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125 stories by "Barnaby Hughes"

Chicago Opera Review: TOSCA (Lyric Opera) by Barnaby Hughes

WHEN IN ROME, DO AS THE ROMANS DO (NOT THE BRITISH) With Puccini's Tosca, Lyric Opera has done one update too many this season. Don Giovanni was bumped up 300+ years in time to the 1920s, Ca…

SOURCE: Stage and Cinema at 12:52pm on January 27, 2015

Chicago Theater Preview: BURNING BLUEBEARD (The Ruffians at Theater Wit) by Barnaby Hughes

THE HOTTEST SHOW IN TOWN One of the best-reviewed and most popular Christmastime shows, The Ruffians' Burning Bluebeard, returns beginning tonight for three weeks only through Jan. 4, 2015, …

SOURCE: Stage and Cinema at 6:04pm on December 15, 2014

Chicago Theater Review: PERICLES (Chicago Shakespeare Theater) by Barnaby Hughes

CST STAGES A FRESH AND FANTASTICAL PERICLES William Shakespeare is a man of many faces. To most, he is quite simply a master of the English language and one of the greatest playwrights who e…

SOURCE: Stage and Cinema at 2:47am on December 12, 2014

Chicago Opera Review: ANNA BOLENA (Lyric Opera) by Barnaby Hughes

RADVANOVSKY IS REGAL IN ANNA BOLENA With so much filmed and written about the six wives of Henry VIII, the Tudor period is perhaps one of the most familiar eras in English history. Yet Gaeta…

SOURCE: Stage and Cinema at 2:27am on December 12, 2014

Chicago Theater Review: THE CHRISTMAS SCHOONER (Mercury Theater Chicago) by Barnaby Hughes

THIS SCHOONER SAILS IN ON YULETIDE EUPHORIA A joyous holiday tradition, The Christmas Schooner has been warming Chicagoan hearts for nearly two decades. Following a lengthy run at Bailiwick …

SOURCE: Stage and Cinema at 2:59am on December 9, 2014

Chicago / Tour Opera Review: WILLIAM TELL (Teatro Regio Torino at the Harris Theater) by Barnaby Hughes

TELL US SOME MORE Turin, Italy's Teatro Regio Torino opened its first ever North American tour with a magnificent concert performance of Gioachino Rossini's William Tell at the Harris Theate…

SOURCE: Stage and Cinema at 2:49am on December 7, 2014

Chicago Theater Review: H.M.S. PINAFORE (Hypocrites) by Barnaby Hughes

THE HYPOCRITES PLAYFULLY ROCK THIS BOAT A nautical joyride of musical mayhem, belly laughs, and unadulterated fun, this world premiere adaptation of H.M.S. Pinafore completes The Hypocrites'…

SOURCE: Stage and Cinema at 3:47pm on December 3, 2014

Chicago Theater Review: SHINING CITY (Irish Theatre of Chicago; formerly Seanachaí Theatre Company) by Barnaby Hughes

ARMACOST LIGHTS UP THE NULLITY OF SHINING CITY Hot on the heels of Steppenwolf's production of Conor McPherson's newest play The Night Alive comes Irish Theatre of Chicago's current producti…

SOURCE: Stage and Cinema at 2:39pm on December 2, 2014

Chicago Theater Review: DESPERATE DOLLS (Strawdog) by Barnaby Hughes

HOLLYWOOD HORROR STORY Director Michael Driscoll brings B-movie exploitation antics to Strawdog's Hugen Hall stage in Darren Callahan's Desperate Dolls. This over-the-top, no-holds-barred do…

SOURCE: Stage and Cinema at 4:21pm on November 27, 2014

Chicago Theater Review: THE TESTAMENT OF MARY (Victory Gardens Theater) by Barnaby Hughes

MARY, MARY, QUITE CONTRARY It begins with a woman taking a bath. The lighting is low and there are dozens of candles spread about the set. She slowly gets up and dries off, donning a linen s…

SOURCE: Stage and Cinema at 8:01pm on November 23, 2014

Chicago Opera Review: PORGY AND BESS (Lyric Opera) by Barnaby Hughes

LYRIC DOES THE BESS THAT IT CAN After two outings to Spain (Don Giovanni and Il Trovatore) and one to Paris (Capriccio), Lyric Opera is bringing audiences something homegrown, composed by an…

SOURCE: Stage and Cinema at 8:35pm on November 22, 2014

Chicago Theater Review: THE HUMANS (American Theater Company) by Barnaby Hughes

A HOLIDAY FOR HUMANITY Playwright Stephen Karam's Sons of the Prophet was a finalist for the Pulitzer Prize in 2012, and his Speech and Debate"with its with crackling humor and vivacity"has …

