Sarah Ruhl (#273) - June, 2010
Playwright Sarah Ruhl, whose "Passion Play" made its New York City debut with the Epic Theater Center, talks about the roots of that play during her graduate work at Brown University, what i…
Playwright Sarah Ruhl, whose "Passion Play" made its New York City debut with the Epic Theater Center, talks about the roots of that play during her graduate work at Brown University, what i…
Douglas Hodge, who appears as Albin in the current Broadway revival of the musical "La Cage aux Folles", explains what appealed to him about the story and character, which he did not know, w…
Scenic designer Christine Jones, a Tony nominee for "American Idiot", discusses the development of the project from album to Broadway musical, including when she came into the creative proce…
Casting Director Tara Rubin talks about the casting process, working with the director and creative team; her career beginnings at Johnson & Liff casting the original company of "Les Miserab…
"Fences" director Kenny Leon discusses his long association with August Wilson, both personally and professionally, dating back to Leon's 1987 NEA Directing Fellowship which first introduced…
"Collected Stories" star Linda Lavin discusses why she's playing the role of Ruth Steiner in Donald Margulies' play for a fourth time, likens the two-character play to a duet that changes wi…
Scenic designer Riccardo Hernandez creates sets built from the text of a production, creating an honest space for actors and ideas to work within. Hernandez knew he wanted a career designin…
Progenitor of fight direction in America and 2010 Tony Honor recipient B.H. Barry talks about his decades of developing and staging fights across the country, starting with "Hamlet" in 1978 …
While appearing the new comedy "White's Lies", Betty Buckley talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose…
House Manager Brian Gaynair handles the day-to-day operations of the Shubert Theatre, is the primary liasion between the production and the theatre owner, and coordinates between all the fro…
During her month in the cast of the Off-Broadway comedy "Love, Loss and What I Wore", Shirley Knight discusses the appeal of the "stool and music stand" style of presentation while pointing …
Janet McTeer talks about her experiences in "God of Carnage", having starred in the play's London premiere (where the characters were still French) and now playing it on Broadway (as an Amer…
Sign Language Interpreter Alan Champion combines his performing skills with his sign language background to interpret live theatre. He stresses the importance of being a good listener, and …
Director David Cromer discusses his most recent New York project, Andrew Bovell's "When The Rain Stops Falling" at Lincoln Center Theater, and how even he had to be reassured that the play's…
Hallie Foote, perhaps the leading interpreter of the works of her father, the late Horton Foote, talks about her past year of work on "The Orphans' Home Cycle", the epic compilation of nine …
Art Director Gail Anderson of advertising agency SpotCo brings her passion for graphic design to create visual identities for theatrical works. Anderson traces her career from the School of …
During rehearsals for Keen Company's revival of "I Never Sang For My Father", Marsha Mason talks about the differences between playing in a Broadway house and a small Theatre Row venue. She …
Jordan Roth, President of New York's Jujamcyn Theatres, discusses his ascension to the top spot running a quintet of Broadway houses, which makes him one of the handful of people who can dec…
Theatrical Photographer T. Charles Erickson captures two-dimensional representations that become the historical record of live stage productions. Erickson grew up with a camera always by h…
Jessica Hecht, now on Broadway as Eddie Carbone's long-suffering but cleared-eyed wife Beatrice in the Broadway revival of "A View From The Bridge", talks about her role in the play's tragic…
The "resident character woman" of Chicago's Steppenwolf Theatre Company, Rondi Reed, talks about her current stint as Madame Morrible in the Broadway juggernaut "Wicked", a role she origina…
Theatre Design Specialist Roger Morgan talks about how his education in scenic and lighting design and backstage experience helped determine his focus in the field of architecture. He works…
Turnabout is fair play, as actor Richard Thomas is the guest host for a conversation with Howard Sherman, Executive Director of the American Theatre Wing. The longtime friends discuss the ch…
Gregory Mosher, director of the current Broadway revival of Arthur Miller's "A View from the Bridge", talks about how he initiated the production himself, personally approached Liev Schreibe…
Stage Automation Engineer Chuck Adomanis designs the modern automated system for moving theatrical scenery. He demonstrates the control system on the new set built for the "Billy Elliot" to…