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125 stories by "Barnaby Hughes"

Chicago / Tour Theater Review: THE MAGIC FLUTE (Isango Ensemble at Chicago Shakespeare) by Barnaby Hughes

THIS MAGIC FLUTE IS ALL TOO ORDINARY South Africa's Isango Ensemble is undoubtedly full of talented actors, singers, and musicians, but doesn't quite have the specialized skills required to …

SOURCE: Stage and Cinema at 2:34am on September 28, 2014

Chicago Theater Review: JOHN DOE (Trap Door) by Barnaby Hughes

MAD ABOUT JOHN DOE Trap Door Theatre is entered via a long narrow gap between two Bucktown restaurants. Upon arrival, Artistic Director Beata Pilch assigns audience members a number and Mike…

SOURCE: Stage and Cinema at 3:44pm on September 27, 2014

Chicago Theater Review: REASONS TO BE HAPPY (Profiles Theatre) by Barnaby Hughes

REASONS TO BE CRITICAL Neil LaBute seems to have a penchant for ironic titles. His 2002 play The Mercy Seat was anything but merciful; LaBute described it as a "kind of emotional terrorism."…

SOURCE: Stage and Cinema at 4:36pm on August 29, 2014

Chicago Theater Review: THE ARSONISTS (Strawdog) by Barnaby Hughes

THIS SHOW’S ON FIRE "Ich bin ein Biedermann" isn't what President Kennedy famously said in Berlin in 1963, but it's something playwright Max Frisch might have said while writing Herr B…

SOURCE: Stage and Cinema at 12:38pm on August 26, 2014

Chicago Theater Review: ALL OUR TRAGIC (The Hypocrites at The Den Theatre) by Barnaby Hughes

A TRAGEDY OF EPIC PROPORTIONS Writing a play of more than 800 pages that takes twelve hours to perform is both an act of hubris and an act of genius. Written and directed by The Hypocrites' …

SOURCE: Stage and Cinema at 12:47pm on August 15, 2014

Los Angeles Opera Review: MADAMA BUTTERFLY (Center Stage Opera) by Barnaby Hughes

A BUTTERFLY WITHOUT WINGS Madama Butterfly (1904) is understandably one of the most popular operas in the world. Not only does it boast a tragic story that is incredibly moving, but the dram…

SOURCE: Stage and Cinema at 9:29am on June 16, 2014

Los Angeles Opera Review: LA CALISTO (Pacific Opera Project in Highland Park) by Barnaby Hughes

BAROQUE AND LOVING IT It begins innocently enough with two nymphs singing, swinging and blowing bubbles"until the gods intervene and mayhem ensues. There are transvestites, lusty satyrs, and…

SOURCE: Stage and Cinema at 2:10am on May 5, 2014

Los Angeles Opera Review: A COFFIN IN EGYPT (The Wallis in Beverly Hills) by Barnaby Hughes

A NAIL IN OPERA'S COFFIN As the opera's West Coast premiere, A Coffin in Egypt is frankly disappointing. As the first opera production at the new Wallis Annenberg Center for the Performing A…

SOURCE: Stage and Cinema at 2:41am on April 25, 2014

San Diego Opera Review: DON QUIXOTE (San Diego Opera at the Civic Theatre) by Barnaby Hughes

SAN DIEGO OPERA’S SWAN SONG SPEAKS TO DREAMING IMPOSSIBLE DREAMS Don Quixote ("Don Quichotte" in its original French spelling) serves as a fitting final production with which to close …

SOURCE: Stage and Cinema at 8:47pm on April 8, 2014

Los Angeles Opera Review: JONAH AND THE WHALE (LA Opera at Cathedral of our Lady of the Angels) by Barnaby Hughes

A FISHY MONSTROSITY What is it about the story of Jonah that has so captured the world's imagination? Is it the stupidity of a man trying to run away from God, as if that were even possible?…

SOURCE: Stage and Cinema at 12:11pm on March 26, 2014

Los Angeles / Regional Opera Review: LA TRAVIATA (Segerstrom Concert Hall in Costa Mesa) by Barnaby Hughes

ORANGE COUNTY GOES GREEN, I.E. VERDI Opera is alive and well in Orange County! Since the demise of Opera Pacific (1985-2008), Pacific Symphony, aided by Pacific Chorale, has emerged as the c…

SOURCE: Stage and Cinema at 7:36pm on February 25, 2014

San Diego Opera Review: THE ELIXIR OF LOVE (San Diego Opera at the Civic Theatre) by Barnaby Hughes

THIS ELIXIR IS A TONIC FOR WHAT AILS YOU Some artistic works are such a product of their time that it is difficult for later generations to understand them without spending a considerable am…

SOURCE: Stage and Cinema at 1:31pm on February 18, 2014

Los Angeles Opera Review: THE MERRY WIDOW (Independent Opera Company) by Barnaby Hughes

