Theater Review: Review: 'Threesome,' at 59E59 Theaters, Examines Sexual Inequality
In Yussef El Guindi's play, two male photographers attempt a ménage à trois with a female writer, only to encounter unexpected revelations.
In Yussef El Guindi's play, two male photographers attempt a ménage à trois with a female writer, only to encounter unexpected revelations.
The musical, named for the 18th-century hymn often associated with African-American culture and the civil rights movement of the 1960s, unfolds as a history lesson trimmed in melodrama.
Ms. Gomez spins a comic fantasia in her new solo show at Dixon Place, flitting between characters from the movies and her own brash persona.
Conor McPherson's haunting drama, first seen on Broadway, is revived by the Irish Repertory Theater in a cozy, intimate setting.
In his poignant one-person play about a missing gay teenager, James Lecesne plays a hard-boiled detective, an emphatic hair stylist and much more.
Joshua Harmon's new play centers on a wistful young man who feels left behind as close friends begin walking down the aisle.
Chris Noth and Zach Grenier star in the Classic Stage Company's production of the Christopher Marlowe work.
This comedy, the latest play from the Pulitzer Prize-winning provocateur Bruce Norris, is directed by Pam MacKinnon at Playwrights Horizons.
This season is a banner one for that Elizabethan tragedian, and it continues with a new version of "Doctor Faustus" at the Classic Stage Company.
This two-hander by Rajiv Joseph dramatizes a dark myth about the construction of the Taj Mahal.
Much remains unresolved in Daniel Talbott's play, which includes brief scenes of mostly mundane interactions between American soldiers in a remote desert.
Joseph Wilde's two-hander centers on a teenage vampire cared for, and kept captive, by her older sister.
This play at the Two River Theater, adapted from a novel by Ned Vizzini, centers on a teenager who turns cool after ingesting a tiny computer.
A songwriter offers music and banter at Harlem Stage to honor an African-American writer and activist.
David Greenspan's all-Stein solo show at the Connelly Theater consists of two lectures, one poem and a string of insights from the years between the wars.
This premiere of a stage musical based on the popular 1998 Drew Barrymore film features Christine Ebersole as the wicked stepmother, with direction and choreography by Kathleen Marshal.
Robert Wright's play, based on the book by Pumla Gobodo-Madikizela, reveals the atrocities committed by the South African police forces during apartheid.
In David Javerbaum's show based on his book of the same title, God presides over his flock from a swooping white couch, like a celestial talk show host.
Diane Davis stars in Melissa Ross's comedy about a 38-year-old woman burdened by duty and yearning to break out of her routine.
Kander and Ebb’s musical, “The Scottsboro Boys,” which dares to present ugly American history as bawdy burlesque, opens on Broadway.
Adapted from the indie movie, this musical at the La Jolla Playhouse in California is chipper and polished but oppressively cute.
Despite Michael Shannon’s excellent performance, “Mistakes Were Made” is only fitfully entertaining and ultimately something of a grind.
A one-woman show condenses “King Lear” into a 90-minute child-friendly version.
Kander and Ebb’s musical, “The Scottsboro Boys,” which dares to present ugly American history as bawdy burlesque, opens on Broadway.
“Bottom of the World,” Lucy Thurber’s drama about friendship, family and loss, does not live up to the Atlantic Theater Company’s first-class presentation.