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392 stories by "Bill Marx"

Fuse Commentary: The Demise of Arts and Culture on WGBH " Hypocrisy in Plain Sight by Bill Marx

Discard the empty rhetoric about "amplifying the arts," follow the money and you will eventually find, winding your way through all the obfuscation and spin, WGBH's thrifty corporate charact…

SOURCE: The Arts Fuse at 12:28pm on July 28, 2012☆⚑

Fuse Commentary: The New York Times " Shouldn't It Know the Purpose of Arts Criticism? by Bill Marx

Based on The New York Times Public Editor Arthur S. Brisbane's recent article on arts criticism, he and the editors at the newspaper haven't much of a clue regarding what a serious arts revi…

SOURCE: The Arts Fuse at 8:40am on July 17, 2012☆⚑

Fuse Cultural Commentary " Northrop Frye at 100 by Bill Marx

Northrop Frye, inspired by the poet William Blake, demands that the critic be a warrior in a "Mental Fight," articulating the liberating value of literature as a source of imaginative energy…

SOURCE: The Arts Fuse at 11:48am on July 14, 2012☆⚑

Fuse Commentary: WGBH " No Excuses by Bill Marx

WGBH is not even attempting to make any excuses, not bothering to put in the energy to explain why the station isn't using funding from its supporters to hire first-class journalists or to c…

SOURCE: The Arts Fuse at 7:06pm on July 9, 2012☆⚑

Fuse Theater Review: An Energetic But Erratic "Polaroid Stories" by Bill Marx

My impression is of a trio of rough-but-ready theater groups spoiling for some nervy, in-yer-face theatrical action. That is the way it should be.

SOURCE: The Arts Fuse at 1:16pm on July 8, 2012☆⚑

Fuse Commentary: What Does WGBH Do When It Cuts Back On The Arts? It Celebrates, Of Course. by Bill Marx

Jazz is dying on WGBH -- long live the arts, and let us all eat cake financed by Citizens Bank at the upcoming Arts Weekend, created by WGBH and The Boston Globe

SOURCE: The Arts Fuse at 8:26am on July 2, 2012☆⚑

The Arts Fuse Turns 5: The Future of Arts Journalism is Now. Help Us Make it Happen. by Bill Marx

As a long time arts critic for print, broadcast, and the Web, the potential for cultural coverage online strikes me then and now as exhilarating. The challenge for The Arts Fuse is to foster…

SOURCE: The Arts Fuse at 2:25pm on June 24, 2012☆⚑

Fuse Commentary: Critical Rule #1 " Don't Write Like a Publicist by Bill Marx

Early on I was given these words of wisdom by my friend, the late theater critic Arthur Friedman: "Criticism should not read as if it had been written by a publicist.

SOURCE: The Arts Fuse at 2:02pm on June 17, 2012☆⚑

Fuse Theater Review: A Spectacular Showbiz "Totem" from Cirque du Soleil by Bill Marx

Director Robert Lepage's spectacular projections, aided by a savvy use of sound effects and lighting, move the dramatic focus of Cirque du Soleil's Totem with ease, opening up the imaginati…

SOURCE: The Arts Fuse at 1:40pm on June 15, 2012☆⚑

Fuse Commentary: What Makes a Critic Tick? Harvard Business School Hasn't a Clue by Bill Marx

I have read the Harvard Business School study about critics and it is clueless on so many levels about the craft and mechanics of reviewing that it is astonishing that major newspapers and m…

SOURCE: The Arts Fuse at 4:47pm on May 30, 2012☆⚑

Fuse Author Interview: Jay Atkinson's Memoirs of a Rugby-Playing Man " Remembrance of Punches Past by Bill Marx

If Wordsworth was right in saying that poetry is emotion recollected in tranquility, than a rugby memoir is a punch in the face reconsidered from a hospital bed.

