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134 stories by "Alistair Wilkinson"

BWW Review: INSTRUCTIONS FOR CORRECT ASSEMBLY, Royal Court by Alistair Wilkinson

Let's face it, we never turn into the person our parents hope we'll be. Most of the time, our maternal up-bringers learn to adjust to this fact, and accept their offspring for who they are. …

SOURCE: BroadwayWorld at 9:54am on April 18, 2018[SHARE]

BWW Interview: Sebastian Roch? talks TARTUFFE by Alistair Wilkinson

Sebastian Roche is an actor, born in France. He graduated from the prestigious Conservatoire National Superieur d'Art Dramatique, and started his acting career in French theatre, films and t…

SOURCE: BroadwayWorld at 2:18pm on April 17, 2018[SHARE]

BWW Review: SEX/CRIME, The Glory by Alistair Wilkinson

For those that are unaware of this venue, The Glory is a popular and welcoming pub in Haggerston, East London. It's a place where people come together to drink, party and relax after a stres…

SOURCE: BroadwayWorld at 9:34pm on April 13, 2018[SHARE]

BWW Review: THE MODERATE SOPRANO, Duke Of York's Theatre by Alistair Wilkinson

After it's momentous success at the Hampstead Theatre, David Hare's sweet love story transfers to the West End. Centring on the formation of the worldly revered Glyndebourne, the play reveal…

SOURCE: BroadwayWorld at 8:04am on April 13, 2018[SHARE]

BWW Review: THE ACT, Yard Theatre by Alistair Wilkinson

Following on from their stunning creation Brainstorm a play I absolutely loved and wouldn't stop talking about, Company Three return to the Yard in this production performed by a cast of tee…

SOURCE: BroadwayWorld at 11:07am on April 11, 2018[SHARE]

BWW Review: PLASTIC, Old Red Lion Theatre by Alistair Wilkinson

Ah secondary school - the most important time in any persons life. The years where you make the best memories, meet the most exciting people and have zero care in the world. That place where…

SOURCE: BroadwayWorld at 4:49pm on April 7, 2018[SHARE]

BWW Review: THE WAY OF THE WORLD, Donmar Warehouse by Alistair Wilkinson

William Congreve's restoration classic originally premiered in 1700 and even though it bombed back then, nowadays it is adored for its bonkers farce and balletic lyricism. The story may be l…

SOURCE: BroadwayWorld at 9:08am on April 6, 2018[SHARE]

BWW Review: PRESSURE, Park Theatre by Alistair Wilkinson

What could be more patriotic to Britain than watching a wartime drama that complains about the weather David Haig's Pressure, first seen at Edinburgh, then Chichester, and soon off to the We…

SOURCE: BroadwayWorld at 5:55pm on April 4, 2018[SHARE]

BWW Review: BEGINNERS, Unicorn Theatre by Alistair Wilkinson

It's apparently the worst holiday ever. The rain pours down and four children sit inside moping as their parents are at the local pub getting drunk. They have a play ready to be staged, but …

SOURCE: BroadwayWorld at 12:07pm on April 2, 2018[SHARE]

BWW Review: CATHY, Soho Theatre by Alistair Wilkinson

This play doesn't sugarcoat anything instead it bluntly reveals the harsh realities of suffering when the odds are unfairly stacked against a person. It's a situation that isn't uncommon in …

SOURCE: BroadwayWorld at 9:15am on April 2, 2018[SHARE]

BWW Review: VINCENT RIVER, Park Theatre by Alistair Wilkinson

Recent drama school grad Thomas Mahy and seasoned pro Louise Jameson join together in this urgently needed revival of Philip Ridley's heartrending epic drama. Following the aftermath of a br…

SOURCE: BroadwayWorld at 7:57pm on March 25, 2018[SHARE]

BWW Review: BLACK MEN WALKING, Royal Court by Alistair Wilkinson

Each first Saturday of every month, Thomas, Richard and Matthew walk. Out in the Peaks they travel up steep hills, over slippery rocks and through grassy terrain to escape the stresses of no…

SOURCE: BroadwayWorld at 7:09am on March 24, 2018[SHARE]

