1,297 stories by "American Theatre Wing"
When theatre fans peruse the Sunday New York Times, the vast majority of Broadway ads they see are the work of the dominant theatre agencies: Serino Coyne and SpotCo. The CEOs of each compan…
Sarah Jones talks about the shift from slam poet to Broadway star, performing at United Nations, the melting pot of Queens, NY, and what its like to have Meryl Streep as your number one fan.…
In the midst of a retrospective season at Signature Theatre in New York in 2004-2005, Pulitzer Prize-winner Paula Vogel talks about her "overnight success" with "How I Learned to Drive" afte…
Donald Margulies talks about his Broadway experiences during the run of "Brooklyn Boy" in 2005, as well as the experience of revisiting "Sight Unseen" with Manhattan Theatre Club more than a…
Straddling the worlds of musical comedy and rock and roll, "Sweeney Todd"'s Michael Cerveris talks about how his extensive work with Stephen Sondheim makes it hard to sing more conventional …
Legendary composer Jerry Herman plays and sings snippets of some of his most famous compositions as he recalls the creation of such seminal musicals as "Hello Dolly", "Mame" and "La Cage aux…
With the cast album of "Dessa Rose" now in stores, here's the "Downstage Center" March 2005 interview with Lynn Ahrens and Stephen Flaherty in which they survey their career from jingle writ…
One of the busiest directors in New York, Tony-winner Doug Hughes, talks about revisiting "Doubt" with a new cast; how he handles the heightened expectations for "Defiance", his next collabo…
Stage veterans Rosemary Harris and John Cullum talk about meeting for the very first time to play husband and wife in Ariel Dorfman's "The Other Side", discuss their feelings about seeing th…
Audra McDonald recounts her start in theatre as an alternative to therapy for childhood hyperactivity, her teenage years at small theatres in northern California (including her performance a…
Early in his first season at the helm, Oskar Eustis, the new artistic director of The Public Theater, talks about his plans for that seminal theatrical institution, both on stage and off, le…
Michael Ball discusses straddling the worlds of musical theatre and pop music in his native England, as well as the irony of returning to the Broadway stage after 15 years to gain greater re…
Director-choreographer Susan Stroman charts her career from her early days as a chorus member in regional theatre to her triumph with "The Producers" to her work with Nathan Lane bringing St…
Gary Beach takes off his "La Cage aux Folles" feathers to discuss playing Zaza in the musical's first Broadway revival, his Tony-winning success in "The Producers" and even his lesser known …
During the Off-Broadway run of "The Foreigner", Matthew Broderick addresses whether he's really as shy as news reports would portray him, talks about his early years growing up in New York a…
Playwright Christopher Durang contemplates issues of faith, family, humor and falling space debris during the concurrent runs of his new play "Miss Witherspoon" in New York and his new music…
Judy Kaye talks about recreating the spirit and decidedly unique voice of 1940s-era vocal phenomenon Florence Foster Jenkins in "Souvenir", and talks about her star-making experience taking …
Jill Clayburgh talks about the joys of returning to the Broadway stage for the first time in two decades in Richard Greeenberg's "A Naked Girl on the Appian Way", her anticipation of her imm…
On the eve of his debut as a film director, Craig Lucas discusses transforming "The Dying Gaul" from play to screenplay and talks about his journey from a narrow-minded Philadelphia suburb t…
On the eve of her solo concert at Carnegie Hall, Lea Salonga chronicles her journey from the Philippines to the West End to Broadway with "Miss Saigon", the experience of being in a "new" Ro…
Veteran critic John Simon reflects on decades of theatregoing, including 38 years with New York Magazine, as he marks the publication of "John Simon On Theatre," a comprehensive anthology of…
Noted architect David Rockwell talks about branching into scenic design ("Hairspray", "All Shook Up") as an extension of his childhood love of theatre, which included working on amateur prod…
Stage legend Carol Channing reminisces about her extraordinary career, ranging from her naive yet successful audition for the William Morris Agency (which she briefly recreates) to her early…
Gerard Alessandrini shares the process of turning Broadway into "Forbidden Broadway" and why after all these years of skewering stage stars and shows, he's still an optimistic fan of the the…
Returning to the New York stage for the first time in more than a decade, Chris Sarandon talks about joining the company of "A Light In The Piazza" and reflects on his early stage work in re…
