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1,230 stories by "Arifa Akbar"

1984 review " Keith Allen's sadistic superior emanates controlled rage by Arifa Akbar

Theatre Royal BathAllen gives a capable performance in an arresting production that gives a chilling sense of state control " but the central romance fails to fizz Seventy-five years after G…

SOURCE: The Guardian at 11:02am on September 26, 2024

Here in America review " Miller and Kazan test the bonds of friendship in McCarthy-era witch-hunt drama by Arifa Akbar

Orange Tree theatre, LondonDavid Edgar's play on the anti-communist Hollywood blacklists of the 1950s is clunky in its set-up, but offers a lively take on the personal politics of art and id…

SOURCE: The Guardian at 1:12pm on September 25, 2024

Coriolanus review " David Oyelowo keeps you waiting and Es Devlin's design is to die for by Arifa Akbar

Olivier theatre, LondonThe drama is underpowered until the end but what Lyndsey Turner's production lacks in feeling it makes up in style Placard-holding protesters bomb an elegant stage wit…

SOURCE: The Guardian at 7:36pm on September 24, 2024

'You become addicted to pressure': Rufus Norris on success, stress and the National Theatre's survival by Arifa Akbar

He has triumphed over controversies, the 'devastation' of Covid and 100-hour weeks. As Norris leaves the biggest job in British theatre, he reveals his final season " and his plans to take u…

SOURCE: The Guardian at 7:32am on September 24, 2024

A Face in the Crowd review " cautionary tale of the creation of a Trump-lite TV star by Arifa Akbar

Young Vic, LondonThis musical has the seeds of a brilliant show for our times with Ramin Karimloo on fine form, but its complex themes are sucked away by sledge-hammer messaging Elia Kazan's…

SOURCE: The Guardian at 9:48am on September 22, 2024

Waiting for Godot review " Beckett's classic tragicomedy is more comedic than tragic by Arifa Akbar

Theatre Royal Haymarket, LondonJames Macdonald's production sacrifices tension for slapstick but ultimately delivers pathos Samuel Beckett's 1953 tragicomedy about two woe-begotten men waiti…

SOURCE: The Guardian at 8:36pm on September 19, 2024

A Raisin in the Sun review " stirring drama of a family confronting segregation by Arifa Akbar

Leeds Playhouse Revival of Lorraine Hansberry's play follows a family struggling against the odds and delivers a message of hope When Lorraine Hansberry's debut play premiered in 1959, it ma…

SOURCE: The Guardian at 11:42am on September 19, 2024

The Real Ones review " fascinating friendship zooms through decades by Arifa Akbar

Bush theatre, London Waleed Akhtar speeds through a 20-year alliance between two British Pakistanis rather too quickly to unfold its rich implications Waleed Akhtar's last, Olivier-winning p…

SOURCE: The Guardian at 9:48am on September 13, 2024

Why Am I So Single? review " dating debacles from the duo behind Six by Arifa Akbar

Garrick theatre, LondonToby Marlow and Lucy Moss have created powerhouse tunes about friendship, family and heartache but this story's romantic woes are often routine Two writers of musical …

SOURCE: The Guardian at 11:06pm on September 12, 2024

Our Country's Good review " Timberlake Wertenbaker revises penal colony epic for a new world by Arifa Akbar

Lyric Hammersmith, LondonRachel O'Riordan directs a new version of the play about the rehabilitative force of theatre in colonial Sydney The curtain is a union jack, opening on to uncultivat…

SOURCE: The Guardian at 9:02am on September 12, 2024

V&A celebrates a century of national theatre archive with tribute to avid collector by Arifa Akbar

New exhibition, named after 'theatrical encyclopedia' Gabrielle Enthoven, showcases British stage history from the Restoration to Fleabag She was an avid collector of playbills, programmes a…

SOURCE: The Guardian at 8:54am on September 9, 2024

The Band Back Together review " witty reflections on youth and middle-age by Arifa Akbar

Arcola theatre, LondonA trio of friends reconvene in their home town to play together for the first time in two decades Band reunions seem to be in the air, or one band's, at least. Here is …

SOURCE: The Guardian at 12:06pm on September 8, 2024

Twine review " threeway tree metaphors in a fractured exploration of adoption by Arifa Akbar

