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96 stories by "C.j. Fernandes"

Theater Review: GOING BACHARACH: THE SONGS OF AN ICON (Apollo Theater / Chicago) by C.j. Fernandes

WHAT THE WORLD NEEDS NOW A charming revue reminds us why Burt Bacharach’s songs remain timeless An overture! An honest-to-goodness overture! All right, so maybe I’m overreacting a bit, b…

SOURCE: Stage and Cinema at 4:00am on June 2, 2026

Theater Review: AN ENEMY OF THE PEOPLE (TimeLine Theatre / Chicago) by C.j. Fernandes

TRUTH, CONSEQUENCES, AND CONTAMINATED WATER A superb production of Ibsen’s classic finds unsettling echoes in the present day There are plays that endure because their themes and character…

SOURCE: Stage and Cinema at 2:50am on May 28, 2026

Theater Review: LE BAL (Trap Door Theatre / Chicago) by C.j. Fernandes

DANCING THROUGH THE DECADES A mesmerizing theatrical collage that rewards surrender over analysis One never quite knows what to expect from the good folks at Trap Door Theatre, and I’m sur…

SOURCE: Stage and Cinema at 6:45pm on May 26, 2026

Theater Review: COVENANT (Goodman / Chicago) by C.j. Fernandes

THE DEVIL WENT DOWN TO GEORGIA York Walker’s Southern Gothic keeps its secrets close and its audience on edge “Everybody got a secret” That is the line that opens Covenant, the grippin…

SOURCE: Stage and Cinema at 10:44pm on May 23, 2026

Theater Review: THE TARGETED (A Red Orchid Theatre / Chopin Theatre / Chicago) by C.j. Fernandes

SIGNALS IN THE STATIC A Red Orchid’s compelling world premiere favors empathy over satire, sometimes at the expense of deeper exploration Thus far, 2026 has been an uncommonly good year in…

SOURCE: Stage and Cinema at 2:51am on May 23, 2026

Theater Review: THE HULA-HOOPIN’ QUEEN (Young People’s Theatre Chicago) by C.j. Fernandes

HOOP DREAMS IN HARLEM Young People’s Theatre closes its season with a charming, energetic celebration of childhood, friendship, and community In The Hula-Hoopin’ Queen, the stakes are ve…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Theater Review: SCARAMOUCHE (City Lit Theater / Edgewater Presbyterian Church / Chicago) by C.j. Fernandes

EN GARDE, YOU FOOLS A spirited cast and plenty of swashbuckling fun can’t quite compensate for a forgettable score “He was born with a gift of laughter and a sense that the world was mad…

SOURCE: Stage and Cinema at 9:44pm on May 22, 2026

Theater Review: CRIME AND PUNISHMENT (TUTA Theatre / Chicago) by C.j. Fernandes

GUILT TRIP TUTA Theatre turns Dostoevsky’s sprawling masterpiece into a feverish psychological horror story of conscience, damnation, and salvation Fyodor Dostoevsky’s masterpiece Crime …

SOURCE: Stage and Cinema at 4:54am on May 16, 2026

Theater Review: OCTET (Raven Theatre / Chicago) by C.j. Fernandes

LOG OFF AND SING Dave Malloy’s brilliant chamber musical turns doomscrolling, loneliness, and internet addiction into something unexpectedly humane I don’t know what I was expecting when…

SOURCE: Stage and Cinema at 5:00am on May 15, 2026

LOKI – THE END OF THE WORLD TOUR (World Premiere at Lifeline Theatre / Chicago) by C.j. Fernandes

IT’S TIME TO RAGNARÖK ‘N’ ROLL  An exuberant Norse rock opera with enough swagger to survive the apocalypse A corner of a decrepit night club greets you as you walk into Lifeline The…

SOURCE: Stage and Cinema at 10:17pm on May 12, 2026

Theater Review: ‘NIGHT, MOTHER (Redtwist Theatre / Chicago) by C.j. Fernandes

MOTHER KNOWS BEST— UNTIL SHE DOESN’T A devastating, clear-eyed revival that refuses comfort and lingers long after the lights go down I first watched ‘night, Mother, the Pulitzer-prize…

SOURCE: Stage and Cinema at 9:22pm on May 9, 2026

Theater Review: WINDFALL (Steppenwolf Theatre Company / World Premiere / Chicago) by C.j. Fernandes

CASH, GRIEF, AND THE COST OF RESISTANCE A gripping, immersive premiere dissolves the line between audience and action Steppenwolf’s excellent 50th season continues with Windfall, the new p…

SOURCE: Stage and Cinema at 9:27pm on May 7, 2026

Theater Review: FAULT (Chicago Shakespeare) by C.j. Fernandes

FAULT LINES A glossy production sinks under the weight of a script that mistakes talk for wit Unpleasant, unfunny, misogynistic, and worst of all, boring. Let’s play a drinking game: every…

