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290 stories by "Catherine Love"

Daddy Drag/Pops review " dads and daughters are lost for words by Catherine Love

★★★☆☆/★★★★☆Summerhall, Edinburgh/Assembly Roxy, EdinburghIn two bold new shows, fathers and their children are caught in a damagin…

SOURCE: The Guardian at 1:33am on August 6, 2019[SHARE]

Beach Body Ready review " laughing and loving beyond body shame by Catherine Love

Pleasance Courtyard, EdinburghIt's not a new message but it's made with charm and comedy in this three-hander about how women's bodies are policed Remember that weight-loss product ad splash…

SOURCE: The Guardian at 9:03pm on August 5, 2019[SHARE]

The Incident Room review " Yorkshire Ripper retelling puts police in the spotlight by Catherine Love

Pleasance Courtyard, EdinburghNew Diorama's beautifully crafted play casts doubt on titillating tales of the notorious serial killer, but can't escape the clutches of morbid fascination From…

SOURCE: The Guardian at 3:06pm on August 5, 2019[SHARE]

Like Animals review " sweet two-hander challenges limits of language by Catherine Love

Summerhall, EdinburghWith a flurry of feathers and splash of water, Kim Donohoe and Pete Lannon ask how much can ever know another creature At a moment when we urgently need to reassess our …

SOURCE: The Guardian at 2:12pm on August 4, 2019[SHARE]

Art Heist review " clever and chaotic study of art's value by Catherine Love

Underbelly, EdinburghPoltergeist's mischievous show asks how we determine the worth and meaning of artworks A plastic shoe, scuffed around the edges, sits atop a white plinth. A figure stan…

SOURCE: The Guardian at 6:24am on August 3, 2019[SHARE]

Eco-venues and no-flyer zones: Edinburgh fringe tackles the climate crisis by Catherine Love

Mass extinctions, carbon emissions and freak storms will feature at a festival where artists are finding new ways to raise the alarm 'I no longer think of this as a technological problem. I …

SOURCE: The Guardian at 2:36am on August 2, 2019[SHARE]

Swallows and Amazons review " swashbuckling nostalgia set to divine tunes by Catherine Love

York Theatre RoyalSongs and music by the Divine Comedy's Neil Hannon sparkle in this vivid adaptation of Arthur Ransome's classic that might please adults more than kids Summer holidays are …

SOURCE: The Guardian at 1:06pm on July 31, 2019[SHARE]

There Is a Light That Never Goes Out review " luddite rebels' defiance still crackles by Catherine Love

Royal Exchange, ManchesterKandinsky reawaken Manchester's radical past in an imaginatively staged drama that fuses history and myth Today, computers are taking our jobs. At the turn of the 1…

SOURCE: The Guardian at 12:48pm on July 30, 2019[SHARE]

'There's a resonance with today " Peterloo is still with us' by Catherine Love

Composer Emily Howard, poet Michael Symmons Roberts and immersive theatre company ANU on MIF's bicentennial Peterloo commemoration Look closely as you walk through the streets of Manchester …

SOURCE: The Guardian at 6:06am on June 15, 2019[SHARE]

Yellow Is the Colour of Sunshine review " bright young things by Catherine Love

Seven Arts, LeedsChildren's theatre company Tutti Frutti use physical playfulness and ingenuity to tell a story about the importance of communication and friendships Friendship, as adults an…

SOURCE: The Guardian at 4:33pm on June 14, 2019[SHARE]

Driving Miss Daisy review at York Theatre Royal " 'a plodding revival' by Catherine Love

On the surface, Driving Miss Daisy looks like a timely choice of revival. The play explores the relationship between an African American

SOURCE: The Stage Registration at 6:57am on June 12, 2019[SHARE]

Black Teeth and a Brilliant Smile review " last orders for Andrea Dunbar by Catherine Love

Ambassador, Bradford At the pub, the night before her untimely death, the acclaimed playwright spars with her younger self in this tender adaptation of Adelle Stripe's novel Andrea Dunbar's …

SOURCE: The Guardian at 4:24am on June 3, 2019[SHARE]

