72 stories by "Amelia Forsbrook"
'Bed-ridden with everything except a husband': Amelia Forsbrook reviews the ROH's ballet about the last Tudor on the throne.
The post Review: Elizabeth at Barbican appeared first on Exeunt …
An Englishman walks into a refugee camp... Amelia Forsbrook reviews Mark Thomas's show based on his time setting up a comedy club in Palestine.
The post Review: Showtime from the Frontline a…
Love and hate: Stephanie Silver's play explores the impact of the 7/7 bombings on a group of teenage Londoners.
The post Review: Our Big Love Story at The Hope Theatre appeared first on Exeu…
Pilgrimage and existential doubt: Amelia Forsbrook reviews Vakhtangov State Academic Theatre of Russia at the Barbican
The post Review: Smile Upon Us, Lord at Barbican Centre appeared first …
Mother and lover: Amelia Forsbrook reviews the new stage adaptation of Colin Higgins' cult classic film
The post Review: Harold and Maude at Charing Cross Theatre appeared first on Exeunt Ma…
Sculptural contortion, poise, balance and strength: Amelia Forsbrook reviews a final triple bill of shows at The Place's annual festival of new dance
The post Review: B-Hybrid Dance / Yu-Hsi…
A new year's resolution well kept: Amelia Forsbrook reviews a triple bill of works at The Place's annual festival of new dance.
The post Review: Out of Order / Sara Augieras / Joss Carter at…
Power play: Amelia Forsbrook reviews Ian Rickson's production of Pinter.
The post Review: The Birthday Party at The Harold Pinter Theatre appeared first on Exeunt Magazine.
A hyperactive primary-coloured tale: Amelia Forsbrook reviews Cirque du Soleil's new show.
The post Review: Ovo at the Royal Albert Hall appeared first on Exeunt Magazine.
Identity crisis: Amelia Forsbrook reviews Nico Muhly's 'non-committal' opera.
The post Review: Marnie at the London Coliseum appeared first on Exeunt Magazine.
"As this is a piece of immersive theatre, it doesn't work unless you follow the rules": Amelia Forsbrook reviews Les Enfants Terrible's staging of the story of Pussy Riot.
The post Review: I…
Escaping definition: Amelia Forsbrook rounds-up three female-led shows at Dance Umbrella 2017.
The post Dance Umbrella 2017 appeared first on Exeunt Magazine.
Escaping definition: Amelia Forsbrook reviews Origami, Fallen from Heaven, and Trois Grandes Fugues as part of Dance Umbrella 2017.
The post Review: Dance Umbrella 2017 appeared first on Exe…
Requardt and Rosenberg's Deadclub "clashes a children's party with the ticking timebomb of our own inevitable demise".
The post Review: DeadClub at The Place appeared first on Exeunt Magazin…
Thrown MacBooks and fragile male egos: Amelia Forsbrook reviews the London transfer of The Mentor.
The post Review: The Mentor at Vaudeville Theatre appeared first on Exeunt Magazine.
Throw a finger up to the single-phrase casting breakdown: Amelia Forsbrook reviews Inua Ellams' "electrifying" new work at the National Theatre.
The post Review: Barber Shop Chronicles at t…
Creating a memory palace: Amelia Forsbrook reviews Robert Lepage's play about the act of remembering.
The post Review: 887 at the Barbican appeared first on Exeunt Magazine.
Playwright and director Titas Halder has quickly made a name for himself for his dark, muddy theatrical worlds. Amelia Forsbrook interviews him about music, foxes, and his new play 'Escape t…
There's something rather brazen about theatre graduates springing out of university with a musical about how difficult it is to find enriching work after graduation, but this is the context …
In 1994, the ever-classy New York magazine caused a bit of a stir as it adorned news stands with a rather tasteless cover image. The photograph was of Anna Nicole Smith "Â model, socialite…
Those artful jokers at Told By An Idiot are entering dangerous ground with My Perfect Mind, a unique retelling of how ultimate thesp Edward Petherbridge suffered a stroke during rehearsals f…
The forces of society and the drives of the individual are not the best bedfellows in this racy take on Émile Zola's classic, from adapter/director Nona Shepphard. Loyal to the novel's c…
Poor old Giselle can count her lovers on the fingers of one hand. While this number may not make for a very adventurous erotic bestseller, it is all very convenient given that this is a danc…
Accessibility is clearly not Akram Khan's top priority. The name of this piece alone is a code that refuses to be cracked, a far from obvious acronym that brings a murky tide of mystery to K…
Estragon and Vladimir really haven’t been waiting that long. A few decades younger than the actors who normally tap their feet and sigh throughout this play, viral wonders Tom Stourton…