SOURCE: Stage and Cinema at 2:36pm on May 7, 2026

Theater Review: OUT HERE (Court Theatre) by C.j. Fernandes

OUT OF THE CLOSET, INTO THE FIRE A messy, ambitious new musical about divorce lands more as play than score— but still entertains Court Theatre closes out its 2025/2026 season with Out Her…

SOURCE: Stage and Cinema at 2:59am on May 3, 2026

Theater Review: BOTH (Teatro Vista Productions at Steppenwolf’s 1700 Theater, Chicago) by C.j. Fernandes

TRAUMA, TRUTH, AND THE STORIES WE SELL A taut psychological thriller that cuts deep and lingers “Look at this place. Just how rich did our trauma make you?” Of all the devastating zinger…

SOURCE: Stage and Cinema at 2:58am on April 25, 2026

Theater Review: GOODNIGHT MOON (Chicago Children's Theatre) by C.j. Fernandes

A GREAT, GREEN ROOM YOU'LL NEVER WANT TO LEAVE Chicago Children's Theatre closes out its 20th anniversary season with a picture(book)-perfect triumph! "I wish I might, I wish I may / go live…

SOURCE: Stage and Cinema at 2:19am on April 14, 2026

Theater Review: MA RAINEY'S BLACK BOTTOM (Goodman Theatre, Chicago) by C.j. Fernandes

THE BLUES THAT BUILT AMERICA" AND THE COST OF SINGING THEM August Wilson's masterpiece lands with devastating force in a blazing Goodman revival Four black musicians amble into a recording s…

SOURCE: Stage and Cinema at 7:00am on April 9, 2026

Theater Review: THE OFFICIAL BIOGRAPHY (Her Story Theatre at The Den, Chicago) by C.j. Fernandes

A GREAT PERFORMANCE IN SEARCH OF A BETTER PLAY Gary Houston towers in a two-hander that never quite lives up to its premise Outside a run-down cottage in rural Connecticut, a white-haired ma…

SOURCE: Stage and Cinema at 2:51am on April 8, 2026

Theater Review: THE SUGAR WIFE (The Artistic Home at Theater Wit, Chicago) by C.j. Fernandes

THIS SLOW-BURNING, DEVASTATING DRAMA REFUSES EASY ANSWERS The Sugar Wife is a gripping and complex examination of morality and the individual's responsibility towards society The Sugar Wife …

SOURCE: Stage and Cinema at 2:30am on April 7, 2026

Theater Review: THE ALLY (Theater Wit, Chicago) by C.j. Fernandes

ARGUMENTS WITHIN ARGUMENTS A fiercely intelligent play that challenges ideas more than it deepens character A large, welcoming room lined with stained wood bookshelves greets you when you wa…

SOURCE: Stage and Cinema at 2:30am on April 5, 2026

Theater Review: THE THREE MUSKETEERS (Idle Muse Theatre Company, Chicago) by C.j. Fernandes

ALL FOR ONE"AND A WHOLE LOT OF MEANWHILES A rollicking, cleverly staged adventure that balances spectacle with comic flair Xavier Lagunas, Jack Sharkey and Boomer Lusink Swash your buckler a…

SOURCE: Stage and Cinema at 2:01am on April 2, 2026

Theater Review: THEATER OF THE MIND (Goodman Theatre at the Reid Murdoch Building) by C.j. Fernandes

MEMORY PLAYS TRICKS" AND SO DOES EVERYTHING ELSE An immersive maze where perception falters and certainty slips through your fingers Unreliable narrators everywhere"but not the ones you thin…

SOURCE: Stage and Cinema at 2:30am on April 1, 2026

Theater Review: THE CUTTLEFISH, OR THE HYRCANIAN WORLDVIEW (Trap Door Theatre) by C.j. Fernandes

PHILOSOPHY, FARCE, AND ART UNDER SIEGE Witkiewicz's dense, absurdist text sparks to life" until unnecessary asides break the spell Gus Thomas and Venice Averyheart Theatre does not get much …

SOURCE: Stage and Cinema at 5:48am on March 24, 2026

Theater Review: WHITE ROOSTER (Lookingglass Theatre) by C.j. Fernandes

FOLKLORE, GHOSTS, AND THE WEIGHT OF THE DEAD Matthew C. Yee's wildly ambitious world premiere dazzles, even as its larger shape remains elusive Death, and coming to terms with it, have been …

SOURCE: Stage and Cinema at 2:52am on March 20, 2026

Theater Review: THE DROWSY CHAPERONE (Theo Ubique Cabaret Theatre) by C.j. Fernandes

AIN'T NOTHING DROWSY ABOUT THIS CHAPERONE Theo Ubique's joyous revival of the Tony-winning musical turned this critic into a tap-dancing, high-kicking fool. Darian Goulding as Aldolpho In a …

SOURCE: Stage and Cinema at 4:00am on March 15, 2026
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