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1,324 stories by "Charles McNulty"

Pasadena Playhouse's 'Shout Sister Shout!': Why a rock trailblazer fails to ignite as theater by Charles McNulty

Add "Shout Sister Shout!" to the growing list of musicals that would make a more potent impression as a straightforward revue. The show, which is having its world premiere at Pasadena Playho…

SOURCE: Los Angeles Times at 5:40pm on August 1, 2017

Sam Shepard, the cowboy playwright who rewrote the rules of the American stage by Charles McNulty

Eugene O'Neil brought gravitas to the American theater. Tennessee Williams allowed it to lyrically sing. Arthur Miller raised its political temperature. And Edward Albee infused it with an a…

SOURCE: Los Angeles Times at 9:20pm on July 31, 2017

In Antaeus Theatre Company's 'As You Like It,' missed connections foil romantic comedy by Charles McNulty

"Sweet are the uses of adversity," the exiled Duke Senior asserts from his campground in the Forest of Arden in "As You Like It." For a drama critic attending a lackluster production of Shak…

SOURCE: Los Angeles Times at 8:00pm on July 28, 2017

London calling: 'Angels in America' as fresh as ever at the National Theatre by Charles McNulty

LONDON " For an American theatergoer in London this summer, there can be little doubt that the best new play of the year so far is Tony Kushner's "Angels in America" at the National Theatre.…

SOURCE: Los Angeles Times at 6:30pm on July 19, 2017

Love, trickery and the drama of uncertainty: It's 'Heisenberg' at the Taper by Charles McNulty

Since David Lean's 1945 film "Brief Encounter," no romantic has been able to look at a banal railway station as simply a commuter hub. Each connecting line poses new amorous possibilities; e…

SOURCE: Los Angeles Times at 8:55pm on July 7, 2017

Oh, the dreaded intermission: Long plays at a time when shorter is sweeter by Charles McNulty

Enter any theater and an usher will probably volunteer answers to the questions on everyone's mind: How many minutes is the show, and is there an intermission? Why the answers matter more th…

SOURCE: Los Angeles Times at 8:00am on July 7, 2017

What would a theater critic write to the creator of 'Letters From a Nut'? Well, let's start with ... by Charles McNulty

Dear Ted L. Nancy: Congratulations on the success of your series of "Letters From a Nut" books. I have to admit I never heard of them until I received an invitation to attend your show at th…

SOURCE: Los Angeles Times at 6:20pm on June 29, 2017

Shakespeare and the politics of our age: Trump, 'Julius Caesar' and now 'Richard II' by Charles McNulty

Shakespeare clearly lies outside the right-wing attack machine's area of expertise. While Breitbart News and friends were busy waging a full-scale war against the New York Public Theater's p…

SOURCE: Los Angeles Times at 9:00am on June 22, 2017

Embracing the chill in Jimmy Buffett's 'Escape to Margaritaville' by Charles McNulty

'Escape to Margaritaville,' Jimmy Buffett, La Jolla Playhouse, Christopher Ashley

SOURCE: Los Angeles Times at 5:55pm on June 21, 2017

In 'The Conduct of Life,' witness an American classic that's more often taught than staged by Charles McNulty

Hero Theatre organized a festival last year in celebration of Cuban American playwright María Irene Fornés, a key figure in the off-off-Broadway theater movement who has had an influence…

SOURCE: Los Angeles Times at 1:30pm on June 18, 2017

The astrophysicist's rom-com: 'Constellations' at the Geffen by Charles McNulty

The opening scene of "Constellations," the play by British dramatist Nick Payne that had a Broadway production in 2015 with Ruth Wilson and Jake Gyllenhaal, offers variations of the meet-cut…

SOURCE: Los Angeles Times at 6:00pm on June 15, 2017

And the winner is ... a tie? Why this year's Tony Awards are so impossible to predict by Charles McNulty

You know it's an interesting year for the Tony Awards when a critic is still arguing with himself in June over what should win best musical and best play. I'm divided between "Dear Evan Hans…

SOURCE: Los Angeles Times at 9:36pm on June 13, 2017

Critic's analysis: Tonys spread the love in a year of innovation and risk-taking on Broadway by Charles McNulty

Inequality is a brute fact of American life and Broadway, increasingly divided between blockbuster hits and struggling also-rans, is hardly immune. But the Tony Awards tried to impose some j…

