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1,324 stories by "Charles McNulty"

To be or not to be: Playwrights on the complex issue of suicide by Charles McNulty

"There is but one truly serious philosophical problem, and that is suicide."

SOURCE: Los Angeles Times at 9:00am on August 18, 2014

Searching for the next King Lear: A critic shares his casting notes by Charles McNulty

In my recent critic's notebook on the Shakespeare in the Park production of "King Lear" with John Lithgow, I listed the illustrious actors I've seen take on this fearsome role in the last 10…

SOURCE: Los Angeles Times at 3:35pm on August 14, 2014

With age, the wisdom of staging 'Lear' becomes less clear by Charles McNulty

Now that baby boomers are reaching their seniority, it's no surprise that there has been a rush on "King Lear." Graying actors of a certain magnitude want their crack at the greatest role le…

SOURCE: Los Angeles Times at 7:52pm on August 13, 2014

Cate Blanchett brings an extravagant fierceness to 'The Maids' by Charles McNulty

Cate Blanchett is spectacular in Sydney Theatre Company's patchy production of Jean Genet's 'The Maids' in New York. Isabelle Huppert is also fierce, but seemingly at odds with the rest of t…

SOURCE: Los Angeles Times at 8:00am on August 11, 2014

Oregon Shakespeare Festival's fearless vision could be L.A.'s model by Charles McNulty

The tourist shops dotting the streets of downtown Ashland may leave the impression that this picturesque town was designed by Martha Stewart in a chichi Western mood, but a weekend spent her…

SOURCE: Los Angeles Times at 6:00pm on August 8, 2014

This 'Hair' makes it easy to be heartened by Charles McNulty

The kitsch factor was high, but "Hair" proved to be a congenial choice for the Hollywood Bowl, where this counterculture classic from the late 1960s breezed in for three performances this pa…

SOURCE: Los Angeles Times at 8:00am on August 4, 2014

'The Great Society' a bustle of history lacking full LBJ picture by Charles McNulty

When last seen in Robert Schenkkan's "All the Way," Lyndon B. Johnson was being serenaded with "Happy Days Are Here Again." After brokering the passage of the Civil Rights Act of 1964 with a…

SOURCE: Los Angeles Times at 2:00pm on August 2, 2014

Story and score grab hands as they venture 'Into the Woods' by Charles McNulty

Critics often grouse about James Lapine's script. Some find Stephen Sondheim's music too muted. But a beautifully balanced production in Oregon shows how strongly connected the two parts are…

SOURCE: Los Angeles Times at 8:25pm on August 1, 2014

Simplicity supplies emotional eloquence to pub musical 'Once' by Charles McNulty

At last, a Broadway show that doesn't feel the need to conk its audience over the head with hollow flash and empty dazzle. "Once," the Tony-winning musical based on John Carney's 2006 indie …

SOURCE: Los Angeles Times at 7:50pm on July 18, 2014

Elaine Stritch's originality blazed fiercely on Broadway by Charles McNulty

After the lights are dimmed on Broadway in honor of Elaine Stritch, who died Thursday at 89, I'm not sure that they'll ever burn quite as fiercely again.

SOURCE: Los Angeles Times at 6:23pm on July 17, 2014

'Romeo and Juliet' remains timeless, no matter the era by Charles McNulty

Plays, regardless of when they were written, take place in the eternal present. Updating a classic " for example, resetting Shakespeare's "Romeo and Juliet" in late-1920s Los Angeles, as Sha…

SOURCE: Los Angeles Times at 8:00pm on July 15, 2014

Eli Wallach had the power to illuminate a character on stage and screen by Charles McNulty

Some actors are too good for stardom.

