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149 stories by "Camilla Gurtler"

Review: Cave, Printworks London by Camilla Gurtler

Printworks London, the multi-purpose venue which has set out to shake the ground of the capital's cultural scene, has no The post Review: Cave, Printworks London appeared first on A Younger …

SOURCE: A Younger Theatre at 9:42am on June 23, 2018[SHARE]

Review: Beirut, Park Theatre by Camilla Gurtler

It's said that epidemics are the biggest threat to the human population. Since our technologies have so rapidly advanced and The post Review: Beirut, Park Theatre appeared first on A Younger…

SOURCE: A Younger Theatre at 8:33am on June 23, 2018[SHARE]

Review: i.Am 4.0, Bush Theatre by Camilla Gurtler

One of the big questions that keeps being raised when rating the impact technology has on our lives is whether it destroys our capability for empathy. Empathy " the ability to understand and…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017[SHARE]

Review: The Enchanted, The Bunker by Camilla Gurtler

You can't help but see the streets of Borough in the light of the horrific events that occurred recently. It seems almost surreal going to the theatre for entertainment on the doorstep of te…

SOURCE: A Younger Theatre at 10:48am on June 19, 2017[SHARE]

Review: 887, Barbican Centre by Camilla Gurtler

Innovative theatrical legend Robert Lepage is one of those few multi-talented sub-species that seem to be able to do anything they set their mind to. A world-wide renowned writer, director, …

SOURCE: A Younger Theatre at 7:05am on June 6, 2017[SHARE]

Review: The Legend of Mulan, Southbank Centre by Camilla Gurtler

Anyone who remotely sees themselves as a Disney fan will sing-scream at the top of their lungs when hearing that famous opening “let’s get down to business”. Mulan is such …

SOURCE: A Younger Theatre at 8:36am on April 17, 2017[SHARE]

Review: Out of Blixen, The Print Room by Camilla Gurtler

After a heatwave of Nordic Noir over the past few years, it makes my Danish heart flutter that the Print Room has decided to celebrate Karen Blixen, one of our greatest storytellers and an a…

SOURCE: A Younger Theatre at 10:36am on April 11, 2017[SHARE]

Review: La Ronde, The Bunker Theatre by Camilla Gurtler

Just moments after stepping out of Bunker Theatre, it was obvious this venue will keep drawing me back. Underground, raw and quirky, tailoring its space to each show coming in, making theatr…

SOURCE: A Younger Theatre at 3:24pm on February 18, 2017[SHARE]

Review: Cautionary Tales for Daughters, Jermyn Street Theatre by Camilla Gurtler

If you had a daughter growing up in today's steamy political climate what is the advice you'd give her? Would you tell her that the blame is always on her and her alcohol consumption if she …

SOURCE: A Younger Theatre at 5:12am on February 6, 2017[SHARE]

Review: Anastasia, Royal Opera House by Camilla Gurtler

The story of Anastasia and her presumed flight from the slaughtering of the Tsar family is a modern fairy-tale that has stayed with me since childhood. I grew up on the hope she made it out …

SOURCE: A Younger Theatre at 3:31pm on November 1, 2016[SHARE]

Review: A Conversation with Dystonia, Sadler's Wells by Camilla Gurtler

“A diagnosis is a release, but it is also a separation.” In a physical dialogue with her disability, Suzie Birchwood expresses her struggle with dystonia as she trained as a ball…

SOURCE: A Younger Theatre at 10:19am on October 23, 2016[SHARE]

Review: Oil, Almeida Theatre by Camilla Gurtler

We live in the hope that the future will be better than the reality we have today. That there will be better opportunities, more advanced technologies, more freedom, more choice. But what ha…

SOURCE: A Younger Theatre at 4:19pm on October 17, 2016[SHARE]

Review: Light, Battersea Arts Centre by Camilla Gurtler

Our obsessive use of technology, the freedom of the internet and our persistence to control planet seems to send us down the path of an Orwellian future. A future where totalitarianism rule,…

