Alison Fraser (#294) - November, 2010
"The Divine Sister"'s Teutonic nun Alison Fraser talks about her role, her prior work -- and sharing a dressing room -- with playwright/actor Charles Busch. She also discusses her musical th…
"The Divine Sister"'s Teutonic nun Alison Fraser talks about her role, her prior work -- and sharing a dressing room -- with playwright/actor Charles Busch. She also discusses her musical th…
Scenic Charge Artist Jason Edwards paints walls, backdrops, and props to create the visual surface details of a show's set. At the Woolly Mammoth Theatre Company, Edwards works with each pr…
Called "the most powerful man in English theatre" by "The Stage", co-CEO (with his wife, Rosemary Squire) and creative director of the Ambassador Theatre Group, Howard Panter, talks about th…
Jim Simpson, artistic director of New York's Off-Off-Broadway The Flea Theater, charts the company's 15 year journey from a collective meant to last for only five years to an ongoing institu…
South African playwright Athol Fugard discusses his newest work, "The Train Driver", during rehearsals at the Long Wharf Theatre, and explains why this play marks the end of a stage in his w…
One of the greatest classical actors of his generation, Sir Ian McKellen reflects on his more than 50 years on stage, explaining that he's really only qualified to voice his opinion on two t…
Playwright Alfred Uhry recalls the original production of "Driving Miss Daisy" in 1987 at Playwrights Horizons, lists the actresses he's had the opportunity to see play the title role - base…
Playwright Jules Feiffer, perhaps best known as a Pulitzer Prize-winning cartoonist, explains why he sees little difference between his comic work, screen work and stage work, as well as why…
Veteran director Daniel Sullivan talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of "Time Stands Still" from Manhattan Theatre Club, "The M…
West End musical theatre star Elaine Paige discusses her three month sojourn in New York, including the recording of a new album of duets with artists ranging from Paul Anka to Sinead O'Conn…
Director, artistic director and playwright Moisés Kaufman discusses his newest project, the U.S. premiere of the 1940s opera "El Gato con Botas (Puss in Boots)", a collaboration between his…
Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the sh…
Cora Cahan, president of The New 42nd Street in New York, discusses her 20 years in the role of recapturing what was once the epicenter of Manhattan sleaze for theatre and family audiences. …
Downstage Center welcomes its second starship captain as actress Kate Mulgrew visits during her stint in the Off-Broadway comedy "Love, Loss, and What I Wore". She talks about being raised …
Puppet Designer Emily DeCola of The Puppet Kitchen has been designing and building puppets in New York for 7 years. She explains the wide scope of creating characters, sculpting puppets from…
Costume designer Martin Pakledinaz talks about creating the clothes for the recent Broadway revival of "Lend Me A Tenor", the commencement of planning for the spring 2011 production of "Anyt…
Lucie Arnaz, the daughter of television legends Desi Arnaz and Lucille Ball, talks about how Angela Lansbury and Vivian Vance prompted her towards a career on the stage. She recalls her earl…
Voice Teacher Linda Benanti shows performers how to develop their voice to make their singing sound easy and natural. Singing requires both athletic and mental abilities, along with dedicat…
Veteran director Jerry Zaks talks about his role as Creative Consultant on "The Addams Family" since joining the production after its opening in Chicago and the work he has planned for "Sist…
While playing the "anchor role" in Off-Broadway's "Love, Loss and What I Wore", actress Penny Fuller talked about her wide-ranging career, noting (even to her own surprise) how many times sh…
As his play "Vampire Lesbians of Sodom" marks the 25th anniversary of its opening at the Provincetown Playhouse, playwright and actor Charles Busch recalls the circumstances surrounding the …
Tony Award winning Sound Designer Robert Kaplowitz is responsible for the sound system and sound content of a production. In a play, that content includes both music and sound effects. His…
"Promises, Promises" scene stealer Katie Finneran talks about creating the character of Marge McDougall for only two scenes and why she had to be "the anti-Kristin," what it's like having so…
Trans-Atlantic star of "Chicago" Ruthie Henshall discusses her 14 year history with the show, from creating the role of Roxie in the original London company (opposite Ute Lemper) to subseque…
"Lend Me a Tenor"'s Tony Shalhoub talks about the challenge of playing farce, including the shifts from rehearsal room to theatre to playing in front of a live audience, how you can suddenly…