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1,121 stories by "Charles Isherwood"

Theater Review: 'Red Dog Howls,' by Alexander Dinelaris by Charles Isherwood

In "Red Dog Howls," a New York man discovers a devastating family secret after he finds a box of letters that lead to a grandmother he had never known.

SOURCE: The New York Times Subscription at 10:00pm on September 24, 2012

Critic's Notebook: At the Live Arts Festival, 'Bang,' '27' and 'Zero Cost House' by Charles Isherwood

The Live Arts Festival in Philadelphia features a few shows with nudity, both real and figurative.

SOURCE: The New York Times Subscription at 7:02pm on September 21, 2012

Theater Review: Ethan Lipton's 'Red-Handed Otter,' at the Cherry Lane Theater by Charles Isherwood

Ethan Lipton's comedy compares the bonds humans share with their pets with the relationships they have with one another.

SOURCE: The New York Times Subscription at 10:00pm on September 20, 2012

Theater Review: 'Detroit,' With Amy Ryan and David Schwimmer by Charles Isherwood

In Lisa D'Amour's play "Detroit," a Pulitzer Prize finalist at Playwrights Horizons, a couple who fear they are sliding out of their economic class meet a couple who have other problems.

SOURCE: The New York Times Subscription at 10:00pm on September 18, 2012

Theater Review: 'Red-Eye to Havre de Grace,' a Musical About Edgar Allan Poe by Charles Isherwood

An original musical about Poe's last days brings to light the man, with the clichés scrubbed away, and his work.

SOURCE: The New York Times Subscription at 5:50pm on September 17, 2012

Theater Talkback: Flattened by Charles Isherwood

The movie versions of "Bachelorette" and "Rock of Ages" are a reminder of how hard it is to translate stage comedies and musicals to the screen.

SOURCE: The New York Times Subscription at 2:40pm on September 13, 2012

Theater Review: 'Fly Me to the Moon,' With the 1st Irish Festival by Charles Isherwood

Two caregivers debate how to handle their dead charge in "Fly Me to the Moon," a Marie Jones work that's part of the 1st Irish festival at 59E59 Theaters.

SOURCE: The New York Times Subscription at 10:00pm on September 12, 2012

Theater Review: Athol Fugard's 'Train Driver,' From Signature Theater by Charles Isherwood

"The Train Driver," written and directed by Athol Fugard, tells how a death on the tracks has left the train operator emotionally scarred.

SOURCE: The New York Times Subscription at 10:00pm on September 9, 2012

The New Season: 'Detroit' and 'Far From Heaven' at Playwrights Horizons by Charles Isherwood

The advice seekers tend to swarm as the fall season approaches, and this year a critic has hit upon an easy answer: "See whatever's onstage at Playwrights Horizons."

SOURCE: The New York Times Subscription at 11:38am on September 6, 2012

Theater Review: 'The Matchmaker' at Stratford Shakespeare Festival by Charles Isherwood

"The Matchmaker," Thornton Wilder's 1954 farce, has been given a rare and loving revival at the Stratford Shakespeare Festival this year.

SOURCE: The New York Times Subscription at 5:36pm on August 26, 2012

Critic's Notebook: Christopher Plummer and John Hirsch Solo Shows at Stratford by Charles Isherwood

Two solo shows at the Stratford Shakespeare Festival ""A Word or Two" and "Hirsch"" illuminate the deeply personal nature of theater artists' relation to their work.

SOURCE: The New York Times Subscription at 2:47pm on August 22, 2012

Critic's Notebook: Stratford Shakespeare Festival, 'Henry V' and 'Cymbeline' by Charles Isherwood

"Henry V," "Much Ado About Nothing" and "Cymbeline" mix comedy and history at the Stratford Shakespeare Festival in Ontario.

SOURCE: The New York Times Subscription at 11:17am on August 22, 2012

Theater Review: 'Richard III,' with Ron Cephas Jones, at the Public Theater by Charles Isherwood

The Public Theater's Mobile Shakespeare Unit is back home with its abbreviated production of "Richard III," with a nine-person cast that stars Ron Cephas Jones.