SOURCE: A Younger Theatre at 2:34pm on October 12, 2016[SHARE]

Review: Jesus Christ Superstar, The Open Air Theatre by Camilla Gurtler

Celebrating its forty-fifth anniversary, Jesus Christ Superstar protests once again, as Timothy Sheader adds modern spice to Andrew Lloyd Webber's rock phenomenon with not just heaven …

SOURCE: A Younger Theatre at 6:32am on July 24, 2016[SHARE]

Review: A Beckettesque Play, Bread and Roses Theatre by Camilla Gurtler

It's hard to define experimental theatre in a world where everything has been done before. Like an over-used Rubik's cube where most combinations have been explored, and still we have no fin…

SOURCE: A Younger Theatre at 4:52pm on July 21, 2016[SHARE]

Review: Lost in Blue, Roundhouse by Camilla Gurtler

It’s amazing how little we need to create vivid stories in our minds. That we can create worlds and people from pages in a book, from the sound of someone’s voice or the look in …

SOURCE: A Younger Theatre at 2:21am on June 9, 2016[SHARE]

Review: The Polar Bears Go Up, Unicorn Theatre by Camilla Gurtler

If you're under five, this is your show. If you've by far reached your pre-prime, then you can rejoice at how simple life once was with The Polar Bears Go Up. Following last year's success T…

SOURCE: A Younger Theatre at 1:13pm on April 30, 2016[SHARE]

Review: Doctor Faustus, Duke of York's Theatre by Camilla Gurtler

How much would you give up to get what you want? Doctor Faustus decided everything. Shipped off his soul to the devil with a blindfold over anything called consequence. In Marlowe's sixteent…

SOURCE: A Younger Theatre at 2:46pm on April 25, 2016[SHARE]

Review: Kings of War, Barbican by Camilla Gurtler

Sensible people would probably say that 4.5 hours of Dutch Shakespeare is too much sand to swallow on a Friday night. Let alone a compilation of his history plays that with the connotations …

SOURCE: A Younger Theatre at 2:46pm on April 25, 2016[SHARE]

Review: The Suicide, National Theatre by Camilla Gurtler

On paper The Suicide should be flawless. Attacking the bloodthirsty social media followers and their see-through empathy, the National would have hit it with the satirical boom it promised t…

SOURCE: A Younger Theatre at 5:24pm on April 17, 2016[SHARE]

Review: I Capuleti E I Montecchi, Pop-Up Opera by Camilla Gurtler

When working in a conventional art form such as opera, with its roots stubbornly planted in the past, it can be difficult to imagine it shining a new light on the world. Many young audience …

SOURCE: A Younger Theatre at 10:53am on April 3, 2016[SHARE]

Review: Beacons, Park Theatre by Camilla Gurtler

Beachy Head in Eastbourne is one of the world's most popular suicide spots. You could say the site evokes a sense of mystery, a magnetic pulling-force; that the danger puts you face to face …

SOURCE: A Younger Theatre at 9:18am on March 26, 2016[SHARE]

Review: Don't Sleep There Are Snakes, Park Theatre by Camilla Gurtler

Following Simon McBurney's hyped spectacular that was The Encounter, it is both exciting and slightly puzzling to find another play on the London scene that explores a true story of the enco…

SOURCE: A Younger Theatre at 9:04pm on March 24, 2016[SHARE]

Review: The Encounter, Barbican by Camilla Gurtler

It's not too bold to say that The Encounter is out of this world. Simon McBurney's one-man show is simply like nothing you've ever experienced. And it is a total experience " it does feel li…

SOURCE: A Younger Theatre at 4:45pm on February 17, 2016[SHARE]

Review: Nell Gwynn, Apollo Theatre by Camilla Gurtler

"But the theatre isn't glamorous", I've heard my friends say countless of times. "Film is so much more powerful, naturalistic and international." Don't get me wrong, film is all of those thi…

SOURCE: A Younger Theatre at 10:04am on February 15, 2016[SHARE]
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