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134 stories by "Alistair Wilkinson"

BWW Review: HANNA, Arcola Theatre by Alistair Wilkinson

It's the worst case of bad luck at a hospital two newborns are accidentally swapped, resulting in them each being given to parents who aren't biologically theirs. Hanna has raised Ellie for …

SOURCE: BroadwayWorld at 5:08pm on January 6, 2018[SHARE]

BWW Review: INTO THE NUMBERS, Finborough Theatre by Alistair Wilkinson

The first production I'm seeing this year isn't necessarily a cheery one, but it feels important nonetheless. It's a thrilling exploration of one individual's curiosity, placing particular f…

SOURCE: BroadwayWorld at 2:45pm on January 6, 2018[SHARE]

BWW Review: THE JUNGLE, Young Vic by Alistair Wilkinson

The Jungle is the debut play from Joe Murphy and Joe Robertson, founders of humanitarian theatre company Good Chance. Alongside a team of volunteers, they built their first theatre in the re…

SOURCE: BroadwayWorld at 11:50am on December 16, 2017[SHARE]

BWW Review: WHITE FANG, Park Theatre by Alistair Wilkinson

As Canada celebrates 150 years since its confederation, stories of the countries untold natural history are starting come to light, and White Fang is an example of this. Taking the themes of…

SOURCE: BroadwayWorld at 10:33am on December 15, 2017[SHARE]

BWW Review: GRIMLY HANDSOME, Royal Court by Alistair Wilkinson

Chloe Lamford and Sam Pritchard have collaborated on a piece that perplexes and entices. This was my first visit to The Site, the exterior space located across from the stage door, and I was…

SOURCE: BroadwayWorld at 6:59pm on December 9, 2017[SHARE]

BWW Review: PARLIAMENT SQUARE, Bush Theatre by Alistair Wilkinson

One day Kat gets out of bed, says goodbye to her sleeping family and gets on the train to London, to commit an act that will change her world forever. This decision will also alter the lives…

SOURCE: BroadwayWorld at 4:26pm on December 2, 2017[SHARE]

BWW Review: GOATS, Royal Court by Alistair Wilkinson

Fascinated by war's absurdity, playwright and documentary filmmaker Liwaa Yazji started journaling into her notebook all that she saw around her. Armed combat, civil war and terror it's th…

SOURCE: BroadwayWorld at 6:57am on December 2, 2017[SHARE]

BWW Review: GOOD GIRL, Old Red Lion Theatre by Alistair Wilkinson

Riding high from its huge success at Edinburgh, Good Girl returns to the Old Red Lion, before transferring to the VAULT Festival in 2018. Examining the comparative nature of body image, Naom…

SOURCE: BroadwayWorld at 5:29pm on November 28, 2017[SHARE]

BWW Review: BARBER SHOP CHRONICLES, National Theatre by Alistair Wilkinson

Inua Ellams' dynamic new play debuted last June, to critical acclaim. Following its successful run at the West Yorkshire Playhouse, Barber Shop Chronicles returns to the National with a bang…

SOURCE: BroadwayWorld at 7:50am on November 24, 2017[SHARE]

BWW Review: WILD BORE, Soho Theatre by Alistair Wilkinson

Three women place their naked bums on a table and speak through them into a microphone. Literally talking out of their arses, they enter into a prolonged rant detailing how terrible the show…

SOURCE: BroadwayWorld at 5:45am on November 24, 2017[SHARE]

BWW Review: BAD ROADS, Royal Court by Alistair Wilkinson

A journalist ventures to the front line in search of a story. Underage girls wait to be a soldier's playthings. A medic mourns the loss of her lover. In the bleakest areas of Ukraine, a war …

SOURCE: BroadwayWorld at 10:59am on November 23, 2017[SHARE]

BWW Review: THE SUPPLIANT WOMEN, Young Vic by Alistair Wilkinson

Remaining true to the traditions of Aeschylus's time, The Suppliant Women company consists of three professional actors, a professional musician and a recruitment of locals - who have traine…

SOURCE: BroadwayWorld at 10:17am on November 17, 2017[SHARE]

BWW Review: THE SECONDARY VICTIM, Park Theatre by Alistair Wilkinson

Recent figures show that more and more people are visiting their GP with anxiety, stress and other mental health concerns. With so many facilities running at full capacity, options become li…

