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134 stories by "Alistair Wilkinson"

BWW Interview: Julia Sandiford Talks THE ONE, Soho Theatre by Alistair Wilkinson

Following on from last summer's smash-hit Touch, Vicky Jones returns with her award-winning debut play. Harry and Jo are up all night drawing the battle lines of their relationship with sex,…

SOURCE: BroadwayWorld at 11:06am on June 29, 2018[SHARE]

BWW Review: CONNECTIONS, National Theatre by Alistair Wilkinson

The National Theatre are currently looking for 300 youth theatre companies and schoolscolleges to apply to take part in next year's 2019 Connections Festival. The deadline is on 9th July.

SOURCE: BroadwayWorld at 8:42am on June 29, 2018[SHARE]

BWW Review: ONE FOR SORROW, Royal Court by Alistair Wilkinson

On a night of absolute destruction paranoia runs rife. The capital is in chaos and the public sit in their home watching the terror unfold. Helicopters circle overhead, police sirens wail an…

SOURCE: BroadwayWorld at 8:48am on June 28, 2018[SHARE]

BWW Review: LE GATEAU CHOCOLAT & JONNY WOO: A NIGHT AT THE MUSICALS, Soho Theatre by Alistair Wilkinson

There isn't much I can say apart from this is a truly wonderful night. As soon as you enter the space there is a buzzing anticipation coming from the audience. Filled with devoted fans and e…

SOURCE: BroadwayWorld at 2:42pm on June 24, 2018[SHARE]

BWW Review: BEIRUT, Park Theatre by Alistair Wilkinson

In a world filled with destruction and misery, can love still prevail When the whole of society has ostracised you for a spur-of-the-moment decision, how do you find your new place to exist …

SOURCE: BroadwayWorld at 9:36am on June 20, 2018[SHARE]

BWW Review: AN OCTOROON, National Theatre by Alistair Wilkinson

Ned Bennett's production is a gruelling watch, and has contained within it many moments that shock, enlighten, provoke and surprise. Despite it's transfer to the National Theatre, the produc…

SOURCE: BroadwayWorld at 12:06pm on June 15, 2018[SHARE]

BWW Review: FESTIVAL OF VOICE, Cardiff by Alistair Wilkinson

Cardiff is currently playing host to the Festival of Voice. The event itself is an eclectic programme featuring theatre, cabaret, spoken word, live music and performance art. Within it there…

SOURCE: BroadwayWorld at 7:42pm on June 13, 2018[SHARE]

BWW Review: LEAVE TAKING, Bush Theatre by Alistair Wilkinson

The Guardian described Winsome Pinnock as the 'godmother of black British playwrights'. She's the first black British woman to have a play produced by the National, and her success has inspi…

SOURCE: BroadwayWorld at 9:45am on June 1, 2018[SHARE]

BWW Review: BLUEBERRY TOAST, Soho Theatre by Alistair Wilkinson

Everything seems perfect in this cute little suburban town. The sun is shining, the birds sing and a couple arise from their peaceful slumber, greeting each other with love and affection. No…

SOURCE: BroadwayWorld at 6:33pm on May 31, 2018[SHARE]

BWW Review: CIRCOLOMBIA, Underbelly Festival Southbank by Alistair Wilkinson

There's a definite sense of excitement when you walk into the Underbelly Festival right now. The Southbank has transformed into a magical garden of circus, art and booze. The venue is full o…

SOURCE: BroadwayWorld at 6:33pm on May 31, 2018[SHARE]

BWW Review: INTO THE WOODS, The Cockpit by Alistair Wilkinson

Following a sell-out production in 2014, Sondheim's dark comic masterpiece detailing fairytale distress arrives at the Cockpit for a limited run. Performed in the round, the audience are thr…

SOURCE: BroadwayWorld at 5:36pm on May 26, 2018[SHARE]

BWW Review: THREE SISTERS, Yard Theatre by Alistair Wilkinson

C-H-E-K-H-O-V - that's the theme buzzing around the Yard Theatre right now. Recognised as one of the greatest writers of short fiction, the famous Russian playwright's world-renowned text is…

SOURCE: BroadwayWorld at 9:36am on May 25, 2018[SHARE]

BWW Review: THE GR?NHOLM METHOD, Menier Chocolate Factory by Alistair Wilkinson

How far would you go to get the thing you so desperately want in life That's the main question asked in Jordi Galceran's intense and twisted tale of four big-city hotshots who fight hard to …

