'A powerful & compelling love story': SHADOWLANDS " Chichester
Shadowlands isn't an all-out weepie but there are a few who will find it hard to control their emotions. A well made and moving revival.
Shadowlands isn't an all-out weepie but there are a few who will find it hard to control their emotions. A well made and moving revival.
Jane Clegg hasn't been seen in London for 75 years but audiences at the Finborough Theatre are being thrilled by its compelling storytelling in a sizzling revival.
First time director Tyrone Huntley and choreographer Oti Mabuse have created a sizzling revival of Ain't Misbehavin' which is electrifying audiences at London's Southwark Playhouse.
At a time when everyone has an opinion about Brexit and national policy comes Sam Steiner's dystopian drama Lemons Lemons Lemons Lemons Lemons to London's Barons Court Theatre next month.
Director Josie Rourke ends her tenure at the Donmar Warehouse with a hip revival of Sweet Charity that pushes Anne-Marie Duff out of her comfort zone and shows a new side to Adrian Lester.
The House on Cold Hill is a pleasant enough way to spend the evening but is rather dated and no different than dozens of other haunted house mysteries that have appeared over the years.
BAFTA-nominated actor and winner of BBC1's Strictly Come Dancing 2017, Joe McFadden stars in the touring production of The House on Cold Hill, Shaun McKenna's stage adaptation of Peter James…
Pint of Wine Theatre Company has done a spectacular job of bringing the compelling chamber musical Queen of the Mist to the stage.
Casting Antony Sher as a white, South African, Shakespearean actor in John Kani's ferocious, funny and emotive new play Kunene & the King couldn't be more perfect " for all the obvious r…
Mark Benton gives a compelling turn as a desperate salesman on the edge in Sam Yates' revival of David Mamet's riveting, prize-winning play, Glengarry Glen Ross, now touring.
Writer James Kettle unearthed actor David Tomlinson's story, collaborating with comic and actor Miles Jupp to create a wonderful, very emotional and exceptionally funny, one-man show called …
There couldn't be a better time to revisit James Phillips' 2006 debut play The Rubenstein Kiss and its story of idealism, especially in the current climate of global and national uncertainty…
Joshua Harmon doesn't beat about the bush when tackling difficult questions about diversity and equality in Admissions, a biting new comedy that couldn't be more relevant, especially to pare…
Jamie Lloyd's terrific Pinter season, at London's Harold Pinter Theatre, climaxes with a revival of Betrayal, arguably one of the writer's more personal pieces and one of his most innovative…
Mike Leigh's classic Abigail's Party is back in the theatre with its irrepressible hostess, Beverly Moss, handing out gin and tonics and cheesy-pineapple nibbles to the sounds of Demis Rouss…
Athol Fugard's blistering drama, A Lesson From Aloes, which proved so contentious that it was almost banned in the 1970s, has been revived to coincide with the 25th anniversary year of the f…
Noël Coward's A Song at Twilight may be billed as a comedy but this story of one man's fear of mortality and exposure, is tinged with tragedy. The Theatre Royal Bath's polished production…
Neither Kazuro Ishiguro's prize-winning novel, or the acclaimed film adaptation, of The Remains of the Day prepares you for the profound tragedy felt after seeing this heart-rending story pl…
Pulitzer Prize-winning writer Stephen Adley Guirgis doesn't pull any punches with his tough, uncompromising prison drama Jesus Hopped the 'A' Train at the Young Vic Theatre.
Playwright Torben Betts has come up with a new recipe for his haute cuisine comedy, Caroline's Kitchen, tinkering with the ingredients to create a new dish about depression and discontent in…
Pinter at the Pinter reaches its climax with Pinter Seven featuring an enigmatic and occasionally baffling radio play, A Slight Ache, and a real highlight in an already remarkable season, Th…
Losing your job can affect people in different ways but Judy Martin retreats into a 1950s Twilight Zone in Laura Wade's surreal, bittersweet, comedy Home, I'm Darling which opened this week …
Gentleman Jack and Taro, both written by Ross McGregor, artistic director of Arrows & Traps Theatre Company, celebrate wildly different women but, at their heart, they share a common th…
Violet is heartfelt and hopeful, the songs are infectiously good with a mix of hillbilly, honky-tonk, gospel and traditional country, and the show features powerful performances from the ent…
Absorbing and intense Rosenbaum's Rescue questions our beliefs and memories, and offers a radical new version of one country's wartime experiences.