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1,324 stories by "Charles McNulty"

Review: Vital issues raised at a meeting of 'Top Girls' by Charles McNulty

Caryl Churchill's bracing modern classic 'Top Girls' — which involves a fanciful meeting of strong women from throughout history — is given a spot-on production by the Antaeus Co…

SOURCE: Los Angeles Times at 8:00am on March 20, 2014

Review: In 'Reunion,' boys will be boisterous by Charles McNulty

Theater Review: Three high school buddies back together after 25 years hit all the genre buttons, but the cast sets the dramatic pulse.The cooler of beer in the bland, budget motel room sett…

SOURCE: Los Angeles Times at 9:00am on March 18, 2014

Spring arts 2014: Theater by Charles McNulty

Spring theater highlights include 'A Song at Twilight,' 'Rest' and 'A Midsummer Night's Dream.'Shakespeare with puppets, a legendary director still breaking ground in his 80s, and a couple o…

SOURCE: Los Angeles Times at 9:15am on March 14, 2014

Review: Wendy Graf's 'Closely Related Keys' a complicated affair by Charles McNulty

An unwieldy mix of geopolitical suspense and domestic turmoil trips up Wendy Graf's 'Closely Related Keys,' having its world premiere at the Lounge Theatre.Julia, the protagonist of Wendy Gr…

SOURCE: Los Angeles Times at 8:30am on March 14, 2014

Review: Barry Manilow's 'Harmony' musical can sing but needs work by Charles McNulty

Barry Manilow and Bruce Sussman's 'Harmony,' about the Comedian Harmonists, returns retooled at the Ahmanson. The music is beautiful, but the rest is derivative and plays it too safe.A show …

SOURCE: Los Angeles Times at 6:53pm on March 13, 2014

Orlando Bloom, Joe Morton brighten TchaikovskyFest at Disney Hall by Charles McNulty

At Walt Disney Concert Hall, the TchaikovskyFest received some starry theatrical enhancement Wednesday under the direction of actress Kate Burton.

SOURCE: Los Angeles Times at 8:30am on February 28, 2014

Review: Family conflict at the forefront of 'The Who & the What' by Charles McNulty

Pulitzer Prize-winner Ayad Akhtar's latest drama ignites a clash of tradition and assimilation through superb acting but uneven structure.The conflict between tradition and assimilation has …

SOURCE: Los Angeles Times at 8:00am on February 25, 2014

Review: Kneehigh's 'Brief Encounter' a playful, inventive homage by Charles McNulty

Kneehigh works its own stylized charm on 'Noël Coward's Brief Encounter' at the Wallis Annenberg Center.Some of you, upon hearing that "Brief Encounter" has been adapted to the stage, wil…

SOURCE: Los Angeles Times at 7:50pm on February 20, 2014

Review: 'The Winter's Tale' thaws the heart with magic, melodrama by Charles McNulty

Director Barry Edelstein takes chances with a tricky Shakespeare text. The result — 'The Winter's Tale' at the Old Globe — is a happy ending all around.SAN DIEGO — The diff…

SOURCE: Los Angeles Times at 9:15am on February 19, 2014

Old Globe's Barry Edelstein is thinking big about the Bard by Charles McNulty

Backstage: Artistic director Barry Edelstein hopes to reshape the Old Globe's Summer Shakespeare Festival into a national center for the best in American Shakespeare. And he has the bona fid…

SOURCE: Los Angeles Times at 6:00pm on February 14, 2014

Review: 'Vanya and Sonia and Masha and Spike' at Taper is a winner by Charles McNulty

Theater Review: Chekhov's despair and dashed dreams have never been so hilarious as in Christopher Durang's giddy farce 'Vanya and Sonia and Masha and Spike.'Rarely has middle-aged despair o…

SOURCE: Los Angeles Times at 8:30am on February 11, 2014

Review: 'Above the Fold' lacks credibility, subtlety by Charles McNulty

Former newspaper reporter Bernard Weinraub's heavy-handed 'Above the Fold' lacks balance, an element crucial in both journalism and the dramatic arts."Above the Fold," the title of former Ne…

SOURCE: Los Angeles Times at 7:09pm on February 6, 2014

Review: Limited scale both diminishes and enhances 'Light' at SCR by Charles McNulty