SOURCE: The Arts Fuse at 11:37am on May 26, 2012☆⚑

Fuse Book Interview: Damion Searls on "Amsterdam Stories" by Bill Marx

Written by a man who spent most of his life in a bourgeois harness, Amsterdam Stories focuses on the fleeting thrills of refusal, the chemical and philosphical rush that comes from floating …

SOURCE: The Arts Fuse at 12:08pm on May 17, 2012☆⚑

Fuse Theater Review: Boxed In " "Yesterday Happened: Remembering H. M." by Bill Marx

Dramatist and director Wesley Savick faces a number of fascinating but formidable theatrical challenges, and the generally compelling Yesterday Happened (how could it not be, given its story…

SOURCE: The Arts Fuse at 1:10pm on May 9, 2012☆⚑

Fuse Theater Review: An Earnest "Troilus and Cressida" by Bill Marx

We are a long way from the love-destroyed-by-hostility pieties of Romeo and Juliet, but Actors' Shakespeare Project director Tina Packer wants to make Troilus and Cressida fit into that reas…

SOURCE: The Arts Fuse at 2:54pm on May 4, 2012☆⚑

Arts Fuse Editor Bill Marx Talks @ Boston University about Arts Coverage, Teaching, and Books in Translation by Bill Marx

One of my students at Boston University, Kyle Clauss, has a program on the school's station WTBU. He had me on to talk about The Arts Fuse, teaching, and translation, among other issues. Her…

SOURCE: The Arts Fuse at 7:25am on May 3, 2012☆⚑

Fuse Theater Interview: Beau Jest Sets Up Shop on Tennessee Williams' s Camino Real by Bill Marx

It is important for audiences to go to Ten Blocks on the Camino Real with an open mind. Do not expect a play like The Glass Menagerie. Go to hear a youthful Tennessee Williams's marvelously …

SOURCE: The Arts Fuse at 9:44am on April 23, 2012☆⚑

Fuse Theater Review: An Amusing "She Stoops to Conquer" from the National Theatre by Bill Marx

It is a pleasure to report that -- driven by the lively direction of Jamie Lloyd and the skills of an energetic cast -- the National Theatre production proves that even after two centuries O…

SOURCE: The Arts Fuse at 1:47pm on April 15, 2012☆⚑

Fuse Theater Interview: "Deported/ a dream play" " A Tale of New England With Global Implications by Bill Marx

"Deported/ a dream play" tells a local story with global implications. Many countries, including our own, still have not officially acknowledged that this genocide actually occurred and who …

SOURCE: The Arts Fuse at 12:46pm on March 18, 2012☆⚑

Fuse Interview: Viva August Strindberg " The Great Swedish Modernist by Bill Marx

August Strindberg's work unquestionably has not received the degree of popular acclaim in America that it deserves. It's a bit mysterious, given that major U.S. playwrights -- Eugene O'Neill…

SOURCE: The Arts Fuse at 7:15pm on February 29, 2012☆⚑

Coming Attractions in Theater " January 2012 by Bill Marx

The year kicks off with few unusual productions -- companies are depending on proven New York hits, such as the Yasmina Reza duo, the Tony award-approved "Red," "Green Eyes," though the Will…

SOURCE: The Arts Fuse at 5:13pm on January 8, 2012☆⚑

Fuse Film Review: Those Cuddly and Krazy Klezmatics by Bill Marx

The documentary "The Klezmatics: On Holy Ground" is pleasing to watch, but there are a number of ways of respecting as well as loving great artists, the most important being coming up with t…

SOURCE: The Arts Fuse at 3:08pm on January 2, 2012☆⚑

Fuse Book Review/Commentary: Why Lionel Trilling " and Serious Criticism " Matters by Bill Marx

The essential task of the critic is not to like or dislike the arts or to push bromides, such as to celebrate the "power of reading." Despite some troublesome modifications, Lionel Trilling …

SOURCE: The Arts Fuse at 11:18am on January 1, 2012☆⚑

Fuse Books: A Few Year End Literary Favorites by Bill Marx

As the year nears its end, time is running out to write at length about some of the new books that gave me pleasure. Thus this quick list of favorites. As usual, my taste runs to prose that'…

SOURCE: The Arts Fuse at 10:05am on December 25, 2011☆⚑

Fuse Theater/Book Interview: Ben, We Hardly Know Ye " Donaldson on Jonson by Bill Marx

Ben Jonson is one of the great unknown geniuses of the English theater and of western literature. Ian Donaldson's new biography of the playwright/poet successfully makes the case that he des…

SOURCE: The Arts Fuse at 5:18pm on December 17, 2011☆⚑

Fuse Commenary: The Agony and the Esctasy of Johnathan Lethem's Influences by Bill Marx

For all of his claims to being a subversive termite, Jonathan Lethem the puffy white elephant appears more often in this collection, trudging down a much safer, much happier road -- leave th…

SOURCE: The Arts Fuse at 10:52am on December 16, 2011☆⚑
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