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146 stories by "Andrew Alexander"

Review: In an uneven Alliance premiere, "The Prom" is still polishing its Broadway steps by Andrew Alexander

Broadway recycles, dutifully repackaging stories and ideas that have already been consumed by risk-adverse audiences in another form. With that in mind, what could possibly be more familiar …

SOURCE: ArtsATL at 1:01pm on September 14, 2016

Review: "Threepenny Opera" gets its freak on (and has lots of fun doing it) by Andrew Alexander

It's been said that the most salient quality of an enduring classic isn't so much its adherence to some long-standing, eternal set of formal strictures — as we tend to imagine — …

SOURCE: ArtsATL at 11:01am on September 14, 2016

Review: Puppetry Arts' "Sleeping Beauty" takes classic tale through generations by Andrew Alexander

[This article is brought to you in partnership with artcloud. Artcloud is a personalized tool for curating an art collection " whether you are an artist, gallery, or collector. With this …

SOURCE: ArtsATL at 1:01pm on July 26, 2016

Puddles Pity Party, "Miss Saigon," Elevate: Summer and more things to see and do this week, July 21-28 by Andrew Alexander

Every week we're striving to help you get the most out of our city by helping you plan the week ahead. For more events happening in Atlanta, check out our calendar page.

SOURCE: ArtsATL at 11:00am on July 21, 2016

Review: Shakespeare Tavern engagingly and capably tames the Bard's shrewiest comedy by Andrew Alexander

The Taming of the Shrew is probably Shakespeare's most controversial and thorniest comedy; its story of an independent woman bullied and tortured into submission (ha ha?) can be pretty tough…

SOURCE: ArtsATL at 11:04am on June 29, 2016

Philip Glass, author talks and more things to see and do this week, June 2"9 by Andrew Alexander

Editor’s Note: Every week we’re striving to help you get the most out of our city by helping you plan the week ahead. For more events happening in Atlanta, check out our calen…

SOURCE: ArtsATL at 11:30am on June 2, 2016

Review: Synchronicity's "Diary of a Madman" reveals a descent with sly, dark humor by Andrew Alexander

The most unreliable of unreliable narrators is one who can't actually distinguish truth from fiction. So it is with Poprishchin, who famously loses his grip on reality in the great Russian w…

SOURCE: ArtsATL at 2:01pm on May 25, 2016

Review: Fern Theatre's all-female "Lear" brings unexpected dimension to classic Bard by Andrew Alexander

Shakespeare may have created some of the most memorable female characters of all time, but acting in Elizabethan England was strictly a male profession. Probably due to the aesthetic limitat…

SOURCE: ArtsATL at 11:01am on May 18, 2016

Review: "Stones in His Pockets" uses its humor to also uncover a lot of truth by Andrew Alexander

The setting of Marie Jones' 1996 comedic play Stones in His Pockets (through May 22) may be Ireland, but its subject has never felt closer. Its sense of humor, as well as its touches of s…

SOURCE: ArtsATL at 1:01pm on May 11, 2016

Review: OnStage's "The Tribute Artist" is campy and decidedly fun drag queen fluff by Andrew Alexander

A drag queen who can flawlessly mimic almost any woman's mannerisms and — with a little help from the right wig and a lot of make-up — her looks, as well, is hanging out in the f…

SOURCE: ArtsATL at 10:02am on May 11, 2016

Review: With "Inside I," 7 Stages poignantly tackles autism and the need for connection by Andrew Alexander

Autism is, almost by definition, not an easy affliction to dramatize. The neurological disorder manifests itself as impaired social functioning and limited verbal communication, and drama is…

SOURCE: ArtsATL at 9:01am on April 27, 2016

Review: Aurora Theatre's "Sotto Voce" suffers from incongruity of using a young actress to play an older character by Andrew Alexander

A sense of old-fashioned, if somewhat unusual, romance should beat at the heart of Pulitzer Prize-winning playwright Nilo Cruz's 2014 play Sotto Voce, currently having its Atlanta premiere a…

SOURCE: ArtsATL at 3:00pm on April 20, 2016

Review: "Ethel" deftly captures the brilliance and the pain of legendary singer Ethel Waters by Andrew Alexander

