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430 stories by "Anne-Marie Peard"

Melbourne Festival: My Lovers' Bones by Anne-marie Peard

My Lovers’ Bones is another premiere Australian work developed for and supported by the Melbourne Festival. Created by independent company Brown Cab Productions, it’s a fascin…

SOURCE: AussieTheatre at 11:40pm on October 15, 2014[SHARE]

Melbourne Festival Chat: Sheridan Harbridge by Anne-marie Peard

Sheridan Harbridge is performing in Big hART’s Hipbone Sticking Out. The work’s a culmination of three years of collaboration with between the company and the community of …

SOURCE: AussieTheatre at 7:53pm on October 15, 2014[SHARE]

Melbourne Festival: Mikelangelo's City of Dreams by Anne-marie Peard

Mikelangelo isn’t from Melbourne and spends a lot of time travelling the world, but " like many of us " he fell in hopeless love with this city and made it his home. Last night, surrou…

SOURCE: AussieTheatre at 1:56am on October 15, 2014[SHARE]

Melbourne Festival: Complexity of Belonging by Anne-marie Peard

Melbourne Festival, the Brisbane Festival and Melbourne Theatre Company have coordinated to support the creation of Complexity of Belonging. It’s the type of work that internatio…

SOURCE: AussieTheatre at 7:03am on October 14, 2014[SHARE]

Melbourne Festival: Marzo by Anne-marie Peard

So, there’s a Japanese samurai going all Noh, a Pink Power Ranger, the offspring triplets of a Telly Tubby and the Michelin Man, a bird (that I called Dick Face), and an inflatable …

SOURCE: AussieTheatre at 11:54pm on October 12, 2014[SHARE]

MELBOURNE FESTIVAL: Have I No Mouth by Anne-marie Peard

Have I No Mouth is extraordinary theatre. I was on the verge of tears for most of it, but it took me somewhere beautiful. Co-writers and directors Feidlim Cannon and Gary Keenan are and c…

SOURCE: AussieTheatre at 11:45pm on October 11, 2014[SHARE]

Melbourne Festival: A night of circus by Anne-marie Peard

Within this year’s Melbourne Festival is a program of circus curated by Andrew Bleby from Melbourne’s NICA (National Institute of Circus Arts). Festival audiences can enjoyÂ�…

SOURCE: AussieTheatre at 1:38am on October 11, 2014[SHARE]

Once by Anne-marie Peard

In 2006, Once was a tiny indie movie that went on to win an Oscar for best song and became a Broadway musical that won a pile of Tonys, including Best Musical, a Grammy for Best Musica…

SOURCE: AussieTheatre at 7:06am on October 7, 2014[SHARE]

Rodelinda by Anne-marie Peard

It's highly unlikely I’ll ever hear all George Frideric Handel’s extraordinary output of more than 40 operas in performance, especially given that it's taken Rodelinda almost 300…

SOURCE: AussieTheatre at 5:48pm on October 6, 2014[SHARE]

Best of the Melbourne Fringe, part 3 by Anne-marie Peard

It’s the last weekend of the Melbourne Fringe; it’s time to go hard and see as much as you can because when you wake up on Monday, it’ll all be over. And it’ll be tim…

SOURCE: AussieTheatre at 12:55am on October 3, 2014[SHARE]

Ghost Light: Carrie, The Musical by Anne-marie Peard

New Melbourne company Ghost Light have made a loud and proud declaration by debuting with the infamous flop Carrie: The Musical. And given that we haven’t seen a production of it…

SOURCE: AussieTheatre at 7:03pm on September 29, 2014[SHARE]

Best of the Melbourne Fringe best of, part 2 by Anne-marie Peard

The Melbourne Fringe is over the halfway mark and only has a week to go. So many shows have already come and gone, while others open this weekend and still don’t know what’s i…

SOURCE: AussieTheatre at 8:13pm on September 27, 2014[SHARE]

