8,529 stories by "American Theatre Editors"
The program will combine hands-on experience at WTF with the mentorship of BTU's founding members.
Catching a glimpse of the beloved community in a quirky, inclusive corner of the U.S.
The Times' lead critic looks back on a fertile period in the field and reflects on the role he played in it.
The 45-year-old Pennsylvania theatre will also initiate a national search to fill out its senior artistic leadership team.
The first month on the calendar saw the births of three 20th-century giants, the resuscitation of another's career, and more.
From a survey of successful efforts, the endowment outlines recommendations for creating and sharing (mostly) live art during the pandemic.
How Fornés's landmark play can teach us to imagine different ways of living, fighting, and making theatre.
She used her anger at a system that betrayed its ideals as fuel to organize against it. We can and should do the same.
Theatre artists Whitney White and Peter Mark Kendall made a show for Under the Radar that tests the bounds of their form, and of their friendship.
A close friend and a fellow performer remember her disarming presence, humor, and determination.
A new print monthly---yes, you read that right---is positioning itself to cover the field as it reemerges in coming years.
Nonprofit theatre boards are unrepresentative, out of touch, and more often oppressive than supportive. We can and must do this better.
Dramaturg, playwright, and director Addae Moon has joined the Atlanta company.
How the queerness of fairy tales and musicals, once coded and now more open, has always spoken---and sung---directly to me.
Looking toward a post-COVID horizon, we must plan for adjustment, redefinition, and a new kind of relevance.
Nationwide readings on the scourge of guns brought pandemic-isolated theatre folks together for a common cause---and the momentum may continue.
Though she seemed more than mere mortal, her life was defined by human connection.
Finalists for the two-year residency include Nikki Brake-Sillá and A.A. Brenner.
The Gaylord and Dorothy Donnelley Foundation and the Walder Foundation have awarded AAAA funds to support an executive director.
While theatres remain dark, the company has started Call Time to advocate for mental wellness support for theatre workers.
The Bay Area theatre community mourns the loss of the the actor, maestro, and longtime member of El Teatro Campesino.
This month Brian talks to the playwright/poet/marketer who's the driving force behind the New Play Exchange.
Ending white supremacy at your institution requires an organization-wide commitment to change in both culture and policy.
The Minneapolis company will present five virtual cabarets in 2021.
The first recipients are Ed Bullins, Constance Congdon, and Philip Kan Gotanda.