Ethel Waters may have been one of the most popular blues singers and top-selling recording artists of her day, but at the opening of the

SOURCE: ArtsATL at 11:00am on April 6, 2016

Review: "Serial Black Face" takes a complicated view of African-American mothers, daughters by Andrew Alexander

Problematic mother-daughter relationships may be plentiful in plays, but few are probably as antagonistic as the one in Serial Black Face, a new world premiere

SOURCE: ArtsATL at 6:38pm on April 5, 2016

Review: PushPush's "Intersection of Dreams" goes down like soft jazz with a smooth whiskey by Andrew Alexander

The characters in PushPush Theater's new show Intersection of Dreams, running through April 5, are habitués at a cool, jazzy, speakeasy basement nightclub, the kind

SOURCE: ArtsATL at 2:00pm on March 30, 2016

News: The Alliance debuts big-budget musicals, "The Temple Bombing" for 2016-17 season by Andrew Alexander

The Alliance Theatre announced the line-up for its 2016-17 season this week, a season that will be marked by big-budget musicals, world premiere plays and

SOURCE: ArtsATL at 1:00pm on March 25, 2016

Review: Pinch 'n' Ouch's "Gidion's Knot" weaves a complicated, self-conscious tale by Andrew Alexander

When things aren’t going well at school, parent/teacher conferences can get pretty tense. But even so, few of them probably compare to the nail-biting, antagonistic,

SOURCE: ArtsATL at 2:00pm on March 11, 2016

Review: With a self-conscious script, Georgia Ensemble's "Peter and the Starcatcher" fails to lift by Andrew Alexander

It’s hard to know what a kid might make of it, but I found the new family show Peter and the Starcatcher a noisy, unappealing

SOURCE: ArtsATL at 1:00pm on March 2, 2016

Review: The Alliance takes C.S. Lewis' "Lion, Witch and the Wardrobe" on a magical ride by Andrew Alexander

Stagecraft can have a tough time competing with cinematic special effects. A theatrical trick is seldom as convincing, impressive or immersive as the results of

SOURCE: ArtsATL at 11:00am on March 2, 2016

Review: "Start Down" is a good, but imperfect start up for Kendeda playwright Eleanor Burgess by Andrew Alexander

Could computers ever replace teachers? Those of us who hated high school often wondered.   The possibility becomes the topic of serious and considered speculation

SOURCE: ArtsATL at 1:00pm on February 24, 2016

Review: David Mamet's classic "American Buffalo" loses some of its sheen in True Colors staging by Andrew Alexander

The value of a nickel is five cents, except for when it isn’t. As every collector knows, a coin can be worth much more than

SOURCE: ArtsATL at 2:14pm on February 16, 2016

Preview: René Marie evokes the powerful, uncompromising spirit of Eartha Kitt by Andrew Alexander

Most people are familiar with Eartha Kitt through her role as Catwoman on the campy Batman television series of the 1960s, one of the most well-known

SOURCE: ArtsATL at 7:51pm on February 3, 2016

Review: Lauren Gunderson's "I and You" reminds how its the "biggest little" that often matters by Andrew Alexander

In Decatur-native Lauren Gunderson’s new two-character play I and You, running at Aurora Theatre through February 21, the character Anthony (J.L. Reed) enters speaking the

SOURCE: ArtsATL at 2:00pm on February 3, 2016

Review: "Sweeney Todd" has its basic flaws, but also plenty of Sondheim moments to enjoy by Andrew Alexander

“He seldom laughed, but he often smiled,” is just one of the ways that the chorus describes the murderously obsessive lead character in Stephen Sondheim’s

SOURCE: ArtsATL at 3:58pm on February 2, 2016

Preview: Sean Dorsey looks at the wreckage of the AIDS epidemic through the prism of dance by Andrew Alexander

In his latest work, transgender artist Sean Dorsey gives voice to longtime survivors of the earliest part of the AIDS epidemic, the gay, lesbian, bisexual, trans

SOURCE: ArtsATL at 9:33am on February 1, 2016
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