Victorian Opera & Malthouse: The Riders by Anne-marie Peard

Victorian Opera and Malthouse Theatre have created a new mainstage Australian opera. How exciting! And it’s an adaption of Tim Winton’s The Riders, a dream-fit for opera. This…

SOURCE: AussieTheatre at 12:34am on September 27, 2014[SHARE]

Best of the Melbourne Fringe, part 1 by Anne-marie Peard

There are only 400-odd shows to choose from at the Melbourne Fringe. I've only seen 12 so far and these were some of my favourites that are still running this week. The YouTube Comment Orche…

SOURCE: AussieTheatre at 6:28pm on September 22, 2014[SHARE]

Melbourne Fringe opens next week by Anne-marie Peard

This time next week, the 32nd Melbourne Fringe 2014 will be off and running with over 400 shows by over 5000 performers in over 150 venues. Running from 17 September to 5 October, it's a sma…

SOURCE: AussieTheatre at 7:00pm on September 12, 2014[SHARE]

Attic Erratic: The City They Burned by Anne-marie Peard

Attic Erratic’s The City They Burned is a re-telling of the Genesis story of Lot and his family. I remember learning about godly Lot at my Anglican school: Lot is told by God …

SOURCE: AussieTheatre at 4:33am on September 9, 2014[SHARE]

A lie of the mind by Anne-marie Peard

With an ambitious and successful Pozible fundraising campaign, an empty amazing space in the CBD and the determination to move a class exercise to a professional production, A lie of the …

SOURCE: AussieTheatre at 7:02pm on September 6, 2014[SHARE]

Q44: Spike Heels by Anne-marie Peard

Q44 launched as a company earlier in the year and Theresa Rebeck’s 1992 play Spike Heels is their third production, this time in conjunction with Crazy Chair Productions and at C…

SOURCE: AussieTheatre at 3:14am on September 5, 2014[SHARE]

MTC: The Sublime by Anne-marie Peard

The MTC’s production of Brendan Cowell’s The Sublime left me angry. So, I took some time to think, read and discuss. I’m still angry, and horrified at the arguments b…

SOURCE: AussieTheatre at 5:35am on September 3, 2014[SHARE]

Master class is a master class by Anne-marie Peard

Today’s performance of Master Class at fortyfive downstairs has sold out but if you book now, you might be able to get in before it finishes on Thursday. Terrance McNally’s…

SOURCE: AussieTheatre at 2:35am on August 24, 2014[SHARE]

Helium: Intimacy by Anne-marie Peard

Michelle Ryan danced professionally in Australia and overseas. Ten years ago, she was at the peak of her career and was diagnosed with Multiple Sclerosis. She used to dance and had issues…

SOURCE: AussieTheatre at 2:14am on August 21, 2014[SHARE]

Glory Box, ten year anniversary by Anne-marie Peard

Ten years ago I saw The Burlesque Hour in the Famous Spiegeltent on St Kilda Road. Moira Finucane, Azaria Universe and Umi Umiumare (and the Town Bikes); I was blown away and …

SOURCE: AussieTheatre at 5:37am on August 18, 2014[SHARE]

State Opera of SA: Satyagraha by Anne-marie Peard

Satyagraha appropriately and magnificently concludes the first cycle of State Opera of South Australia’s Portrait Trilogy of operas by Philip Glass, soaking the soul and leaving you bl…

SOURCE: AussieTheatre at 6:00pm on August 14, 2014[SHARE]

State Opera of SA: Einstein on the beach by Anne-marie Peard

I didn’t know if it were possible to see State Opera of South Australia’s Einstein on the beach without comparing it to the original Wilson-Glass-Childs production (which t…

SOURCE: AussieTheatre at 3:24am on August 14, 2014[SHARE]

Phillip Glass Trilogy opens tonight by Anne-marie Peard

The first cycle of Sate Opera of South Australia's Philip Glass Trilogy opens tonight with Akhnaten at Her Majesty's Theatre in Adelaide. Exclusive to Adelaide, it's the first time the three…

SOURCE: AussieTheatre at 1:38am on August 5, 2014[SHARE]
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