SOURCE: BroadwayWorld at 11:53am on November 16, 2017[SHARE]

BWW Review: LAID, Soho Theatre by Alistair Wilkinson

Every day a woman lays an egg, and then faces a decision does she raise it or eat it Natalie Palamides is a name I had never heard of before, but after this, there is no way I'm ever going t…

SOURCE: BroadwayWorld at 6:06am on November 11, 2017[SHARE]

BWW Review: CORIOLANUS, Barbican by Alistair Wilkinson

Set in a city where the gap between the rich and poor widens every day, Coriolanus opens the RSC's Rome season in London. He is as much a myth as he is a man, and if he did live, he would ha…

SOURCE: BroadwayWorld at 6:26pm on November 9, 2017[SHARE]

BWW Review: THE RETREAT, Park Theatre by Alistair Wilkinson

A laborious meditation at the start sets this play up to be something it's not. We expect a lesson in the Buddhist way, but what we get is the Londoners' interpretation. Scattering spoons on…

SOURCE: BroadwayWorld at 9:35am on November 8, 2017[SHARE]

BWW Review: THIS BEAUTIFUL FUTURE, The Yard Theatre by Alistair Wilkinson

In a chance of fate, two young lovers sit and get to know one another. They drink, play-fight, cuddle and forget the fact that their countries are at war. Planes fly overhead, looking for pl…

SOURCE: BroadwayWorld at 6:12pm on November 7, 2017[SHARE]

BWW Review: SUZY STORCK, Gate Theatre by Alistair Wilkinson

Suzy Storck is stuck in a routine. Her life is anything but mundane, yet her regular behavioural patterns result in an exhausting struggle through each day. Right from the off we are hit wit…

SOURCE: BroadwayWorld at 4:33pm on November 1, 2017[SHARE]

BWW Review: THE BUSY WORLD IS HUSHED, Finborough Theatre by Alistair Wilkinson

'The busy world is hushed. The fever of life is over and our work here is done.' Keith Bunin's play is an attempt to make sense of God's place in our lives, in the hope that from that discov…

SOURCE: BroadwayWorld at 6:54am on October 25, 2017[SHARE]

BWW Review: FINDING PETER, Theatre N16 by Alistair Wilkinson

Theatre N16's upstairs space has been turned into a bedroom attic, home to Wendy, Michael and John Darling. It's time for bed, but the boys want one more story, and so do the children sittin…

SOURCE: BroadwayWorld at 10:24am on October 24, 2017[SHARE]

BWW Review: OTHELLO, Ambassador's Theatre by Alistair Wilkinson

In an exclusive collaboration, National Youth Theatre's Rep Company present Frantic Assembly's award-winning adaptation of Othello. This is the company's first staging of Shakespeare's text …

SOURCE: BroadwayWorld at 6:54pm on October 23, 2017[SHARE]

Book Review: THE STUDENT GUIDE TO WRITING: PLAYWRITING, Jennifer Tuckett by Alistair Wilkinson

Ten industry professionals have teamed up to create a step-by-step lesson plan for how to write a play for theatre. Edited by MA Dramatic Writing at Drama Centre course leader Jennifer Tucke…

SOURCE: BroadwayWorld at 5:27am on October 18, 2017[SHARE]

BWW Review: IN EVENT OF MOONE DISASTER, Theatre503 by Alistair Wilkinson

In Event of Moone Disaster marks Andrew Thompson's debut. The play was chosen by a panel for the 2016 Theatre503 playwright award, out of 1,629 scripts submitted from 52 countries.

SOURCE: BroadwayWorld at 5:23am on October 18, 2017[SHARE]

BWW Review: THE END OF HOPE, Soho Theatre by Alistair Wilkinson

Soho Theatre and The Orange Tree Theatre present David Ireland's new play, The End of Hope, a revealing rollercoaster where no taboo is left untouched.

SOURCE: BroadwayWorld at 7:16am on October 13, 2017[SHARE]

BWW Review: THE SEAGULL, Lyric Hammersmith by Alistair Wilkinson

Chekhov's gorgeous masterpiece is given a dynamic reinvention by the Olivier Award-winning Simon Stephens at Lyric Hammersmith. It's a story of undying love, intense jealousy, weapons, alcoh…

SOURCE: BroadwayWorld at 6:12am on October 12, 2017[SHARE]
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