Holiday Gift Guide: Theater Books
A handful of new theater-related books make fine gift choices for a footlight addict.
A handful of new theater-related books make fine gift choices for a footlight addict.
Attending “Time Stands Still” can feel like eavesdropping on two cherished friends at their most vulnerable and emotionally exposed.
The immersive decor at some Broadway theaters treads dangerously close to kitsch.
The decision to move long-running Broadway hits to Off Broadway has both its inspiring and dispiriting sides.
War and the moral responsibility of those who bear witness to it are themes in “The Deer House,” a dance-theater work from Jan Lauwers and Needcompany at the Brooklyn Academy o…
Most of the best work this year — on Broadway and (mostly) off — was freshly minted. Here’s a Top 10 list that contains no revivals.
A conversation about the size and structure of the not-for-profit theater world is a necessity at a time when the collapsed economy has left organizations scrambling for funding.
Patti LuPone looks back at her life, describing the hard times on the way to Momma Rose and Evita.
The immersive décor at some Broadway theaters treads dangerously close to kitsch.
The Live Arts Festival in Philadelphia offers a play drawing parallels between 1865 and 2015, and another work that brings cardboard characters to life.
“Orange, Hat & Grace,” a romantic interplay between a middle-aged woman and a goofy young yokel, resembles an R-rated update of a Ma and Pa Kettle movie.
Is audience participation the scourge of contemporary theater?
Disparate neighbors in the same recessionary conundrum take the stage in Chicago.
“Blood From a Stone,” written by Tommy Nohilly and starring Ethan Hawke, is a worthy but wearying new play.
The Michael Frayn play “Alphabetical Order” depicts the frantic antics at a withering daily newspaper in the British provinces.
In “Kathy Griffin Wants a Tony” the tart-tongued comic combines insider access to the world of the famous (or at least the pseudo-famous) and her willingness to be frank about …
A new staging of “The Merchant of Venice,” from Theater for a New Audience, stars F. Murray Abraham as Shylock.
Truly inspired humor is doled out in stingy doses in “The Coward,” a labored and overlong comedy by Nick Jones.
A.R. Gurney’s play “Office Hours” makes a gentle plea for the enduring worth of Homer, Dante, Shakespeare and other dead white males as writers whose works illuminate hu…
A 1998 play by Adam Rapp shows a backwoods family being backward and woodsy.
The 1920s stage version of “Dracula” has been revived with Michel Altieri as the fanged one.
“The Language Archive,” at the Laura Pels Theater, is about a linguist who cannot manage to verbalize elemental emotion in any of the many languages he speaks.
The Broadway musical “Elf,” at the Al Hirschfeld Theater, is the latest seasonal stocking stuffer and pocket picker in the mold of “White Christmas.”
In “After the Revolution,” a fine and fiercely well-acted new play by Amy Herzog, the members of the Joseph clan are happier to argue the legacies of Stalin than to explore the…
The Wooster Group’s production of “Vieux Carré,” a Tennessee Williams play, is a ready-made aesthetic mashup that presents Williams at his most poetic in one scene,…