1,121 stories by "Charles Isherwood"
Julia Brownell's "All-American" is about a high school football player who happens to be a girl.
The Broadway revival of "Godspell"is like being trapped in a summer camp rec room with a bunch of kids who have been a little too reckless with the Red Bull.
Amy Herzog's "Belleville" is a heartbreaking and hair-raising new play at Yale Repertory Theater about a young American couple living in Paris.
Are actors who write plays getting an unfair boost in seeing their work produced, even before it's ready?
Andrew Hinderaker's "Suicide, Incorporated" is a dark comedy that evolves into a more sober drama about the painful legacies that suicide can leave behind.
In "Milk Like Sugar," three teenagers concoct a triple pregnancy plan to get baby shower loot like Coach diaper bags and little pink Jordans.
"The Atmosphere of Memory," by David Bar Katz, is about a writer's memory play and the backstage drama that ensues when his mother steps in to play the lead role.
"Asuncion," a new play written by and starring Jesse Eisenberg, is about the delicate mysteries of male friendship.
Ivo van Hove brings his stage adaptation of this Ingmar Bergman movie to the Brooklyn Academy of Music's Next Wave Festival.
You might expect that someone who spends his time watching, writing about, living and breathing theater 52 weeks a year would prefer to turn to other subjects when it comes to the pastime of…
"Sons of the Prophet," a new comedy-drama by Stephen Karam at the Laura Pels Theater, explores how those suffering misfortune continue to bear up under the burden of pain.
One-acts by Ethan Coen, Elaine May and Woody Allen make up "Relatively Speaking and channel the once-popular genre of old-fashioned boulevard comedies.
Mike Daisey delves into the lives of the workers in China, and the grim conditions there, as he raises questions about our support of products made in such conditions.
In "We Live Here," by Zoe Kazan, a past tragedy haunts a wedding and a family when the bride's sister brings a date.
Charles Isherwood explains why he think it's high time he stopped reviewing Adam Rapp's plays.
For "Motherhood Out Loud," Beth Henley, Lisa Loomer and Theresa Rebeck write about the pains and pleasures of child-rearing.
Adam Rapp's new play is a tediously outlandish dark comedy about the beastliness of the rich in our tarnished gilded age.
The Signature Theater offers the world premieres of two mystery musicals, "The Boy Detective Fails" and "The Hollow."
Three plays in Washington address the corruption of the rich and powerful.
California dreams wither under a blazing sun in "Lemon Sky," a 1970 drama by Lanford Wilson that has been affectionately revived by the Keen Company.
There is an abundance of theater veterans appearing on television this fall.
"After.," by Chad Bekim, follows an ex-convict as he returns to the world after 17 years.
In a season in most ways typical, three black women will see their plays reach Broadway.
"Completeness" is a talky new play by Itamar Moses about brainy grad students falling in and out of love.
The New York Neo Futurists strip away the exchanges of words in Eugene O'Neill's early plays and instead focus on acting out the sometimes extensive stage directions.
