world skewed against them.Theresa Harris was an African A…

SOURCE: Los Angeles Times at 7:35pm on September 27, 2012

Theater review: 'Glengarry Glen Ross' crackles with energy by Charles McNulty

The latest revival of David Mamet's 'Glengarry Glen Ross,' at the La Jolla Playhouse, is a tense and well-paced production thanks to the strong cast.As long as America is America, land of op…

SOURCE: Los Angeles Times at 7:15pm on September 26, 2012

Review: Ungainly yet powerful charge of the 'Rhinoceros' by Charles McNulty

Eugene Ionesco's absurdist tale always feels drawn out, but in a visiting Theatre de la Ville-Paris production, its horror shakes the foundations.Emmanuel Demarcy-Mota's smart, sleek product…

SOURCE: Los Angeles Times at 10:30pm on September 23, 2012

Review: Step into a Factory job by Charles McNulty

A Gob Squad show inspired by Warhol films brings the audience into a very surreal 'Kitchen.'Andy Warhol is sometimes blamed for ushering in the age of reality television. Nonsense. All those…

SOURCE: Los Angeles Times at 6:40pm on September 21, 2012

Review: 'Under My Skin' may get under yours by Charles McNulty

The body-switch comedy from Robert Sternin and Prudence Fraser plays on the Pasadena Playhouse stage like a bad sitcom.Connoisseurs of really bad television — you know you're out there…

SOURCE: Los Angeles Times at 9:20pm on September 20, 2012

Theater review: 'The Book of Mormon' at Pantages is naughty, nice and fun by Charles McNulty

This national tour production matches the verve, if not the sharpness, of the original Broadway production. The musical about two mismatched Mormon missionaries assigned to Uganda is a profa…

SOURCE: Los Angeles Times at 6:18pm on September 13, 2012

Review: In 'Silence! The Musical,' a killer silliness ensues by Charles McNulty

A singing parody of the Oscar winner, 'Silence! The Musical' may overstretch at times, but a madcap cast and shameless daring make it outrageously fun.Any day now the announcement that "Jaws…

SOURCE: Los Angeles Times at 8:00pm on September 10, 2012

Theater review: 'Helen' is remade into a lively movie queen by Charles McNulty

The Playwrights' Arena production makes Helen a fugitive from Hollywood who has been sullied by the tabloids but still seeking refuge at the tomb of Proteus.Just a few years after writing hi…

SOURCE: Los Angeles Times at 9:14pm on September 7, 2012

Review: 'Elephant Room' tricksters conjure zany sparks by Charles McNulty

Sketch comedy and magic make for a fun night in the hands of madcap performers Trey Lyford, Geoff Sobelle and Steve Cuiffo.Don't let the retro styling fool you. Although they look like comic…

SOURCE: Los Angeles Times at 3:00am on August 28, 2012

Theater review: 'The Blue Iris' and Athol Fugard's self-judgment by Charles McNulty

The play receiving its U.S. premiere at the Fountain Theatre provides tantalizing insight into the South African writer. At 80, South African playwright Athol Fugard is still turning out pla…

SOURCE: Los Angeles Times at 11:15pm on August 26, 2012

Theater review: 'The City' at Son of Semele is dark, confusing by Charles McNulty

War, brutality, despair and cryptic storytelling fill the U.S. premiere. Matthew McCray directs.Enigmatic anecdote is the currency of Martin Crimp's "The City," having its U.S. premiere at S…

SOURCE: Los Angeles Times at 3:00am on August 22, 2012
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