SOURCE: Los Angeles Times at 6:00am on June 12, 2017

The secret to Tony Award nominee Laurie Metcalf's success? Brilliance and a whole lot of hard work by Charles McNulty

The secret to Tony Award nominee Laurie Metcalf's success? Brilliance and a whole lot of hard work

SOURCE: Los Angeles Times at 11:02pm on June 5, 2017

Racism, injustice and the echo of history in the one-man internment drama 'Hold These Truths' by Charles McNulty

In turbulent times, history itself becomes a source of suspenseful drama, as anxious citizens look to the past to predict what fresh hell is in store for them. "Hold These Truths," a solo dr…

SOURCE: Los Angeles Times at 7:35pm on June 5, 2017

The secret to Tony Awards nominee Laurie Metcalf's success? Brilliance and a whole lot of hard work by Charles McNulty

For many aspiring thespians, the dream is to become a working actor. For Laurie Metcalf, a three-time Emmy-winner for her role as hapless Jackie on the sitcom "Roseanne" and a strong contend…

SOURCE: Los Angeles Times at 1:00pm on June 5, 2017

Center Theatre Group's starry 50th: From offending Ronald Reagan to Trump-era provocations by Charles McNulty

Center Theatre Group's "50th Celebration," which gathered celebrities, devoted patrons, philanthropists and swells in their spiffiest attire for a Saturday night shindig at the Ahmanson, was…

SOURCE: Los Angeles Times at 3:20pm on May 21, 2017

At the Ahmanson, 'Jersey Boys' puts another quarter in the jukebox by Charles McNulty

"Jersey Boys," that perennial jukebox moneymaker, is back at the Ahmanson Theatre for reasons that are easily surmised. The coffers at Center Theatre Group are clearly crying out for repleni…

SOURCE: Los Angeles Times at 3:50pm on May 19, 2017

Portrait of the artist as an ageless man: At 92, Peter Brook treads a different path through 'The Mahabharata' by Charles McNulty

Peter Brook talks about his production of "Battlefield" and the process of stripping away to get to theater's essence.

SOURCE: Los Angeles Times at 12:00pm on May 19, 2017

'Kiss' at the Odyssey: A rising Chilean playwright explores what gets lost in translation by Charles McNulty

A note in the press packet for the West Coast premiere of Guillermo Calderón's "Kiss" at the Odyssey Theatre requests that critics "not give away details of the plot" in their reviews. Th…

SOURCE: Los Angeles Times at 7:45pm on May 16, 2017

And you thought your contractor was bad. Meet 'The Monster Builder' at South Coast Rep by Charles McNulty

Comedy of the crowd-pleasing variety is making a comeback on our stages this season. The Geffen Playhouse notched a hit with Matthew Lopez's "The Legend of Georgia McBride," a giggly romp ab…

SOURCE: Los Angeles Times at 6:45pm on May 15, 2017

Rajiv Joseph's 'Archduke' at the Taper is an ambitious mix of history, comedy and tragedy by Charles McNulty

"Archduke," the title of Rajiv Joseph's new play, sounds like the answer to a high school social studies quiz on 20th century European history. As I hope all of you remember, the assassinati…

SOURCE: Los Angeles Times at 7:10pm on May 8, 2017

A critic's take on the Tony nominations: Kudos for rewarding inventive shows that take risks by Charles McNulty

What a difference a year makes. When the 2016 Tony nominations were announced, the suspense was over how many "Hamilton" would get. The show was a lock in most of the major categories, shift…

SOURCE: Los Angeles Times at 4:25pm on May 2, 2017

With a heroic performance by its injured star, 'Groundhog Day' limps through opening night by Charles McNulty

Andy Karl, the star of the new Broadway musical "Groundhog Day," reported for duty on Monday night at the August Wilson Theatre for the production's official New York opening. It was uncerta…

SOURCE: Los Angeles Times at 3:35pm on April 18, 2017

Ibsen's radical 1879 play about women's equality gets a 2017 sequel: Lucas Hnath's 'A Doll's House, Part 2' by Charles McNulty

A door dominates the backdrop of Lucas Hnath's "A Doll's House, Part 2," which picks up the story 15 years after Henrik Ibsen's landmark drama ends. This is the door that Nora slammed (famou…

SOURCE: Los Angeles Times at 4:25pm on April 16, 2017
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