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430 stories by "Anne-Marie Peard"

The Container Festival opens on Friday by Anne-marie Peard

The MUST (Monash Uni Student Theatre) Container Festival runs from 1 to 16 August night at Monash University in Clayton. Following the success of the inaugural 2013 festival, the a multi-ven…

SOURCE: AussieTheatre at 3:50am on July 31, 2014[SHARE]

Malthouse: The Book of Loco by Anne-marie Peard

Among walls of tape-sealed cardboard boxes stands a middle-aged man in a suit. He has a beard, an accent and looks like he’s going to sweat a lot. And he might be mad and/or mad as he&…

SOURCE: AussieTheatre at 1:26am on July 24, 2014[SHARE]

MTC: Glengarry Glen Ross by Anne-marie Peard

David Mamet’s Glengarry Glen Ross is many things. It won Mamet the 1984 Pulitzer Prize for Drama because it captured a time, place and attitude so remarkably. He re-wrote it as a…

SOURCE: AussieTheatre at 3:51am on July 23, 2014[SHARE]

Victorian Opera: Into the Woods by Anne-marie Peard

After the success of their Sunday in the Park with George (1984), Stephen Sondheim and James Lapine created Into the Woods (1986), which beat Phantom of the Opera at the To…

SOURCE: AussieTheatre at 4:51am on July 21, 2014[SHARE]

The Death of Kings by Anne-marie Peard

Melbourne is hosting the 20th International AIDS Conference on 20"25 July. Alongside the conference is a cultural program, including The Death of Kings with has a short run un…

SOURCE: AussieTheatre at 4:40am on July 16, 2014[SHARE]

NEON: The Myth Project, Twin by Anne-marie Peard

NEON’s Twin is the first of Arthur’s The Myth Project series that’s about exploring the Australian psyche and the myths it creates. Exploding in a shiny-streame…

SOURCE: AussieTheatre at 11:56pm on July 12, 2014[SHARE]

The Flock and the Nest by Anne-marie Peard

St Michael’s Grammar School is next door to the Red Stitch theatre and when the school approached the theatre company to collaborate on a production, it was impossible to say no. Worki…

SOURCE: AussieTheatre at 6:00am on July 11, 2014[SHARE]

Les Misérables by Anne-marie Peard

In 1985 the first English production of Boublil and Schonberg’s musical  Les Misérables opened in London. That original production has moved theatres a couple of times, but it&#…

SOURCE: AussieTheatre at 9:00am on July 4, 2014[SHARE]

Melbourne Cabaret Festival: Sunglasses at night by Anne-marie Peard

“We are young Heartache to heartache we stand” If you’re now singing and frightened that you remember those dance moves but can’t remember how to unlock your ph…

SOURCE: AussieTheatre at 11:45pm on June 27, 2014[SHARE]

Circus Oz: But wait … there's more by Anne-marie Peard

It’s impossible not to love a night in the heated Circus Oz tent, and if seeing them in winter in Melbourne with a bag of hot doughnuts isn’t a tradition for your family and frie…

SOURCE: AussieTheatre at 10:10pm on June 20, 2014[SHARE]

Red Stitch: Grounded by Anne-marie Peard

See Grounded for Kate Cole’s performance or for the writing or to be reminded how theatre can creep into your heart with a mixture of hurt and happiness that makes you feel a lit…

SOURCE: AussieTheatre at 12:58am on June 18, 2014[SHARE]

NEON: Resplendence by Anne-marie Peard

Angus Cerini scares me. In a good way. In a way that I know his work is likely to disturb and confront me and make me want a glass of wine and some alone time after a show. His company, Doub…

SOURCE: AussieTheatre at 1:46am on June 16, 2014[SHARE]

The King and I, Melbourne by Anne-marie Peard

This production of The King and I was first seen in 1991 in Adelaide. It toured Australia and found its way to New York in 1996, where it won some Tonys, and to London in 2000. It was a lavi…