Redcoats review " song-studded ode to the Butlin's empire by Catherine Love

Scarcroft Allotments, YorkThe DIY charm of Mikron Theatre and Nick Ahad's new show is a good match for the resort's brand of family fun The Redcoat, as one character in Nick Ahad's new play …

SOURCE: The Guardian at 8:03am on May 29, 2019[SHARE]

All I See Is You review " smitten but bruised as love and law collide by Catherine Love

Hope Mill theatre, ManchesterSet in the 60s, the hidden histories of men up against repressive homosexuality laws have an intense emotional force in Kathrine Smith's production When playwri…

SOURCE: The Guardian at 7:48am on May 28, 2019[SHARE]

Transform festival review " theatre radicals take over the streets by Catherine Love

Various venues, LeedsWith interactive surveillance games, reconstructions of student protests and interventions in a shopping centre, the biennial festival reconfigured audiences' relationsh…

SOURCE: The Guardian at 2:42pm on May 5, 2019[SHARE]

'There's work to do here!' The theatres putting audiences in charge by Catherine Love

Theatregoers in York and Manchester have been recruited to bring fresh ideas and talent to the cities' stages in revolutionary programme initiatives 'How do we bridge the gap between theatre…

SOURCE: The Guardian at 2:53am on April 9, 2019[SHARE]

West End Girls and W*nk Buddies: tales of high-rises and house parties by Catherine Love

Live theatre, Newcastle Social cohesion and toxic masculinity are big topics confronted with verve by new writers through Live's showcase Elevator festival The topic of social housing seems …

SOURCE: The Guardian at 7:46am on March 28, 2019[SHARE]

'England became smaller and bigger': what 'home' means in Brexit Britain by Catherine Love

Headlong theatre company's latest production, Acts of Resistance, plugs into people power in four communities across the country In the days after the EU referendum, Headlong theatre company…

SOURCE: The Guardian at 2:00am on March 25, 2019[SHARE]

Standing at the Sky's Edge review " Richard Hawley's ode to Sheffield estate by Catherine Love

Crucible, SheffieldThis across-the-decades Park Hill musical is cleverly staged, moving through idealism, dilapidation and gentrification Rising above Sheffield station, the buildings of the…

SOURCE: The Guardian at 7:11am on March 21, 2019[SHARE]

Hamlet review " this fresh prince is fully and gloriously female by Catherine Love

Leeds PlayhouseAmy Leach's thriller-like version of Shakespeare's tragedy gives familiar lines a revelatory ring: there is zero suggestion that Tessa Parr is playing a male role It's rare, b…

SOURCE: The Guardian at 2:00am on March 11, 2019[SHARE]

Kourtney Kardashian review " dive into fantasy as the world burns by Catherine Love

Home, ManchesterSleepwalk Collective's dreamlike show riffs on nostalgia, technology, climate change and the glamour of opera From the title of Sleepwalk Collective's new show, you might exp…

SOURCE: The Guardian at 7:37am on March 8, 2019[SHARE]

Baby Face review " terrifying take on the infantilisation of women by Catherine Love

Theatre Deli, SheffieldKaty Dye gives a powerful performance deconstructing the idea of sexy innocence and society's worship of feminine youth In contemporary society and pop culture, there …

SOURCE: The Guardian at 6:24am on March 1, 2019[SHARE]

Nanjing review " a haunting study of bloody atrocities by Catherine Love

Royal Exchange, ManchesterJude Christian's solo show confronts historical brutality and personal heritage by dwelling in the grey areas It's hard to pin down Nanjing, Jude Christian's elusiv…

SOURCE: The Guardian at 9:37am on February 28, 2019[SHARE]

Slap festival review " ecstasy, rage and intimate confessions by Catherine Love

Various venues, YorkThe annual experimental showcase serves up a strange, compelling programme of dance, performance and live art Outside York Art Gallery, as tourists and tunic-clad visitor…

SOURCE: The Guardian at 6:34am on February 25, 2019[SHARE]

Mother Courage and Her Children review " Julie Hesmondhalgh is the business by Catherine Love

Royal Exchange, ManchesterIt's 2080 and Europe is in shreds in Anna Jordan's new version of Brecht's play, which has a compelling central performance War " what is it good for? Business, Mot…

SOURCE: The Guardian at 9:18am on February 14, 2019[SHARE]
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