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1,308 stories by "Alexis Soloski"

This is Our Youth: an anthem for stewed adolescence  review by Alexis Soloski

Kenneth Lonergans breakout play revived with three young stars in a cruel to be kind portrayal of disillusioned youth Continue reading...

SOURCE: The Guardian at 6:45am on September 12, 2014

Mia Farrow and 'Love Letters' Cast Consider Correspondence by Alexis Soloski

The playwright and director and some of the actors in the coming revival of "Love Letters" answer questions about the lost art of the title.

SOURCE: The New York Times Subscription at 12:39pm on September 11, 2014

Theater Review: '3 Christs,' About Milton Rokeach's 1959 Study by Alexis Soloski

Milton Rokeach's psychological study with three paranoid schizophrenics is the basis of the play "3 Christs."

SOURCE: The New York Times Subscription at 4:29pm on September 9, 2014

Broadway crowns first black Cinderella  but progress on diversity is too slow by Alexis Soloski

Keke Palmer transforms the historically white Disney princess months after Norm Lewis becomes Broadways first black Opera phantom but is the industry moving fast enough? Continue reading...

SOURCE: The Guardian at 11:45am on September 9, 2014

Theater Review: 'My Mañana Comes' Depicts Busboys on the Upper East Side by Alexis Soloski

The play "My Mañana Comes" follows the stresses of four busboys at an Upper East Side restaurant.

SOURCE: The New York Times Subscription at 10:00pm on September 4, 2014

Theater Review: 'Trade Practices,' a Collaborative Show With Funny Money by Alexis Soloski

"Trade Practices," presented on Governors Island, explores investing and market forces using swordplay and song-and-dance numbers.

SOURCE: The New York Times Subscription at 4:12pm on September 3, 2014

A Word With: Richard Schechner: Ophelia Re-envisioned in 'Imagining O' by Alexis Soloski

Richard Schechner, 80, talks about his latest work, "Imagining O," and pairing erotica and contemporary avant-garde.

SOURCE: The New York Times Subscription at 6:16pm on September 2, 2014

Lear deBessonet Puts Her Stamp on 'The Winter's Tale' by Alexis Soloski

Lear deBessonet, whose musical adaptation of "The Winter's Tale" opens Friday at the Delacorte Theater, has found a way to reconcile her activism with her art.

SOURCE: The New York Times Subscription at 12:54pm on August 27, 2014

Checking Back: The Matildas Keep Growing Up, but the Musical Stays Sly by Alexis Soloski

Its stars keep aging out of the title role, but "Matilda the Musical" remains sly and graceful.

SOURCE: The New York Times Subscription at 5:38pm on August 19, 2014

Theater Review: Evan Cabnet Directs Theresa Rebeck's 'Poor Behavior' by Alexis Soloski

In Theresa Rebeck's play "Poor Behavior," trouble ensues when two couples go upstate for what promises to be a relaxing weekend getaway.

SOURCE: The New York Times Subscription at 10:00pm on August 17, 2014

Theater Review: In 'Daredevil,' Gary Winter Weaves Quirky Stories by Alexis Soloski

The playwright Gary Winter combines unconventional, sometimes spooky elements in "Daredevil."

SOURCE: The New York Times Subscription at 6:12pm on August 8, 2014

Theater Review: 'Phoenix,' Starring Julia Stiles, at the Cherry Lane Theater by Alexis Soloski

Julia Stiles stars in a revival of Scott Organ's offbeat romantic comedy "Phoenix."

SOURCE: The New York Times Subscription at 10:00pm on August 7, 2014

King Lear in the Park: John Lithgow is not quite every inch the king by Alexis Soloski

Occasionally brilliant but tasked with an almost impossibly mutable role, Lithgow cant quite carry Central Parks latest Continue reading...

SOURCE: The Guardian at 8:15am on August 6, 2014

Theater Review: 'The Good and the True' Recounts the Holocaust by Alexis Soloski

Daniel Hrbek intertwines the stories of the actress Hana Pravda and the athlete Milos Dobry in a documentary drama about living as a Jew during the Holocaust.

SOURCE: The New York Times Subscription at 10:00pm on August 3, 2014

Surprises at the Delacorte Theater and Other Outdoor Spaces by Alexis Soloski

Theater under the stars attracts all manner of unbidden, and unforgettable, human, creaturely and meteorological participation.

SOURCE: The New York Times Subscription at 1:22pm on July 31, 2014

Blanchett and Huppert Wrestle With Brutality in 'The Maids' by Alexis Soloski

Cate Blanchett and Isabelle Huppert reflect on their taxing roles as homicidal sisters in Genet's 1947 play "The Maids," opening at the Lincoln Center Festival.

SOURCE: The New York Times Subscription at 12:13pm on July 31, 2014

Theater Review: 'Handball,' Outdoors, by the Urban Theater Movement by Alexis Soloski

Neighborhood regulars protect a patch of territory, while newcomers try to revamp it in "Handball," at Marcus Garvey Park.

SOURCE: The New York Times Subscription at 5:12pm on July 30, 2014

Theater Review: 'Strictly Dishonorable,' a Sexual Morality Tale by Alexis Soloski

Libation fuels intentions in "Strictly Dishonorable," a comedy by Preston Sturges, revived by the Attic Theater Company.

SOURCE: The New York Times Subscription at 6:00pm on July 27, 2014

Theater Review: Goldoni's 'The Servant of Two Masters,' in the Country by Alexis Soloski

Shakespeare & Company puts on the repertory staple "The Servant of Two Masters," adapted and directed by Jenna Ware, in an Elizabethan-style tented playhouse.

SOURCE: The New York Times Subscription at 5:15pm on July 24, 2014

Theater Review: 'Summer Shorts: Series A' Offers 3 One-Act Plays by Alexis Soloski

Warren Leight's "Sec. 310, Row D, Seats 5 and 6," about three friends who are long-suffering Knicks fans, is the highlight of the three one-act plays of "Summer Shorts: Series A."

SOURCE: The New York Times Subscription at 3:58pm on July 24, 2014

Snapshot: Marta Milans Turns On the Charm in 'Mala Hierba' by Alexis Soloski

Marta Milans, whose family owns an organic goat farm in Spain, takes on a complicated role in Tanya Saracho's "Mala Hierba," now in previews at Second Stage Uptown.

SOURCE: The New York Times Subscription at 12:21pm on July 24, 2014

Clinton review this musical should be impeached by Alexis Soloski

Want to know a good rhyme for fellatio? Or saxophone? Or Arkansas? So do the writers of this puerile musical comedyBill Clinton did not inhale. But the 42nd American president might want to …

SOURCE: The Guardian at 7:35am on July 23, 2014

Musicals we love: Hedwig and the Angry Inch by Alexis Soloski

With all the raw spontaneity of a rock'n'roll gig, this show cuts to the core of sexual identity, love and lossA friend brought me to Hedwig and the Angry Inch a few months after it opened o…

SOURCE: The Guardian at 3:00am on July 21, 2014

Theater Review: In 'Living on Love,' Renée Fleming Moves Beyond Opera by Alexis Soloski

The soprano Renée Fleming stars in her first role in a play in "Living on Love," a new comedy about a theatrical couple handling hard times.

SOURCE: The New York Times Subscription at 5:53pm on July 20, 2014

Theater Review: 'Twelfth Night,' From Shakespeare in the Parking Lot by Alexis Soloski

An outdoor "Twelfth Night" is underway as part of the Drilling Company's Shakespeare in the Parking Lot.

SOURCE: The New York Times Subscription at 6:10pm on July 18, 2014
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