SOURCE: Stage and Cinema at 12:52pm on November 19, 2014

Chicago Opera Review: IL TROVATORE (Lyric Opera) by Barnaby Hughes

A TREASURE TROVATORE There's nothing subtle about Verdi's ambitiously conceived Il Trovatore (The Troubadour). Grandly realized and magnificently staged by Lyric Opera, it is one of the thre…

SOURCE: Stage and Cinema at 12:41pm on October 29, 2014

Chicago Opera Review: GLI EQUIVOCI NEL SEMBIANTE (Haymarket Opera Company) by Barnaby Hughes

EXCELLENT BY ALL APPEARANCES It is rare enough to find early operas staged in the U.S., so to find a whole company devoted to their performance is truly extraordinary. Haymarket Opera Compan…

SOURCE: Stage and Cinema at 2:12am on October 27, 2014

Chicago Theater Review: ALL GIRL EDGAR ALLAN POE (The Chicago Mammals) by Barnaby Hughes

WHERE BLACK BOX EQUALS COFFIN Just in time for Halloween, The Chicago Mammals are performing their All Girl Edgar Allan Poe. Apart from the original source material, most everything about th…

SOURCE: Stage and Cinema at 12:44pm on October 22, 2014

Chicago Theater Review: AMAZING GRACE (Pre-Broadway World Premiere at Bank of America Theatre) by Barnaby Hughes

GRACEFULLY AMAZING John Newton (1725-1807) was many things: a slave trader, a sailor and a clergyman. Yet today he is chiefly remembered as the author of "Amazing Grace," perhaps the most we…

SOURCE: Stage and Cinema at 2:25am on October 21, 2014

Chicago Theater Review: ANIMAL FARM (Steppenwolf) by Barnaby Hughes

THE FARM-TO-FABLE REVOLUTION IS HERE One of the most extraordinary things about George Orwell's novels is their prophetic power; they are perhaps even more relevant now than when he wrote th…

SOURCE: Stage and Cinema at 2:58am on October 19, 2014

Chicago Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (Porchlight) by Barnaby Hughes

A CONFESSION ABOUT SWEENEY TODD Bless me, Father, for I have sinned. It's been four days since my last confession. I saw Porchlight Music Theatre's production of Sweeney Todd at Stage 773……

SOURCE: Stage and Cinema at 1:23am on October 14, 2014

Chicago Theater Review: LA CHUNGA (Aguijón Theater) by Barnaby Hughes

MISSING MECHE Although Nobel Prize-winning writer Vargas Llosa is known primarily as a novelist, he has also written nine plays spanning a period of sixty years. La Chunga,written in 1986, i…

SOURCE: Stage and Cinema at 1:57am on October 13, 2014

Los Angeles / Tour Theater Review: THE MAGIC FLUTE (Isango Ensemble at The Broad in Santa Monica) by Barnaby Hughes

SOME MAGIC IS ADDED, SOME MAGIC IS TAKEN AWAY South Africa's Isango Ensemble is undoubtedly full of talented actors, singers, and musicians, but doesn't quite have the specialized skills req…

SOURCE: Stage and Cinema at 7:01pm on October 9, 2014

Chicago Theater Review: THE WILD PARTY (Bailiwick Chicago at Victory Gardens) by Barnaby Hughes

PARTY LIKE IT'S 1928 A riot from start to finish, Bailiwick Chicago's The Wild Party is a breathless, exuberant, fast-paced production running for an hour and forty minutes without pause or …

SOURCE: Stage and Cinema at 12:50pm on October 9, 2014

Chicago Opera Review: CAPRICCIO (Lyric Opera) by Barnaby Hughes

THIS CAPRICCIO IS NO CAPRICE The brooding romanticism of Capriccio's opening sextet sets the tone for the introspection that is to follow. Instead of a dramatic overture and crowd-pleasing a…

SOURCE: Stage and Cinema at 3:52pm on October 7, 2014

Chicago Theater Review: THE CRYPTOGRAM (Profiles) by Barnaby Hughes

PUZZLING THROUGH THE CRYPTOGRAM IS WORTH THE EFFORT The title alone should have been clue enough that this was going to be a difficult play, but nothing could have prepared me for the lack o…

SOURCE: Stage and Cinema at 12:07pm on October 6, 2014

Chicago Theater Review: THE VANDAL (Steep Theatre) by Barnaby Hughes

A VANDAL OF AN ENDING Thirty-something actor and writer Hamish Linklater's The Vandal is one of those plays that starts well and ends poorly. It begins with a middle-aged woman waiting at a …

SOURCE: Stage and Cinema at 12:27pm on October 3, 2014

Chicago Opera Review: DON GIOVANNI (Lyric Opera) by Barnaby Hughes

THE MANY LOVE(S OF) DON GIOVANNI Why does Chicago love Mozart's Don Giovanni so much? Well-received as Lyric Opera's first production back in 1954, and revived many times over the ensuing de…

SOURCE: Stage and Cinema at 1:39am on September 29, 2014
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