1,121 stories by "Charles Isherwood"
This classic musical, directed by Bartlett Sher, is timely and shines on all fronts. It closes on New Year's Eve.
In his hilarious new solo show, Drew Droege stars as an opinionated guest at a same-sex wedding.
"Life Is for Living," a tribute from Simon Green and David Shrubsole, combines songs with snippets of Coward's letters and diaries, and some verse.
This stage adaptation of the 1992 Whitney Houston film, at Paper Mill Playhouse, features lots of Houston hits but characters of minimal dimensions.
Pia Scala-Zankel's play, a Vertigo Theater production at the New Ohio Theater, follows youths living on the streets of New York in the 1980s.
An opulent setting, tinkling crystal and perfectly cooked beef is on tap for guests of this intimate production based on a James Joyce Story.
This loose, loopy and enjoyable seminar on the making of "The Wizard of Oz" combines live video and performance.
In Meshell Ndegeocello's show at Harlem Stage, "The Fire Next Time" might as well be the Bible. And the big question is, "How are you surviving 2016?"
"Longing Lasts Longer," Ms. Arcade's solo show at St. Ann's Warehouse, laments a changed New York and frets about group-mind control.
This gorgeous heartbreaker of a musical, starring Ben Platt and directed by Michael Greif, has tragedy at its core but is anything but a downer.
The music freshens the material in this show at the Longacre Theater, with a book by Chazz Palminteri, who also wrote and starred in the original solo play.
In this delightful musical, members of a school choir compete for one spot in the land of the living after they are killed when the title contraption malfunctions.
On the heels of an extended run in Chicago, this musical about the afterlife of a school choir, comes to the Lucille Lortel Theater.
This whimsical dance-theater work from Phantom Limb, at the Brooklyn Academy of Music, is part of a trilogy focused on "environmental concerns."
At 59E59 Theaters, a stage version of the novel and its Oscar-winning 1980s movie version includes most of the film's memorable moments and more sexual frankness.
This Theater for a New Audience production of Carlo Goldoni's 18th-century farce struggles as it tries to employ contemporary humor.
The Q Brothers have concocted another mash-up of rap and Shakespeare. And the laughter grows, right along with the stack of corpses.
Dave Malloy's pop opera is both the most innovative and the best new musical to open on Broadway since the hit musical about one founding father.
Athol Fugard has directed his own masterwork at the Signature Theater, which returns to the stage at a time when it feels painfully pertinent.
Jordan Seavey's play follows a couple who comes together, breaks apart and just about everything in between.
Kristin Chenoweth's concert show, "My Love Letter to Broadway," displayed her enthusiasm, playfulness, superb voice and entertaining choice of material.
In Lynn Nottage's latest play, the bonds among working-class friends and family unravel as the local economy falls apart.
In this comedy-drama by Jenny Rachel Weiner, two women in Carson, Nev., establish an internet bond, though one of them has assumed the guise of a man.
The theater critic Charles Isherwood offers a look at adventurous new musicals, a revival he calls nearly "perfect," Sutton Foster, and Shakespeare.
Red Bull Theater's impressive production of Shakespeare's late tragedy doesn't skimp on the election metaphors.
