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183 stories by "Bob Ashby"

Review: 'Hand to God' at Maryland Ensemble Theatre by Bob Ashby

So what sort of play is Hand to God? Dysfunctional family drama? Teen coping with angst saga? Angry satire on a particular style of Christianity? Scenario for a horror movie?  Raunchy …

SOURCE: DC Metro Theater Arts at 4:01pm on September 9, 2018

Review: 'South Pacific' at Olney Theater Center by Bob Ashby

No one is from there. They come from France, Vietnam, Cleveland, Philadelphia, Little Rock, and a host of unnamed American cities. Espiritu Santo, the main island setting of Rodgers and Hamm…

SOURCE: DC Metro Theater Arts at 10:35am on September 8, 2018

Review: 'Passion' at Signature Theatre by Bob Ashby

Stephen Sondheim's Passion, now playing at Signature Theatre, has two of the greatest songs in the composer's brilliant portfolio " "I Wish I Could Forget You" and "Loving You" " and three c…

SOURCE: DC Metro Theater Arts at 1:49pm on August 23, 2018

Review: 'Melancholy Play: A Contemporary Farce' at Constellation Theatre Company by Bob Ashby

In Jonathan Dahm Robertson's set for Constellation Theatre Company's production of Sarah Ruhl's Melancholy Play: A Contemporary Farce, a collection of two-dimensional doors is depicted on th…

SOURCE: DC Metro Theater Arts at 10:18pm on August 14, 2018

Review: 'Chicago' at Other Voices Theatre by Bob Ashby

Chicago, now running at Other Voices Theatre in Frederick, has a long and winding history. In 1924, Chicago reporter Maurine Watkins covered the sensational trials of Belva Gaertner and B…

SOURCE: DC Metro Theater Arts at 8:15pm on August 5, 2018

Review: 'The Story of the Gun' at Woolly Mammoth by Bob Ashby

"All you have to do is move your little finger, move your little finger, and you can change the world." That line from Stephen Sondheim's Assassins could well serve as an epigraph for Mike D…

SOURCE: DC Metro Theater Arts at 9:32pm on August 1, 2018

Review: 'The Pirates of Penzance' by The Hypocrites at Olney Theatre Center by Bob Ashby

Once upon a time, Gilbert and Sullivan staging was " there is no other word for it " stodgy. The D'Oyly Carte opera company dominated G&S performance from the late 19th century until its…

SOURCE: DC Metro Theater Arts at 9:37pm on July 20, 2018

2018 Capital Fringe Review: 'The Lives Left Behind' by Bob Ashby

In The Lives Left Behind, the Silver Finch Arts Collective presents four short, one-act, chamber operas, each by a different composer and librettist. The instrumental music for all four piec…

SOURCE: DC Metro Theater Arts at 10:11am on July 16, 2018

2018 Capital Fringe Review: 'Aphrodite's Refugees' by Bob Ashby

Monica Dionysiou gives audiences a bravura hour of solo storytelling in her Aphrodite's Refugees, which is based on the experiences of her family during the warfare that consumed Cyprus in t…

SOURCE: DC Metro Theater Arts at 9:28am on July 16, 2018

2018 Capital Fringe Review: '1 2 3: a play about abandonment and ballroom dancing' by Bob Ashby

What becomes of the children of famous (or notorious) people later in their lives is fertile ground for fiction as well as documentary storytellers. One of the best of the genre is E.L. Doct…

SOURCE: DC Metro Theater Arts at 10:20pm on July 14, 2018

Review: 'Guerrilla Theater Works 3: A New Nation' by Convergence Theatre by Bob Ashby

Sunday morning, before I drove from my home in Western Maryland to see Convergence Theatre's production of A New Nation, I noted the following in a letter to the editor of my local newspaper…

SOURCE: DC Metro Theater Arts at 1:19pm on July 10, 2018

2018 Capital Fringe Review: 'America's Wives' by Bob Ashby

A main point of Michelle Alexander's The New Jim Crow is that the oppression of people of color in the U.S. cannot be explained as a matter of mean-spirited bigots lashing out at African-Ame…

SOURCE: DC Metro Theater Arts at 10:09am on July 9, 2018

2018 Capital Fringe Review: 'Andromeda Breaks' by Bob Ashby

Andromeda Breaks, written by Stephen Spotswood and directed by Nick Martin, takes the initial form of a police interrogation. At the outset, Andromeda (Billie Krishawn) sits handcuffed to a …

