The Maids - review
Sydney Theatre CompanyHow relevant is a 1947 French play about domestic servitude to a 2013 Australian audience? Jean Genet's masterpiece about Claire and Solange, two maids damaged from a l…
Sydney Theatre CompanyHow relevant is a 1947 French play about domestic servitude to a 2013 Australian audience? Jean Genet's masterpiece about Claire and Solange, two maids damaged from a l…
Sydney Theatre Company, SydneyBack to Back's astute play within a play explores parallels between superheroes and people with disabilitiesThere are battles between good and evil, thrilling a…
Brisbane Festival: The Loft, QUT Theatre RepublicThis sharp, perceptive production of Charles Busch's cult classic is a hilarious explosion of seaside funPoor little Chicklet. The innocent, …
The Fame star and choreographer on why Freeze Frame, her new show, explores the street culture of Los AngelesIf there's one thing that mystifies Debbie Allen, it is America's attitude toward…
Brisbane festival: Brisbane PowerhouseA playful and warm production that will appeal to kids and adults as the wall becomes the floorConcepts don't come much more simple than the one that fo…
The artistic director of La Boite and curator of Brisbane festival's independent theatre hub on the growth of indie theatre in the city " and the young audiences sustaining itWhen the positi…
Brisbane festival: QUT Theatre Republic, La Boite StudioI ended up lying beneath the performer in this immersive piece " a new take on up close and personal theatreNicola Gunn's Hello My Nam…
Ben Neutze: On the eve of her Australian tour, the singer discusses the German songbook, her new song cycle " and why passion is all importantBen Neutze
Belvoir, SydneySimon Stone's new adapatation of Strindberg's classic has danger, insight, and some excellent peformancesSimon Stone might be one of Australia's most in-demand and high-profil…
Sydney Theatre CompanyIf actors need an audience to make their existence meaningful, as The Player suggests they do in Rosencrantz and Guildenstern Are Dead, then it must be a very happy and…
Sydney Theatre CompanyIf actors need an audience to make their existence meaningful, as The Player suggests they do in Rosencrantz and Guildenstern Are Dead, then it must be a very happy and…
Griffin Theatre Company, SydneyThe phrase morbidly obese has come to infer an emotional subtext and judgement that goes beyond a medical classification. That's the starting point for Melissa…
Ben Neutze: Can a new Sydney venue dedicated to small-scale musical theatre help nurture Australian musicals in the face of huge international productions?Ben Neutze
Sydney Theatre CompanyHow relevant is a 1947 French play about domestic servitude to a 2013 Australian audience? Jean Genet's masterpiece about Claire and Solange, two maids damaged from a l…
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