ONE STEP FORWARD, TWO STEPS BACK To open their second season, the Independent Opera Company (IOC) is performing Franz Lehar's 1905 operetta The Merry Widow. It appears to be a scaling back a…

SOURCE: Stage and Cinema at 9:18pm on January 25, 2014

Los Angeles Opera Review: THE TURN OF THE SCREW (Pacific Opera Project) by Barnaby Hughes

A TURN FOR THE BETTER A Henry James novella first published in 1898, The Turn of the Screw tells one of the most ambiguous ghost stories ever written. It involves a brother and sister (Flora…

SOURCE: Stage and Cinema at 2:58am on January 16, 2014

Los Angeles Opera Review: MACBETH (Independent Opera Company) by Barnaby Hughes

VERDI ON THE VERGE Hearing Giuseppe Verdi's Macbeth is a rather disorienting experience, at least at the beginning. The difference is that we're used to Shakespeare's English, even if it is …

SOURCE: Stage and Cinema at 3:17pm on June 22, 2013

Los Angeles Opera Review: THE ELIXIR OF LOVE (Center Stage Opera in Canoga Park) by Barnaby Hughes

FALLING FOR DONIZETTI'S VALLEY GIRL Opera in Los Angeles seems to be thriving these days. In addition to established companies like LA Opera and Long Beach Opera, there are smaller companies…

SOURCE: Stage and Cinema at 5:21pm on June 17, 2013

San Francisco Opera Review: LES CONTES D'HOFFMANN (THE TALES OF HOFFMAN) (SF Opera) by Barnaby Hughes

OFFENBACH'S REQUIEM Just as Wolfgang Amadeus Mozart died in the middle of writing his famous Requiem so did Jacques Offenbach die composing his fantastical opera Tales of Hoffmann. Both work…

SOURCE: Stage and Cinema at 2:09am on June 12, 2013

Los Angeles Theater Review: A MIDSUMMER NIGHT'S DREAM (Odyssey Theatre) by Barnaby Hughes

BOTTOM IS TOPS Unlike Shakespeare's tragedies and histories, which are mostly named for their main character, his comedies have rather different kinds of titles. These differing titles alert…

SOURCE: Stage and Cinema at 3:06pm on June 4, 2013

Los Angeles Opera Review: THE MARRIAGE OF FIGARO (Pacific Opera Project) by Barnaby Hughes

A MARRIAGE MADE IN HEAVEN Less than a month after its pop-up production of The Barber of Seville, Pacific Opera Project (POP) continues Beaumarchais' trilogy with Mozart's The Marriage of Fi…

SOURCE: Stage and Cinema at 8:13pm on April 15, 2013

Los Angeles Theater Review: MASTER CLASS (International City Theatre in Long Beach) by Barnaby Hughes

SCHOOLED BY CALLAS If you've ever been to a master class, then Terrence McNally's Tony Award-winning play Master Class (1995) will seem very familiar. If you haven't, then you're in for a re…

SOURCE: Stage and Cinema at 4:05pm on March 31, 2013

Los Angeles Opera Review: THE BARBER OF SEVILLE (Pacific Opera Project) by Barnaby Hughes

A MATCH MADE IN HOLLYWOOD Last year, the Pacific Opera Project (POP) put on a show about a serial killer who also happened to be a barber: Sweeney Todd. This year, they have staged a product…

SOURCE: Stage and Cinema at 7:11pm on March 22, 2013

Los Angeles Opera Review: THE FLYING DUTCHMAN (LA Opera at Dorothy Chandler Pavilion) by Barnaby Hughes

SALVATION IN A STORM Who is the titular Flying Dutchman? Is he a mythological figure, a type of the wandering Jew bound to traverse the earth in travail until his day of salvation comes? Is …

SOURCE: Stage and Cinema at 12:57am on March 12, 2013

Los Angeles Theater Review: VERONICA'S ROOM (Underground Theater) by Barnaby Hughes

A RESTRICTED BUT RIVETING ROOM Novelist Ira Levin may be best-known for Rosemary's Baby and Stepford Wives, both made even more popular by their film adaptations, but as a playwright, …

SOURCE: Stage and Cinema at 3:09pm on March 5, 2013

Los Angeles Theater Review: CHRISTMAS IN HANOI (East West Players) by Barnaby Hughes

THE GHOSTS OF CHRISTMAS PRESENT Race and immigration are popular topics on the LA stage, at least when it comes to more serious theatre. And there is good reason for this. LA is an incredibl…

SOURCE: Stage and Cinema at 10:48pm on February 18, 2013

Los Angeles Theater Review: THE DEEP THROAT SEX SCANDAL (Zephyr Theatre) by Barnaby Hughes

WHERE’S THE SCANDAL? When I first drove past the Zephyr Theatre looking for parking, I saw what appeared to be anti-pornographic picketers on the sidewalk in front of the building. I w…

SOURCE: Stage and Cinema at 2:17am on February 5, 2013
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