SOURCE: BroadwayWorld at 8:13pm on May 22, 2018[SHARE]

BWW Interview: Jonathan Cake Talks THE GRONHOLM METHOD at Menier Chocolate Factory by Alistair Wilkinson

Set in the offices of a New York City Fortune 500 company, four unsuspecting candidates embark on the most testing job interview of their lives. This taunt play - which premiered in Barcelon…

SOURCE: BroadwayWorld at 11:18am on May 16, 2018[SHARE]

BWW NEWS: Theatre Uncut Launch New Political Playwright Award by Alistair Wilkinson

In a special ceremony hosted at the Young Vic Theatre, last night Theatre Uncut announced the exciting news of their inaugural Political Playwriting Award. Years in the making, the company a…

SOURCE: BroadwayWorld at 8:04am on May 15, 2018[SHARE]

BWW Review: SOAP, Underbelly Festival Southbank by Alistair Wilkinson

The clue for what this play entails lies within the title. You're probably going to get wet, but don't worry there are plastic sheets available to protect any valuable items in your possessi…

SOURCE: BroadwayWorld at 9:06am on May 11, 2018[SHARE]

BWW Interview: Gala Gordon and Gareth David-Lloyd Talk BLUEBERRY TOAST by Alistair Wilkinson

Award-winning US playwright, Mary Laws, exposes the darker side of happily ever after in the UK premiere of this cutting, absurdly funny, twisted tragedy, directed by Soho Theatre's artistic…

SOURCE: BroadwayWorld at 3:42pm on May 8, 2018[SHARE]

BWW Review: WHY IS THE SKY BLUE?, Southwark Playhouse by Alistair Wilkinson

10,000 interviews from young people aged between 6-22 have been strung together, to create a piece of verbatim theatre that holds nothing back. Mixing the dialogue with original songs and im…

SOURCE: BroadwayWorld at 8:24am on May 2, 2018[SHARE]

BWW Review: ONE GREEN BOTTLE, Soho Theatre by Alistair Wilkinson

Boo, Bo and Pickle have all made plans for the evening, but someone has to remain at home and look after the pregnant pooch, Princess. Each of their engagements is of paramount importance to…

SOURCE: BroadwayWorld at 12:42pm on May 1, 2018[SHARE]

BWW Review: JV2, Sadlers Wells Theatre by Alistair Wilkinson

Bodies fly everywhere and the endurance of the human body is tested in this explosive triple brill brought by Jasmin Vardimon, in collaboration with Yunkyung Song and Andre Rebelo. Now in it…

SOURCE: BroadwayWorld at 11:36am on May 1, 2018[SHARE]

BWW Interview: Glyn Pritchard and Kathryn Hunter Talk ONE GREEN BOTTLE by Alistair Wilkinson

Written by the prestigious Japanese playwright, director and performer Hideki Noda, One Green Bottle is an existential tragicomic play starring Hideki himself, Olivier Award-winning and accl…

SOURCE: BroadwayWorld at 10:32am on May 1, 2018[SHARE]

BWW Review: THE PRUDES, Royal Court by Alistair Wilkinson

The Royal Court has been one of the most vocal venues in the conversation surrounding power manipulation and control within the industry. Their prolific stance has seen them host events that…

SOURCE: BroadwayWorld at 1:48pm on April 26, 2018[SHARE]

BWW Review: RASHEEDA SPEAKING, Trafalgar Studios by Alistair Wilkinson

When Rasheeda Speaking first premiered in the US, it was met with critical divide on all ends. It's the second play I've seen this week that's theatrically dissected race, culture and class.…

SOURCE: BroadwayWorld at 3:31pm on April 22, 2018[SHARE]

BWW Review: FACELESS, Park Theatre by Alistair Wilkinson

This play touches on pretty much everything. Politics, race, religion, womanhood and class are just a few of the notions investigated in Selina Fillingers tightly written Faceless, inspired …

SOURCE: BroadwayWorld at 6:33pm on April 20, 2018[SHARE]

BWW Review: EDUCATION, EDUCATION, EDUCATION, Shoreditch Town Hall by Alistair Wilkinson

Every now and then you see a piece of theatre that lights a fire under you. A play that is so brilliant, it shows how special performance can be. Something so meticulously precise and genuin…

SOURCE: BroadwayWorld at 2:10pm on April 19, 2018[SHARE]
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