BWW Interview: Louise Jameson Talks VINCENT RIVER by Alistair Wilkinson

Louise Jameson played the iconic role of assistant Leela in Doctor Who in the Seventiesopposite Tom Baker. She later starred in Tenko, Bergerac and EastEnders. In a 40-year career, her first…

SOURCE: BroadwayWorld at 1:49pm on March 22, 2018[SHARE]

BWW Review: MISTY, Bush Theatre by Alistair Wilkinson

No matter where we are, our surroundings are a living consequence of the decisions we make. The organs that form the makeup of society are pumped by our actions, and this spirt flows through…

SOURCE: BroadwayWorld at 8:55pm on March 21, 2018[SHARE]

BWW Review: THE PLOUGH AND THE STARS, Lyric Hammersmith by Alistair Wilkinson

A young girl in a football tee steps on stage and begins to sing a melodic tune. Her voice is angelic, lulling you into a fall sense of comfort - until she begins to choke on herself, coughi…

SOURCE: BroadwayWorld at 10:39am on March 21, 2018[SHARE]

BWW Review: CARL BARRON: DRINKING WITH A FORK, Eventim Apollo by Alistair Wilkinson

It's not everyday you get to sit in such a large auditorium and watch one person entertain you for 90 minutes. When you think about it, it's actually a lot of pressure for just one individua…

SOURCE: BroadwayWorld at 6:52pm on March 16, 2018[SHARE]

BWW Review: TORI SCOTT: THIRSTY, VAULT Festival by Alistair Wilkinson

If you like powerful vocals, camp conversational exchanges and dry humour then this is the show for you.

SOURCE: BroadwayWorld at 2:15pm on March 16, 2018[SHARE]

BWW Review: BUGGY BABY, Yard Theatre by Alistair Wilkinson

This is one of those plays that make you question how a human brain ever came up with it. Deliberately messy in its composition but acutely tight-knitted in its execution, Ned Bennett's quir…

SOURCE: BroadwayWorld at 1:04pm on March 14, 2018[SHARE]

BWW Review: CORPUS CHRISTI, Arcola Theatre by Alistair Wilkinson

This is a story that the majority of us will know. Some worship it as truth, whilst others think it's make believe. Regardless of your viewpoint, you know how it goes. There's no curveballs …

SOURCE: BroadwayWorld at 3:15pm on March 7, 2018[SHARE]

BWW Review: FANNY AND ALEXANDER, Old Vic by Alistair Wilkinson

Fairy tales don't just have to be for children, and Max Webster's production proves it's still possible to get our imaginations sparked. There may be no fire-breathing dragons in this story,…

SOURCE: BroadwayWorld at 12:59pm on March 2, 2018[SHARE]

BWW Review: TRUST, Gate Theatre by Alistair Wilkinson

Translated by Maja Zade, Falk Richter's text is an unbalancing assault on capitalism, and a scrutiny of the most basic human emotion - love. After 14 years together a couple find themselves …

SOURCE: BroadwayWorld at 7:54am on February 28, 2018[SHARE]

BWW Review: FINE AND DANDY / THE CLUEDO CLUB KILLINGS, Arcola Theatre by Alistair Wilkinson

The Arcola Queer Collective present two new works as part of their Creative Disruption season.

SOURCE: BroadwayWorld at 4:21pm on February 27, 2018[SHARE]

BWW Review: DUST, Soho Theatre by Alistair Wilkinson

Alice has been dead for three days. She's committed suicide, but finds herself stuck in the position of not knowing where she's at. Having the ability to travel around her old surroundings, …

SOURCE: BroadwayWorld at 2:29pm on February 24, 2018[SHARE]

BWW Review: JUBILEE, Lyric Hammersmith by Alistair Wilkinson

Jubilee is an event that fucks with every theatrical convention but it also provokes its audience in the most important way. Derek Jarman's iconic film has been adapted to the stage by Chris…

SOURCE: BroadwayWorld at 7:53am on February 21, 2018[SHARE]

BWW Review: NAPOLEON DISROBED, Arcola Theatre by Alistair Wilkinson

Told By An Idiot have been creating the unexpected for 25 years, and with this offering they provide a comedic, alternative historical take on one of France's most formidable leaders. Based …

SOURCE: BroadwayWorld at 11:56am on February 20, 2018[SHARE]
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