Theater Review: 'Les Liaisons Dangereuses' Opens at Lincoln Center
John Malkovich, who starred in a film version of "Les Liaisons Dangereuses," has directed a French-language production of the English-language play.
John Malkovich, who starred in a film version of "Les Liaisons Dangereuses," has directed a French-language production of the English-language play.
"The Cradle Will Rock," Marc Blitzstein's 1937 musical, a proud artifact of theater as agitprop, gets a robust if spare revival at City Center.
The Complicite production of "Shun-kin" uses puppetry, traditional performance, music and design to convey coolly a steamy Japanese tale at the Lincoln Center Festival. &nbs…
"Monkey: Journey to the West" turns an Asian fable of a furry enlightenment-seeker into a spectacle combining animation, martial arts and acrobatics.
Students struggling with their identity and with one another are united by spirituals in "Choir Boy," by Tarell Alvin McCraney.
In "The Unavoidable Disappearance of Tom Durkin," a man tries to re-enter his family's life after serving time for defrauding investors.
In the comedy "The Explorers Club," discussions include whether to let a woman join a men's sanctum in 1879 London.
The Shakespeare in the Park production of "The Comedy of Errors," directed by Daniel Sullivan, moves this mistaken-identity farce to a locale straight out of "Guys and Dolls." &nb…
In Daniel Pearle's new drama, "A Kid Like Jake," two parents fret over getting their preschooler into private school and whether his fascination with princesses means that he may be gay.&nbs…
Father and daughter, art and athletics, with Charles Ives as a fantastical referee in Jessica Dickey's "Charles Ives Take Me Home," at Rattlestick Playwrights Theater.
John Guare has written, and appears in, "3 Kinds of Exile," a triptych of plays that includes one about the life of the Polish actress Elzbieta Czyzewska.
Susan Sontag, public intellectual, is portrayed as a teenager and a woman in "Sontag: Reborn," a one-woman show with video at New York Theater Workshop.
In "The Tutors," written by Erica Lipez and directed by Thomas Kail, founders of a Web site that isn't quite Facebook struggle to get by.
Rod McLachlan's new play, "Good Television," goes behind the scenes with the creators and subjects of a reality show about addiction.
Jenny Schwartz's "Somewhere Fun," directed by Anne Kauffman, is a journey, on a sea of words, to the edge of the surreal.
Christopher Lloyd stars in "The Caucasian Chalk Circle," a fablelike play by Bertolt Brecht about a woman who impulsively adopts a baby abandoned by its mother.
"The Golden Dragon," a comedy written by Roland Schimmelpfennig, is partly set in the kitchen of an Asian restaurant.
John Turturro is the conflicted and driven architect Halvard Solbess in "The Master Builder," directed by Andrei Belgrader.
In "Natasha, Pierre and the Great Comet of 1812" the characters pursue their fates, happy and otherwise, in the grand houses of 19th-century Moscow.
A theater critic says goodbye to the disappointing NBC series about the making of a Broadway show.
"QueerSpawn" is a comedy about a straight teenager who is picked on because some of his peers think he's gay.
A man finds a seeming kinship with his daughter's suitor in "A Family for All Occasions," Bob Glaudini's play about familial dysfunction, at Bank Street Theater.
Walt Disney's insistence on steamrolling over, or editing out, those aspects of the world that did not fit his vision is one aspect of him that Lucas Hnath explores in his new play. &nb…
While Broadway plays seemed moribund this season, some of the work presented Off Broadway was terrific.
The Attic Theater Company is presenting Tennessee Williams's "Notebook of Trigorin," his adaptation of "The Seagull," for the first time in New York