The Yard, LondonWhile its subject matter is powerful, the story of three split selves is too disconnected to follow, with one scene jumping to another and not joining up to form a whole The …

SOURCE: The Guardian at 1:48pm on September 6, 2024

The Real Thing review " Tom Stoppard's gem still shines by Arifa Akbar

Old Vic, LondonPassion and art are dissected in tricksy style in a production that manages to wrongfoot the audience There are several circularities drawn around what is real and what is par…

SOURCE: The Guardian at 10:54am on September 4, 2024

G review " gothic dread meets goofy comedy in a thrilling coming-of-age story by Arifa Akbar

Royal Court Upstairs, LondonInspired by urban legends and Afro-surrealism, Tife Kusoro's spooky tale of three schoolchildren pursued by unknown forces is an audacious original A hand curls u…

SOURCE: The Guardian at 10:54am on September 1, 2024

Death of England: Closing Time review " bombshell rants fail to land as the men watch the footie by Arifa Akbar

@sohoplace, LondonThe final part of Clint Dyer and Roy Williams' trilogy is a bold, brash reflection on racism and working-class identity but the tone is too screamy for the tension to build…

SOURCE: The Guardian at 8:42am on August 29, 2024

After the Silence review " compelling tale of racial inequalities and slavery in Brazil by Arifa Akbar

The Studio, EdinburghFiction and reality blur in this unruly but utterly engrossing show, which blends documentary and theatre " and will stay with you long after you have left There seems t…

SOURCE: The Guardian at 6:54pm on August 23, 2024

Jobsworth review " caffeinated black comedy with a stupendous performance by Arifa Akbar

Pleasance Courtyard, EdinburghActor-playwright Libby Rodliffe plays plate-spinning Bea, desperately working several jobs, in a monologue co-written with Isley Lynn Jobsworth is billed as a r…

SOURCE: The Guardian at 6:02am on August 23, 2024

The Fifth Step review " Jack Lowden excels as an alcoholic finding a sponsor by Arifa Akbar

Lyceum, Edinburgh In David Ireland's complex two-hander, co-starring Sean Gilder, a troubled youth is persuaded to join the 12-step programme by a former addict There are few certainties in …

SOURCE: The Guardian at 3:42pm on August 22, 2024

Stuffed review " urgent warning about food poverty drowned out by clowning by Arifa Akbar

Pleasance Courtyard, Edinburgh A polemical show blends powerful audio recordings of those at the sharp end of the austerity economy with distracting stage business This drama's title alludes…

SOURCE: The Guardian at 5:03am on August 22, 2024

Deadheads review " the fraying of two sisters' childhood bond by Arifa Akbar

Assembly George Square, Edinburgh Maddie Lynes' play subtly tracks a sibling relationship across the decades, sliding between flashbacks and the present day Three Sisters Productions is a th…

SOURCE: The Guardian at 9:18am on August 21, 2024

Man: A One-Woman Show " compelling collage of toxic masculinity by Arifa Akbar

Underbelly, Bristo Square, Edinburgh Emma Taylor gives magnetic life to a spectrum of mansplaining and rage but these scenes don't quite build towards a bigger vision A fast sequence of scen…

SOURCE: The Guardian at 4:54am on August 21, 2024

It's the Economy, Stupid! review " engaging account of maths, money and personal cost by Arifa Akbar

Pleasance Dome, Edinburgh Joe Sellman-Leava's dramatised lecture, with droll asides from Dylan Howells, could hit harder at a greater length The title is a phrase coined by a strategist for …

SOURCE: The Guardian at 2:48am on August 21, 2024

Love Beyond review " powerful story of dementia plays out like a thriller by Arifa Akbar

Assembly George Square, EdinburghGlasgow-based Singaporean d/Deaf writer and actor Ramesh Meyyappan is Harry, who is trying to piece together his life story like an existential detective Thi…

SOURCE: The Guardian at 4:24pm on August 18, 2024

Nigamon/Tunai review " utterly unique, magnetic, beautiful and sad by Arifa Akbar

The Studio, EdinburghÉmilie Monnet of the Anishinaabe of the Canadian Great Lakes and Waira Nina of the Inga of the Colombian Amazon immerse the audience in a ritual of light, sound and …

SOURCE: The Guardian at 6:21am on August 18, 2024
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