SOURCE: Los Angeles Times at 7:36pm on June 25, 2014

'Last Confession' takes earnest look at reform, power struggle by Charles McNulty

David Suchet, best known for his television portrayal of Agatha Christie's Hercule Poirot, plays another canny scrutinizer of nefarious human behavior in Roger Crane's "The Last Confession,"…

SOURCE: Los Angeles Times at 1:00am on June 16, 2014

'Last Confession' takes earnest look at reform, power struggle by Charles McNulty

David Suchet, best known for his television portrayal of Agatha Christie's Hercule Poirot, plays another canny scrutinizer of nefarious human behavior in Roger Crane's "The Last Confession,"…

SOURCE: Los Angeles Times at 1:00am on June 16, 2014

Tony Awards 2014: 'Gentleman's Guide' shows big rewards in risk-taking by Charles McNulty

"A Gentleman's Guide to Love & Murder," the musical with no marquee names or obvious marketing hook, won big at the Tony Awards on Sunday night, proving that a droll Edwardian tale of homici…

SOURCE: Los Angeles Times at 8:00am on June 9, 2014

Tony Awards 2014: 'Gentleman's Guide' shows big rewards in risk-taking by Charles McNulty

"A Gentleman's Guide to Love & Murder," the musical with no marquee names or obvious marketing hook, won big at the Tony Awards on Sunday night, proving that a droll Edwardian tale of homici…

SOURCE: Los Angeles Times at 8:00am on June 9, 2014

'A Raisin in the Sun' actresses discuss play's stark resonance by Charles McNulty

In a Broadway season in which revivals have eclipsed new plays it was still a surprise that the American drama that spoke most urgently to our time was Lorraine Hansberry's "A Raisin in the …

SOURCE: Los Angeles Times at 2:00pm on June 6, 2014

A Tony Awards round table with L.A.-area theater leaders by Charles McNulty

New York (and L.A. and the U.S.) snap into focus when CTG's Michael Ritchie, Pasadena Playhouse's Sheldon Epps, the Geffen's Randall Arney and South Coast Rep's Marc Masterson gather.New Yor…

SOURCE: Los Angeles Times at 12:00pm on June 6, 2014

Tony Awards 2014: A few rays of sunshine in a mostly cloudy Broadway season by Charles McNulty

The Tony Awards will be handed out Sunday, and the safe money is on "A Gentleman's Guide to Love & Murder" for best musical and "All the Way" for best play. But nothing is guaranteed in a Br…

SOURCE: Los Angeles Times at 8:30am on June 6, 2014

Tony Awards 2014: A few rays of sunshine in a mostly cloudy Broadway season by Charles McNulty

The Tony Awards will be handed out Sunday, and the safe money is on "A Gentleman's Guide to Love & Murder" for best musical and "All the Way" for best play. But nothing is guaranteed in a Br…

SOURCE: Los Angeles Times at 8:30am on June 6, 2014

'Taste' and 'Backyard' revel in gore and lack style by Charles McNulty

Last weekend my theatergoing got off to an especially bloody start at the Sacred Fools Theater, where I caught one of the last performances of "Taste," the world premiere of Benjamin Brand's…

SOURCE: Los Angeles Times at 8:30am on June 4, 2014

'Stella!' is a backstage portrait of acting guru Stella Adler by Charles McNulty

The exclamatory title of Sheana Ochoa's biography of legendary acting teacher Stella Adler invokes Marlon Brando's tormented cry in "A Streetcar Named Desire." It's a fitting allusion: Brand…

SOURCE: Los Angeles Times at 10:00am on May 23, 2014

Theatrical victory belongs to Blanche in 'Streetcar' opera by Charles McNulty

One of the great interests in any revival of the Tennessee Williams classic "A Streetcar Named Desire" is seeing how a production will negotiate the balance of theatrical power between Blanc…

SOURCE: Los Angeles Times at 3:36pm on May 22, 2014

One vote for 'Beautiful: The Carole King Musical' by Charles McNulty

NEW YORK " If you happened to notice hell freezing over this Broadway season, please don't assume that it was another fluky manifestation of climate change. There's something I need to confe…

SOURCE: Los Angeles Times at 9:00am on May 20, 2014

A fascinatingly sinister 'Tartuffe' at South Coast Repertory by Charles McNulty

Every great dramatic masterpiece poses a question about a protagonist that expresses the "darker purpose," to borrow a phrase from "King Lear," of a playwright's vision. The classic example,…

SOURCE: Los Angeles Times at 8:30am on May 19, 2014
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