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45 stories by "Amy Squirrell"

Brighton Fringe Review: A Clockwork Orange, The Warren by Amy Squirrell

Anthony Burgess' 1962 dystopian novel is realised in theatrical form by The Theatre Workshop, charting young delinquent Alex's imprisonment for murder and his attempted rehabilitation via co…

SOURCE: A Younger Theatre at 7:44pm on June 1, 2015

Brighton Fringe Review: How to be Fat, The Marlborough by Amy Squirrell

Journalist and author Mathilda Gregory presents How to be Fat, a solo show that is part stand-up, part storytelling, and an all honest account of what it is like to be fat in a culture that …

SOURCE: A Younger Theatre at 5:41pm on May 22, 2015

Brighton Fringe Review: Sex in Shorts, Rialto Theatre by Amy Squirrell

Sex in Shorts sees six snapshots of some very disparate characters with very different lives, all linked by one thing: sex. Three writers, four actors and two dancers take us from Australian…

SOURCE: A Younger Theatre at 4:33pm on May 20, 2015

Brighton Fringe Review: Piaf, The Warren by Amy Squirrell

Director Jari Laakso presents Pam Gem's 1978 play about the tumultuous life of beloved French diva Edith Piaf, with a commendable cast and live music. Samantha Spurgin must be highly congrat…

SOURCE: A Younger Theatre at 4:17pm on May 20, 2015

Sponsored Feature: Tristan Bates Theatre FIRST Festival by Amy Squirrell

It makes sense that a theatre dedicated to "showcasing and supporting the best new work" would spearhead a festival that situates solo performance and new writing at its core. This February,…

SOURCE: A Younger Theatre at 7:28am on February 2, 2015

News: Trafalgar Studios announce The Ruling Class by Amy Squirrell

Photo By Marc Brenner An exciting new season of theatre is taking place in the West End's Trafalgar Studios. Trafalgar Transformed, spearheaded by artistic director Jamie Lloyd, is dedicated…

SOURCE: A Younger Theatre at 3:31pm on December 16, 2014

Review: Brighton: Theatre Uncut, Circus Street Market by Amy Squirrell

It's hard to know where to start with Brighton: Theatre Uncut. Five short plays with so much to say " I left feeling overwhelmingly riled up. Ruthless in their take-downs of modern society, …

SOURCE: A Younger Theatre at 6:53am on November 29, 2014

Feature: Brighton " Theatre Uncut by Amy Squirrell

Uncut in rehearsal Behind closed doors, in pub function rooms and bedrooms and libraries, Brighton's creative community is hard at work. Whispers are being exchanged, and a plan is bubbling …

SOURCE: A Younger Theatre at 8:50am on November 26, 2014

Edinburgh Review: Before Us, Underbelly Cowgate by Amy Squirrell

When Stuart Bowden peered out from behind the curtain, barefoot, with his bespectacled face, angular beard and pale, skinny legs protruding from a lumpy green sleeping bag, I really wanted t…

SOURCE: A Younger Theatre at 5:21am on August 18, 2014

Edinburgh Review: Show Off, Pleasance Courtyard by Amy Squirrell

The best way to describe Figs in Wigs's work is a kind of avant-garde cabaret. Its new show flits from comedy to dance to music to circus in this variety performance about narcissism and …

SOURCE: A Younger Theatre at 7:36am on August 17, 2014

Edinburgh Review: Sanitise, Underbelly Cowgate by Amy Squirrell

Sanitise throws a lot of things sharply into focus, namely, our highly gendered expectations of flawlessness and sexuality. Directed by Caitlin Skinner, Sanitise is a nod to the pressure wom…

SOURCE: A Younger Theatre at 7:30am on August 17, 2014

Edinburgh Review: Bonenkai, Underbelly Cowgate by Amy Squirrell

Smug in its own sense of indulgent hedonism, Bonenkai tries really hard to be outrageous. But its desperation to be as debauched as possible doesn't leave much in the way of plot. The story …

SOURCE: A Younger Theatre at 7:26am on August 17, 2014

Edinburgh Review: Bloom, Underbelly Cowgate by Amy Squirrell

Bloom sees two soup kitchen volunteers, Robert Scobie and Abraham Parker, tell the true stories of Michael and Anthony, two men who they met whilst working at the Glasgow City Mission. This …