SOURCE: AussieTheatre at 12:08am on June 16, 2014[SHARE]

NEON: Dangerous Liaisons by Anne-marie Peard

The second NEON Festival of Independent Theatre opens with the dazzling high-camp, glitter-bright, subversion of Stephen Nicolazzo’s Little Ones Theatre. Dangerous Liaisons is…

SOURCE: AussieTheatre at 9:29am on June 1, 2014[SHARE]

Last chance to see S in Melbourne by Anne-marie Peard

I’ve seen a lot of circus and a lot of contemporary dance, but I’ve never seen anything like Circa’s S. Premiered at the Brisbane Festival in 2012, S has toured Au…

SOURCE: AussieTheatre at 1:03am on May 29, 2014[SHARE]

MTC: Ghosts by Anne-marie Peard

Overwrought and underwhelming, the MTC’s Ghosts is as haunting as the Luna Park ghost train, but not as fun. The 1880s critics generally despised Henrik Ibsen’s play for be…

SOURCE: AussieTheatre at 7:37pm on May 23, 2014[SHARE]

Malthouse: Ugly Mugs by Anne-marie Peard

Melbourne-based writer and performer Peta Brady is also an outreach worker who knows how people fall through the cracks of society and are left to fend for themselves. She’s seen the v…

SOURCE: AussieTheatre at 1:04am on May 23, 2014[SHARE]

Cirque Mother Africa: QPAC by Anne-marie Peard

A jubilant gala of African culture, Cirque Mother Africa really does live up to its claim 'Circus of the Senses’. Tanzanian director Winston Ruddle has brought together musicians and a…

SOURCE: AussieTheatre at 7:00pm on May 22, 2014[SHARE]

Victorian Opera: La traviata by Anne-marie Peard

Victorian Opera’s much-anticipated La traviata is presented in association with Fondazione Pergolesi Spontini (the Pergolesi Spontini Foundataion) who run an opera house in Je…

SOURCE: AussieTheatre at 2:01am on May 20, 2014[SHARE]

Let's Get It On by Anne-marie Peard

A soulful feeling oozed through the crowd at the Athenaeum theatre as Bert LaBonte and Jude Perl took them on a journey through the life and music of soul genius Marvin Gaye. It was a nostal…

SOURCE: AussieTheatre at 10:30pm on May 19, 2014[SHARE]

Opera Australia: Carmen by Anne-marie Peard

Last night, Opera Australia had some mighty shoes to fill. Some 20 years ago today, I was introduced to Bizet's Carmen sitting in an ancient arena in summertime Verona. It was the quintessen…

SOURCE: AussieTheatre at 7:00pm on May 15, 2014[SHARE]

Wicked soars by Anne-marie Peard

Stephen Schwartz and Winnie Holzman’s phenomenally successful Wicked opened on Broadway in 2003 and is still running. This production has won piles of awards, has been reproduced…

SOURCE: AussieTheatre at 8:01pm on May 11, 2014[SHARE]

Malthouse: Night on Bald Mountain by Anne-marie Peard

There’s the moment when you walk into a theatre and get the first look of the world you’re going to be playing in. And all fear of the play that Patrick White himself called R…

SOURCE: AussieTheatre at 4:40am on May 11, 2014[SHARE]

Next Wave & Helium: SEEThrough by Anne-marie Peard

SEEThrough grasps some truths about the awkward bond of heterosexual men and was created with passion and honesty, but it isn’t ready for the stage. And with significant development…

SOURCE: AussieTheatre at 8:12pm on May 5, 2014[SHARE]

Next Wave: Wael Zuaiter, Unknown by Anne-marie Peard

The storytelling in Wael Zuaiter: Unknown is exquisite. Compelling and original, it uncovers truth and doubt but focuses on a personal story, because people may not listen to opinion b…

SOURCE: AussieTheatre at 6:06am on May 5, 2014[SHARE]
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