SOURCE: The New York Times Subscription at 4:55pm on August 12, 2012

Theater Review: 'In Paris' Stars Mikhail Baryshnikov by Charles Isherwood

An aging Russian general living a life of quiet exile in Paris meets a young waitress who shares his sense of isolation.

SOURCE: The New York Times Subscription at 7:16pm on August 3, 2012

Theater Review: 'Bring It On: The Musical' at St. James Theater by Charles Isherwood

The true star of "Bring It On: The Musical," now at the St. James Theater, is its high-energy gymnastics, but it also draws on heavyweight theatrical talent.

SOURCE: The New York Times Subscription at 10:00pm on August 1, 2012

ArtsBeat: Theater Talkback: 'The Agony and the Ecstasy of Steve Jobs. Mike Daisey Tries Again by Charles Isherwood

Mike Daisey is back with a new version of "The Agony and the Ecstasy of Steve Jobs." Charles Isherwood says he seems to have addressed some problems with the truth.

SOURCE: The New York Times Subscription at 1:16pm on July 26, 2012

Theater Review: 'Warrior Class,' a Political Play at Second Stage Uptown by Charles Isherwood

Politics is a bloody business in "Warrior Class," a new play in the Second Stage Theater Uptown series.

SOURCE: The New York Times Subscription at 10:00pm on July 23, 2012

Theater Review: 'Hand Stories,' by the Puppeteer Yeung Fai at Lincoln Center by Charles Isherwood

"Hand Stories," at the Lincoln Center Festival, is an autobiographical work of glove puppetry from Yeung Fai, a Chinese-born puppeteer.

SOURCE: The New York Times Subscription at 5:03pm on July 19, 2012

Theater Review: Cole Porter's 'Nymph Errant' Is Revived by Charles Isherwood

The 1933 Cole Porter musical "Nymph Errant" has been revived by the Prospect Theater Company.

SOURCE: The New York Times Subscription at 6:47pm on July 13, 2012

Theater Review: 'DruidMurphy: Plays by Tom Murphy,' at Lincoln Center by Charles Isherwood

"DruidMurphy," a cycle of three plays by Tom Murphy tied loosely by the theme of emigration, explores how the forces of history have shaped generations of Irish men and women.

SOURCE: The New York Times Subscription at 5:52pm on July 9, 2012

Theater Review: Alan Cumming in 'Macbeth' at Lincoln Center Festival by Charles Isherwood

Alan Cumming portrays numerous roles in a reimagining of "Macbeth" at the Lincoln Center Festival.

SOURCE: The New York Times Subscription at 5:04pm on July 8, 2012

Theater Review: '3C,' by David Adjmi, at Rattlestick Playwrights Theater by Charles Isherwood

"3C," a black comedy by David Adjmi, tries to excavate the grimy subtext lurking under a sitcom like "Three's Company."

SOURCE: The New York Times Subscription at 10:00pm on June 24, 2012

Theater Review: 'As You Like It,' With Lily Rabe in Central Park by Charles Isherwood

"As You Like It," this time set in the American South with bluegrass music, opens the 50th anniversary season of the Public's free Shakespeare in the Park.

SOURCE: The New York Times Subscription at 10:00pm on June 21, 2012

The Hot List: 'DruidMurphy,' at the Lincoln Center Festival by Charles Isherwood

In a summer of theater riches, "DruidMurphy," three plays by Tom Murphy produced by the Druid Theater Company for the Lincoln Center Festival, might be the season's best.

SOURCE: The New York Times Subscription at 5:51pm on June 21, 2012

Theater Review: 'Slowgirl,' by Greg Pierce, at the Claire Tow Theater by Charles Isherwood

An uncle and his niece find an emotional connection in the jungle, once she has poured out her heart to him, in Greg Pierce's play "Slowgirl."

SOURCE: The New York Times Subscription at 10:00pm on June 18, 2012
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