Adam Guettel's music is the essence of 'The Light in the Piazza.' Performed by just five musicians, the score doesn't have Broadway heft. But director Kent Nicholson focuses in on the drama …

SOURCE: Los Angeles Times at 8:30am on February 4, 2014

Theater review: 'Bethany,' at Old Globe, challenges credibility by Charles McNulty

Laura Marks' play, concerning squatters in a foreclosed house, features plot points that defy common sense, and the production compounds the problem — though the characterizations most…

SOURCE: Los Angeles Times at 7:05pm on February 3, 2014

Philip Seymour Hoffman, a theatrically charged talent by Charles McNulty

As a theater actor, Philip Seymour Hoffman commanded a pile-driving force. He didn’t start softly and build. He came out of the blocks in a fury and steadily ratcheted up to an apoplec…

SOURCE: Los Angeles Times at 3:00pm on February 3, 2014

Review: 'Passion Play' a religious-themed romp through history by Charles McNulty

Sarah Ruhl's 'Passion Play' at the Odyssey Theatre is a bit unwieldy and long, but boldly imaginative and ambitious.Right at the start of Sarah Ruhl's "Passion Play," now at the Odyssey Thea…

SOURCE: Los Angeles Times at 7:30am on January 30, 2014

Review: Other voices but not its own in 'Se Llama Cristina' by Charles McNulty

Octavio Solis' new play might get you thinking about a lot of 20th century writers, but the nightmarish 'Se Llama Cristina' — at Theatre @ Boston Court — can't speak for itself.I…

SOURCE: Los Angeles Times at 11:00am on January 28, 2014

Review: Christopher Plummer, a man of letters, says 'A Word or Two' by Charles McNulty

The skilled Shakespeare interpreter and film star Christopher Plummer roams a lifetime devoted to books in the elegant one-man stage show 'A Word or Two.'If you've ever said to yourself afte…

SOURCE: Los Angeles Times at 7:30pm on January 23, 2014

The daring theater of 'Prudencia Hart,' 'Penny Plain' by Charles McNulty

Critic's Notebook: For plays with a refreshing otherworldliness, there's nothing quite like the recent L.A. productions of 'The Strange Undoing of Prudencia Hart' and 'Penny Plain.'Playwrigh…

SOURCE: Los Angeles Times at 9:30am on January 22, 2014

Review: Beckett novels shrunk to savory appetizers in 'I'll Go On' by Charles McNulty

In 'I'll Go On,' Barry McGovern performs well chosen excerpts from three Samuel Beckett novels. He is a superb interpreter, but these morsels leave the listener wanting to taste more.Irish a…

SOURCE: Los Angeles Times at 10:00am on January 15, 2014

Review: 'Trudy and Max in Love's' amorous, adulterous journey by Charles McNulty

Zoe Kazan's play, starring Aya Cash and Michael Weston at South Coast Repertory, wrestles honestly with the fiction of happy endings, but the dramatic stakes are small. "Trudy and Max in Lov…

SOURCE: Los Angeles Times at 8:05pm on January 13, 2014

Faces to Watch 2014: Theater by Charles McNulty

Annette Bening performs Ruth Draper monologues, Ayad Akhtar premieres his next play and Taraji P. Henson stars in 'Above the Fold'The Times asked its reporters and critics to highlight figur…

SOURCE: Los Angeles Times at 12:30pm on December 27, 2013

A vintage year onstage as classics blended with provocative premieres by Charles McNulty

Notes on the Year: The performance year was a marriage of well-played canonical classics and intriguing work by provocative playwrights, even if from afar.Much that was old was new again in …

SOURCE: Los Angeles Times at 9:30am on December 20, 2013

Best of 2013: Charles McNulty picks 'American Buffalo,' 'Prometheus Bound' by Charles McNulty

In the Southland and elsewhere, these onstage performances stood out.In this time when news is disseminated ever more quickly, we asked our critics to list the best of culture in 2013 in twe…

SOURCE: Los Angeles Times at 9:30am on December 20, 2013

Difficult truths to face as theater leaders talk diversity, economics by Charles McNulty

Critic's Notebook: Missing in a panel hosted by the Pasadena Playhouse is how to broaden the theater world's artistic diversity.In 21st century America, there is one subject even more diffic…

SOURCE: Los Angeles Times at 9:00am on December 18, 2013
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