1,920 stories by "Arts Fuse Editor"
It's not by accident that some of the greatest coming-of-age stories are concerned with deconstructing social stereotypes.
With this one project, Boston has gone from a public art also-ran community to a serious cultural player.
Chris Burden's distinctive contribution to the art of our time was that he brought politically informed performance art and idea-based sculpture into the mainstream.
Waxahatchee exuded poise and presence, while delivering lonesome-cowboy epiphanies that speak to their generation's collective existential shrug.
Axel Krygier wisely treats the album's framing concept as lightly as possible, turning Monsieur Bigfoot into a sort of Everyhominid who offers existential-woe comments on a variety of subjec…
The 18th Annual Jewish Film Festival approaches its end with two compelling cinematic looks at Jewish history.
À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.
A cursory scan of audience reviews on the Ticketmaster website suggests that Rundgren's current tour was disappointing his fans on a scale probably not seen in rock music since Bob Dylan wen…
Not everybody loves the documentary Last Days in Vietnam. Director Rory Kennedy responds to some of the criticism. By Peter Keough I first saw Rory Kennedy at the 1999 Newport Film Festival …
I wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
Both of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
Peter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
Slow West bursts with visual interest, but doesn't seem to be able to settle on what story it wants to tell.
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum's adjacent galleries.
Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.
True Story relies far too heavily on answering the formulaic question 'Did he do it?'
For these artists, African origin is the foundation that should guide the development of Cuba's national personality and consciousness.
Roger Grenier wears his considerable learning lightly. His writing is a graceful dance of the intellect.
RUBBERBANDance shares some elements of the new-circus genre: a set of very specialized and spectacular physical skills, and the idea that although circusy movement can bombard the audience w…
In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
The strong connections between Andy Warhol's early drawings and his later Pop-pieces become clear as you walk through the exhibition.
The events Colin Barrett renders in Young Skins have the texture of life, albeit the darker side, in that they puzzle and disturb and linger painfully.
Woman in Gold has novelty going for it -- it is a film that depicts a woman's passionate relationship to a piece of art.
