Authenticity and Urgency: New Plays For Us and By Us
How 4 theatres develop work by writers of color with communities of color at the center.
How 4 theatres develop work by writers of color with communities of color at the center.
Steward, a former co-chair of the board's diversity, equity, and inclusion committee, succeeds Nikkole Salter.
The Studio Gang-designed campus for the open-air, slated to break ground in 2024, will meet LEED Platinum standards.
As we enter the holiday season, we celebrate taking risks on potentially life-changing works.
We don't just get aesthetic or intellectual benefits from the expressive and performing arts---they can also be literally healing.
A roundup of awards, residencies, and other recognitions.
This L.A.-focused roundup includes a writer-director, a patron services manager, a scenic painter, an actor who's also a marketing director, and more.
Ende Lichtenberg succeeds Chris Jennings, who left last summer for Manhattan Theatre Club.
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we'll never really know.
With a wealth of experience in arts administration and branding, Durantt joins her neighborhood theatre ready to help its next stage of growth.
How 6 THRIVE! recipient theatres have embraced new mediums and built new audiences.
This month Woodzick talks to the Bay Area playwright about political disillusionment, the liberation of basic income, and the sacred space of theatre.
The writer of 'Stereophonic' talks about his obsessions with detail and destruction, and North Carolina correspondent Lauren Van Hemert fills us in on the Research Triangle theatre scene.
After serving as Woolly Mammoth Theatre's interim managing director, DeLong now joins a leadership team that includes Mica Cole and PJ Powers.
This month Brian talks to a writer inspired by the music his parents made when he was young, as well as by the diverse biographies and interests of the playwrights he admires.
The N.Y.-based reporter and critic is the second recipient of the award, which isgiven by the American Theatre Critics Association.
The honor, given annually to an alumnus of the foundation's fellows program, comes with $10,000 support.
The 40-year-old Brooklyn company has spent the year exploring and interweaving major plays of the 20th century, from Glaspell to Williams to Hansberry. Their current show is 'American Blues.'
The late director was fluent in matters spiritual, emotional, and textual.
Tomei, who will leave the theatre next August, has been the company's first and only managing director to date.
The new program will provide grants of of $65,000 to $130,000 to organizations that have demonstrated a commitment to equity.
When a painter and a performance artist work with theatres, all parties learn lessons about experience, engagement, and ecstasy.
How a Lakota playwright, 7 Indigenous actors, and an L.A.-based ensemble survived a pandemic, crossed thousands of prairie miles, and confronted centuries of history to make a play.
The 10 playwrights will receive staged readings of their work and a $10,000 stipend.
The New Jersey theatre is developing new works by Scott Organ, Vincent Terrell Durham, Benjamin V. Marshall, and Melissa Toomey.