SOURCE: A Younger Theatre at 7:08am on August 17, 2014

Edinburgh Review: Fear and Loathing in Las Vegas, Pleasance Courtyard by Amy Squirrell

Drug-addled duo Raoul Duke and Dr Gonzo, played by Tom Moores and Rob Crouch, embark on their wild adventure to Las Vegas with the most extensive collection of illegal substances you've ever…

SOURCE: A Younger Theatre at 7:05am on August 17, 2014

Edinburgh Review: The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union, C Cubed by Amy Squirrell

In outer space, Russian cosmonauts Casimir and Oleg have been drifting helplessly for 12 years, forgotten. Desperately, they try to contact Earth with faulty communications equipment. Back o…

SOURCE: A Younger Theatre at 6:58am on August 17, 2014

Edinburgh Review: He Had Hairy Hands, Pleasance Courtyard by Amy Squirrell

The scene is set in 1940s London. A backstreet abortion that turns into a birth. But it wasn't a baby that was born that night… Flash forward to 1964. Everyone's wearing flares and turtlen…

SOURCE: A Younger Theatre at 6:52am on August 17, 2014

Edinburgh Review: Sochi 2014, Pleasance Courtyard by Amy Squirrell

In a fluctuating global climate for LGBT rights, Sochi 2014 protests the human rights atrocities being committed in Russia today and the controversy surrounding the 2014 Winter Olympics. Wri…

SOURCE: A Younger Theatre at 8:09am on August 16, 2014

Edinburgh Review: SmallWar, Traverse by Amy Squirrell

In the unrelenting darkness of the Traverse theatre, writer and performer Valentijn Dhaenens brings us face to face with the fear, trauma and above all, futility of war. Sequel to politicall…

SOURCE: A Younger Theatre at 4:47am on August 16, 2014

Edinburgh Review: Lippy, Traverse by Amy Squirrell

Lippy is the terrifying reconstruction of four women's final days after making a suicide pact, and one man's attempt to find out what occurred after they shut themselves inside their home, b…

SOURCE: A Younger Theatre at 4:45am on August 16, 2014

Edinburgh Review: Donald Robertson Is Not A Stand-Up Comedian, Traverse by Amy Squirrell

As we enter the room, the stage for Donald Robertson Is Not A Stand-Up Comedian is set up with the sparse but unmistakable collection of props that can only denote one thing: stand-up comedy…

SOURCE: A Younger Theatre at 4:37am on August 16, 2014

Edinburgh Review: Unfaithful, Traverse by Amy Squirrell

Frank and unapologetic, writer Owen McCafferty's Unfaithful is an insight into how two couples navigate the rocky roads through their relationships, negotiating age, sexuality and death. Tom…

SOURCE: A Younger Theatre at 4:31am on August 16, 2014

Edinburgh Review: Horizontal Collaboration, Traverse by Amy Squirrell

Multiple layers of truth weave in and out of one another in David Leddy's Horizontal Collaboration, a play with a premise like no other. Each night, a different cast of four actors walks ont…

SOURCE: A Younger Theatre at 4:24am on August 16, 2014

Edinburgh Review: Hunter and Johnny, Zoo by Amy Squirrell

Adam El Hagar is the charming, personable young Johnny Depp in this frenetic depiction of his relationship with larger than life gonzo journalist and author Hunter S. Thompson, played by Sam…

SOURCE: A Younger Theatre at 11:45am on August 14, 2014

Edinburgh Review: Boosters, ZOO by Amy Squirrell

Boosters is a merciless critique of the British justice system and its considerable pitfalls. Through a combination of story telling and poignant real life recordings of victims and convicts…

SOURCE: A Younger Theatre at 11:40am on August 14, 2014

Edinburgh Review: The Kneejerk of Sloth, ZOO by Amy Squirrell

An abrupt death. A rape. A glue factory full of slightly deranged people. Another death. The Kneejerk of Sloth sounds like grim viewing. But it's not, really. Strangely endearing, this new w…

SOURCE: A Younger Theatre at 10:56am on August 14, 2014
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