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72 stories by "Amelia Forsbrook"

Review: Rhinocéros by Amelia Forsbrook

Quel désastre, Britons: we live in a neglected nation! Our country may have entertained Shakespeare when he wasn’t fantasising about Italy, but come the mid-twentieth century and the …

SOURCE: A Younger Theatre at 7:55am on February 16, 2013

Review: In The Beginning Was The End by Amelia Forsbrook

He may be the world's greatest poster boy for innovation, but in a sketch entitled ‘A Cloudburst of Material Possession’, Leonardo Da Vinci exhibited a cynical second opinion con…

SOURCE: A Younger Theatre at 4:54am on February 8, 2013

Review: Top Story by Amelia Forsbrook

The only thing bigger than the eponymous top news story in this work by Sebastian Michael is the LA-sized meteor that is due to hit earth next Thursday. It’s now Friday, and from a TV …

SOURCE: A Younger Theatre at 12:45pm on January 10, 2013

Review: The Odyssey by Amelia Forsbrook

Taking the train back from Deptford after playing my own minor part in Teatro Vivo's promenade adaptation of Homer's The Odyssey, I found myself scribbling names onto the programme. Unusuall…

SOURCE: A Younger Theatre at 10:35am on September 6, 2012

Review: Jumpy by Amelia Forsbrook

Fuelled by perpetual waves of exasperation, likable comic actor Tamsin Greig (Black Books, Green Wing) sets the mumsiness to full throttle in this exploration of middle-aged anxiety and m…

SOURCE: A Younger Theatre at 1:58pm on August 29, 2012

Review: Sill Life by Amelia Forsbrook

Written by Noel Coward as part of a series of short plays, Still Life was designed to be performed within a collection spanning three evenings, before being picked up as the foundation for D…

SOURCE: A Younger Theatre at 3:01pm on August 27, 2012

Review: Hysteria by Amelia Forsbrook

"Get out of my head", cries an elderly Austrian therapist to the handful of guests that plague his study. He quickly exchanges the word "head" for "house", but in an imaginative production c…

SOURCE: A Younger Theatre at 6:27am on August 23, 2012

Review: Le Gateau Chocolat by Amelia Forsbrook

At a point quite early in his show, glitter-coated baritone Le Gateau Chocolat expresses a reluctance to be “defined or confined by size, colour or sexuality”. It's a bold statem…

SOURCE: A Younger Theatre at 1:45pm on August 18, 2012

Review: And We Gather by Amelia Forsbrook

There are many different ways to be conventional. We can dress the same as those around us, we can fall in love with the kind of people our parents expect us to and we can subscribe wholehea…

SOURCE: A Younger Theatre at 5:38pm on July 29, 2012

Review: Proud by Amelia Forsbrook

How much is gold really worth? In this story of a young man preparing for an Olympic victory, national pride is pitched against personal anxieties as a teen struggles to balance the testoste…

SOURCE: A Younger Theatre at 12:38pm on July 29, 2012

Review: A Life In Monochrome by Amelia Forsbrook

Set in a bar in downtown Chicago, the collaboratively-devised A Life in Monochrome begins in style. Through the use of cabaret seating and an onstage jazz band, the company inventively trans…

SOURCE: A Younger Theatre at 2:43pm on July 23, 2012

Review: An Oasis In 5 Parts by Amelia Forsbrook

"Do pop along if you are in London," tweeted performance artist Pat Ashe. "It's only £6 to watch me doing stuff on stage." Now, I don't know how much thought went into this marketing camp…

SOURCE: A Younger Theatre at 3:16pm on July 20, 2012

Review: Dry Rot by Amelia Forsbrook

You would have thought that by now, the word 'farce' would have firmly established itself as an insult. The embarrassingly British, post-war style of performance known for rude characters wh…

SOURCE: A Younger Theatre at 4:53am on July 19, 2012

Review: The Word for Snow by Amelia Forsbrook

It is hard to verbally express the inadequacy of language. Sometimes words just seem to burst at the seams, their intrinsic limitations ready to break due to the multiplicity of meaning they…

SOURCE: A Younger Theatre at 5:09am on July 14, 2012

Review: Chair by Amelia Forsbrook

Some playwrights just demand to be heard, and none more so than Edward Bond, the outspoken writer whose revolutionary work Saved bellowed loud and brutal choruses against the Lord Chamber…

SOURCE: A Younger Theatre at 6:15am on May 18, 2012

Review: Something For The Winter by Amelia Forsbrook

Something for the Winter may seem like an odd title for a play focused on last August's riots, but as this adaptation from The Bridge Theatre unfolds to reveal a young couple determined to p…

SOURCE: A Younger Theatre at 3:43pm on May 16, 2012

Review: When Women Wee by Amelia Forsbrook

If any play is going to get you talking about boys, it's this all-female piece from the risque theatre company, Dirty Stop-Out. Shamelessly confessional and brutally voyeuristic, When Women …

SOURCE: A Younger Theatre at 9:50am on May 15, 2012

Review: How To Think The Unthinkable by Amelia Forsbrook

  It’s no secret that Greek mythology has stood the test of time because of its universal relevance. Ellen McDougall, Director of the Unicorn Theatre’s Greeks season has cel…

SOURCE: A Younger Theatre at 7:35am on May 5, 2012

Review: Gold Mountain by Amelia Forsbrook

Do you remember watching magicians as a child, witnessing their show with an air of irritation as you tried to calculate how they pulled off their little illusions? When watching the multime…

SOURCE: A Younger Theatre at 10:17am on April 27, 2012

Review: Black T-Shirt Collection by Amelia Forsbrook

There’s nothing plain about the clothing in writer and performer Inua Ellams’s bold piece, Black T-Shirt Collection. In telling the tale of Muhammed and Matthew, the trend-settin…

SOURCE: A Younger Theatre at 9:21am on April 16, 2012

Review: Waiting For Godot by Amelia Forsbrook

Waiting for Godot is a pretty frustrating play " but it’s also one of the most engaging pieces ever made for stage. Estragon and Vladimir’s tedious dance of absurdity as they wai…

SOURCE: A Younger Theatre at 9:09am on March 10, 2012

Review: 1984 by Amelia Forsbrook

From a projection on the backdrop, a blinking eye surveys us. Ingeniously positioned speakers fire instructions at the audience from every angle before music so heavy with bass it’s ba…

SOURCE: A Younger Theatre at 9:28am on February 28, 2012
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