House Manager - April, 2010
House Manager Brian Gaynair handles the day-to-day operations of the Shubert Theatre, is the primary liasion between the production and the theatre owner, and coordinates between all the fro…
House Manager Brian Gaynair handles the day-to-day operations of the Shubert Theatre, is the primary liasion between the production and the theatre owner, and coordinates between all the fro…
During her month in the cast of the Off-Broadway comedy "Love, Loss and What I Wore", Shirley Knight discusses the appeal of the "stool and music stand" style of presentation while pointing …
Janet McTeer talks about her experiences in "God of Carnage", having starred in the play's London premiere (where the characters were still French) and now playing it on Broadway (as an Amer…
Sign Language Interpreter Alan Champion combines his performing skills with his sign language background to interpret live theatre. He stresses the importance of being a good listener, and …
Director David Cromer discusses his most recent New York project, Andrew Bovell's "When The Rain Stops Falling" at Lincoln Center Theater, and how even he had to be reassured that the play's…
Hallie Foote, perhaps the leading interpreter of the works of her father, the late Horton Foote, talks about her past year of work on "The Orphans' Home Cycle", the epic compilation of nine …
Art Director Gail Anderson of advertising agency SpotCo brings her passion for graphic design to create visual identities for theatrical works. Anderson traces her career from the School of …
During rehearsals for Keen Company's revival of "I Never Sang For My Father", Marsha Mason talks about the differences between playing in a Broadway house and a small Theatre Row venue. She …
Jordan Roth, President of New York's Jujamcyn Theatres, discusses his ascension to the top spot running a quintet of Broadway houses, which makes him one of the handful of people who can dec…
Theatrical Photographer T. Charles Erickson captures two-dimensional representations that become the historical record of live stage productions. Erickson grew up with a camera always by h…
Jessica Hecht, now on Broadway as Eddie Carbone's long-suffering but cleared-eyed wife Beatrice in the Broadway revival of "A View From The Bridge", talks about her role in the play's tragic…
The "resident character woman" of Chicago's Steppenwolf Theatre Company, Rondi Reed, talks about her current stint as Madame Morrible in the Broadway juggernaut "Wicked", a role she origina…
Theatre Design Specialist Roger Morgan talks about how his education in scenic and lighting design and backstage experience helped determine his focus in the field of architecture. He works…
Turnabout is fair play, as actor Richard Thomas is the guest host for a conversation with Howard Sherman, Executive Director of the American Theatre Wing. The longtime friends discuss the ch…
Gregory Mosher, director of the current Broadway revival of Arthur Miller's "A View from the Bridge", talks about how he initiated the production himself, personally approached Liev Schreibe…
Stage Automation Engineer Chuck Adomanis designs the modern automated system for moving theatrical scenery. He demonstrates the control system on the new set built for the "Billy Elliot" to…
Veteran scenic designer John Lee Beatty, currently represented in New York by "Time Stands Still", "A View from the Bridge" and "Venus in Fur", talks about why he thinks all American drama i…
One of "God of Carnage"'s current combatants on Broadway, Christine Lahti, talks about playing the range of emotions that consume her character over the course of the play's mere 80 minutes,…
The aerial choreographer, Paul Rubin, creates flying sequences for the stage from start to finish. During a rehearsal of a new production of "Joseph and the Amazing Technicolor Dreamcoat", R…
The multi-talented Andre De Shields describes the development of his new one-man show, "Mine Eyes Have Seen The Glory: From Douglass to Deliverance", and why it may be a work-in-progress for…
Pulitzer Prize and Tony Award honored playwright Doug Wright discusses his virtually genetic passion for theatre and how that matched up with his conservative Texas childhood; his escape to …
Textile Artisan Gene Mignola works closely with costume designers, taking patterns and creating fabric that ultimately conveys their vision. He explains how printing fabric has evolved over…
As she celebrates her 20th season as artistic director of Princeton's McCarter Theatre, Emily Mann recalls the factors she considered when taking on the job; counsel she received at the time…
With Theresa Rebeck's "The Understudy" soon to close at the Roundabout and Douglas Carter Beane's "Mr. and Mrs. Fitch" beginning rehearsals at Second Stage, director Scott Ellis discusses hi…
Legendary composer and lyricist Stephen Sondheim is the guest for the 250th "Downstage Center" interview. He discusses a wide range of topics, including whether, as many have asserted, he a…