SOURCE: DC Metro Theater Arts at 12:04pm on July 8, 2018

Review: 'Secrets of the Universe (And Other Songs)' at the Hub Theatre by Bob Ashby

Secrets of the Universe (And Other Songs), a new play by Marc Acito having its world premiere at the Hub Theatre in Fairfax, explores the friendship between two 20th century greats in very d…

SOURCE: DC Metro Theater Arts at 10:20am on July 8, 2018

Review: 'On the Town' at Olney Theatre Center by Bob Ashby

D.C."area audiences are notorious for their too-free-and-easy awarding of standing ovations. But last night's prolonged, enthusiastic, standing, whooping, hollering, response to Olney Theatr…

SOURCE: DC Metro Theater Arts at 3:43pm on June 24, 2018

Review: 'How to Succeed in Business Without Really Trying' at the Kennedy Center by Bob Ashby

The Kennedy Center advertises its Broadway Center Stage series as presenting shows in a "semi-staged concert format." For Frank Loesser's 1961 satire of mid-20th century New York corporate l…

SOURCE: DC Metro Theater Arts at 3:53pm on June 8, 2018

Review: 'Bad Jews' at NextStop Theatre by Bob Ashby

What must their mothers have been like? Certainly, cousins Daphna and Liam (Sophie Schulman and Noah Schaefer), the antagonists in Joshua Harmon's Bad Jews, now playing at Herndon's NextStop…

SOURCE: DC Metro Theater Arts at 12:51pm on May 27, 2018

Review: 'A View from the Bridge' at Maryland Ensemble Theatre by Bob Ashby

The 1950s Brooklyn waterfront setting of Arthur Miller's A View from the Bridge has long since disappeared. The container revolution, beginning in the 1970s, ended forever the traditional lo…

SOURCE: DC Metro Theater Arts at 8:57pm on May 26, 2018

Review: 'Meet Me in St. Louis' at Other Voices Theatre by Bob Ashby

World's Fairs " those gaudy showcases of civic and national pride, corporate promotion, new technology, consumerism, over-the-top temporary architecture, sideshow entertainment, and an occas…

SOURCE: DC Metro Theater Arts at 4:43pm on May 13, 2018

Review: 'Gypsy' at the Cumberland Theatre by Bob Ashby

The original full title of the show now playing at the Cumberland Theatre was Gypsy: A Musical Fable. Emphasize that final word. Gypsy Rose Lee was none too particular about the facts of …

SOURCE: DC Metro Theater Arts at 8:54pm on May 12, 2018

Review: 'The Crucible' at Olney Theatre Center by Bob Ashby

Fanaticism grows in a society fractured along fault lines of political and religious authority, property, status, gender, generational change, and belief, creating a fertile climate for pers…

SOURCE: DC Metro Theater Arts at 10:21am on April 23, 2018

Review: 'Fly By Night' at 1st Stage by Bob Ashby

Recipe for a vexing evening of musical theater: combine cuteness, sweetness, quirkiness, clever and funny dialogue, and a sprinkling of amusing and melodic songs. Add a heavy dose of sentime…

SOURCE: DC Metro Theater Arts at 8:07pm on April 15, 2018

Review: 'Sweeney Todd' by The Arlington Players by Bob Ashby

Stephen Sondheim himself felt some uncertainty in categorizing Sweeney Todd, the 1979 show that many regard as the masterpiece of his long and spectacular career. In his annotated book of ly…

SOURCE: DC Metro Theater Arts at 4:03pm on April 14, 2018

Review: 'The Front Page' by Providence Players by Bob Ashby

There are few perfect things in life, let alone in theater. But Providence Players' The Front Page comes darn close. Every aspect of the production is first-rate. The newspaper world created…

SOURCE: DC Metro Theater Arts at 2:17pm on April 11, 2018

Review: 'Roz and Ray' at Theater J by Bob Ashby

Fierce. No word short of that can fairly describe the characters' commitment to their consuming passions, and the actors' commitment to their roles, in Theater J's harrowing production of Ka…

SOURCE: DC Metro Theater Arts at 9:28pm on April 10, 2018
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