Kathleen Turner " up and down in High
Cringe No. 1 came early in Matthew Lombardo's unsustained High at the Curran Theatre. Kathleen Turner was standing center stage in character as Sister Jamison Connelly, a nun and drug rehab …
Cringe No. 1 came early in Matthew Lombardo's unsustained High at the Curran Theatre. Kathleen Turner was standing center stage in character as Sister Jamison Connelly, a nun and drug rehab …
You've heard that insulting phrase, "As exciting as watching paint dry." Well in Berkeley Repertory Theatre's Red, you do watch paint dry, and it's surprisingly exciting. This is one of th…
He says he's been a fan of hers since he was a child. She says he makes her pee. Quips fly fast and furious when talking to Jason Graae and Faith Prince, especially when they're talking a…
In which there are reminiscences of an eighth grade field trip to Alcatraz and links to a feature story and a review relating to the TheatreWorks production of Now Circa Then, a romantic com…
Singing pirates automatically make me think of two things: the original Pirates of the Caribbean ride in Disneyland with their rousing "Yo Ho (A Pirate's Life for Me)" and the dreadful and u…
Anna Ishida has a scream to remember " the kind of scream that startles your unborn children. She could supplant Jamie Lee Curtis as the Queen of Scream, but until then, she's wreaking blood…
The year always goes by so quickly. March 7 and 8 " next week, people " is Purim already. Where does the time go? If you haven't made your festive Purim plans, you should go see The Whole…
Wajdi Mouawad's drama Scorched is a riveting, affecting and thought-provoking play " in its last 30 minutes. To get there you have to spend more than two hours slogging through layers of bac…
There's nothing unusual about the following statement: Brian Copeland is a funny, funny man. He has proved that time and time again over the course of his stand-up career and his TV work. We…
Darkness. Voices. Chanting. Then drumming and clapping. The opening of Cutting Ball Theater's Tontlawald is electrifying. The sheer power of joined voices, unamplified, is undeniable and e…
Tree City Legends leaves you moved and somewhat perplexed. My experience with Dennis Kim's play as directed by Marc Bamuthi Joseph was equal parts fascination and confusion. There are so m…
Maybe it's a simple case of the winter blahs, but early 2012 has been kind of a drag. There have been high points to be sure, but people seem to be struggling and fighting and dragging aroun…
I can't imagine what it was like to see Keith Huff's A Steady Rain when it was on Broadway almost three years ago starring Hugh Jackman and Daniel Craig as two Chicago cops navigating a tric…
This is the season for artistic directors sharing their writing with their audiences. Tony Taccone at Berkeley Repertory Theatre has actually done it twice this season with Rita Moreno: Life…
Drama in the small college town of Shirley, Vermont, is much like it is anywhere: small, intimate and, for the people involved, earth shattering. Playwright Annie Baker, one of the theater…
The humor is in direct proportion to the discomfort in Gina Gionfriddo's Becky Shaw, now in its West Coast premiere at SF Playouse. If David Mamet were good at anything other than provocat…
Seeing some of the Bay Area's best actors collected on one stage is a pleasure in and of itself. But Lee Hall's The Pitmen Painters has other things to recommend it like its unapologetic cha…
The Bay Area has been pretty good to Lee Hall of late. Last year, his musical adaptation (with music by Sir Elton John) of his movie Billy Elliot received rapturous notices (though closed a …
Now, apparently, it's time to hear from Bay Area sons. At Berkeley Repertory Theatre, Jonathan Moscone (with an assist from Tony Taccone) is grappling with the loss and legacy of his fath…
That most scrumptious of Bay Area theater companies, Word for Word, is going the way of the foodie. Yes, Word for Word, the company that turns short fiction into extraordinary theater, is di…
Jonathan Moscone and Tony Taccone have found the courage to stay out of what they call "the suck drawer." The phrase comes from Ghost Light, the play Moscone and Taccone conceived togethe…
I interviewed Don Reed about his new autobiographical solo show The Kipling Hotel, which opens this weekend at The Marsh Berkeley. You can read the article here. This is the second cha…
Let's just get right to it. 2011 was another year full of fantastic local theater (and some nice imports). Somehow, most of our theater companies has managed thus far to weather the bruising…
Like a weak episode of "Glee" shot up with steriods and stuffed full of anti-depressants, Bring It On: The Musical sends up a rousing cheer for the robotic vapidity of the new Broadway. The …
The Secret Garden will always hold a special place in my heart. It was the first show I ever saw on Broadway. And because I was there with friends who had friends in high places, we got to g…