Recording Cast Albums (#35) December, 2004
The challenging business decisions that decide whether you get to hear your favorite musicals on CD is the topic of a roundtable discussion with three experts in the field of cast album reco…
The challenging business decisions that decide whether you get to hear your favorite musicals on CD is the topic of a roundtable discussion with three experts in the field of cast album reco…
New York Musical Theatre Festival founders Kris Stewart and Isaac Robert Hurwitz talk about the original impulse to start the festival and place it in the context of New York City's other th…
With the world's longest-running musical, "The Fantasticks", back on stage in New York after a short hiatus, author Tom Jones recounts the time-honored tale of how he and Harvey Schmidt crea…
Eric Schaeffer, founder and artistic director of Virginia's Signature Theatre, discusses the company's growth and acclaim as a home for musical theatre in the Washington DC area; the company…
Tony Award-winning actor Ruben Santiago-Hudson talks about his responsibility as part of the fraternity of "August Wilson actors"; his desire to direct the complete 10-play Wilson cycle of p…
Hinton Battle, a three-time Tony winner for "Sophisticated Ladies", "The Tap Dance Kid" and "Miss Saigon", surveys his career from his Broadway debut at age 15 in "The Wiz" to a trio of new …
he work of a theatre critic is explored with two of America's most-read theatre journalists: Michael Kuchwara> of the Associated Press and Charles Isherwood of Variety -- the latter just as …
John Selya and Ashley Tuttle, original cast members of the dance musical "Movin' Out", discuss the development of Twyla Tharp's unique show, the difference between classical dance and the re…
Director Mark Lamos explores his affinity for the W.A.S.P. world portrayed by playwright A.R. Gurney as he directs the world premiere of "Indian Blood" at New York's Primary Stages, and talk…
Before "Avenue Q"'s Tony Awards triumph, original cast members Stephanie D'Abruzzo and John Tartaglia chronicle the show's journey from workshop to Broadway, share their own paths to leading…
Michael Ritchie, artistic director of Los Angeles' Center Theatre Group, talks about taking the reins of the city's largest theatre organization and considers his tenure as head of the accla…
With the "DruidSynge" circle of plays visiting briefly in the United States, director Garry Hynes describes the process of melding six works by John Millington Synge into a marathon theatric…
During the Broadway run of Michael Frayn's "Democracy", Emmy winner Richard Thomas talks about his decision to move back to his hometown of New York after 30 years on the west coast, his acc…
"Spamalot"'s newest king, Harry Groener, talks about the process of slipping into the cast (and the chain-mail costume) of the hit musical, recalls his Broadway debut in "Oklahoma" - includi…
As "The Light In The Piazza" prepares for its national tour, director Bartlett Sher talks about the experience of living with and working on the show for more than three years, explains his …
Late in the run of Disney's "Aida" and two years before "Tarzan" began swinging on 46th Street, Thomas Schumacher, president of Disney Theatrical Productions, discusses the Disney approach t…
Elena K. Holy, artistic director of New York's International Fringe Festival, discusses the genesis of the Fringe as part of the Off-Off-Broadway Present Company, and its explosive growth as…
With his debut solo CD now on sale, Brian Stokes Mitchell ranges over his career, from his first performances with a youth theatre in San Diego to seven years on television's "Trapper John M…
With Des McAnuff the toast of Broadway for "Jersey Boys" and set to join the artistic leadership at Canada's Stratford Festival, this Downstage Center interview from late 2004 captures the a…
American-raised but acclaimed in England for his work in musicals, John Barrowman visited Downstage Center in 2004 to talk about his trans-Atlantic career, his new solo album, and the experi…
Director Michael Mayer explains the juxtaposition of turn of the 20th century German teenage angst with modern rock and roll in "Spring Awakening", recounts his first meeting with master pla…
Director-choreographer Kathleen Marshall discusses remounting "Wonderful Town" for Broadway following its resounding success at Encores! two seasons earlier, growing up in Pittsburgh with he…
Tonya Pinkins takes listeners from the triumph of "Jelly's Last Jam" to the extraordinary personal challenges that faced her on her return to Broadway as the title character in Tony Kushner …
Martha Plimpton talks about her acting journey from "The Goonies" to "Hedda Gable", exploring her experience growing up in the theatre, with childhood performances at The Public; the importa…
Liev Schreiber takes time out from The Public Theatre's production of "Macbeth" to reflect on the humanity of that villainous role, his love for the Delacorte Theatre in Central Park, how di…