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1,308 stories by "Alexis Soloski"

Hedwig and the Angry Inch review " John Cameron Mitchell in the raw by Alexis Soloski

Belasco theatre, New YorkMitchell's extraordinary performance " a far cry from Neil Patrick Harris's crowd-pleasing turn " brings a darker edge to the role he created 20 years ago"How did so…

SOURCE: The Guardian at 8:28am on March 16, 2015

On the Twentieth Century review " great leads, shame about the songs by Alexis Soloski

American Airlines theater, New YorkSet on a train, this musical boasts screwball gags and an alluring pair of leads in Peter Gallagher and Kristin Chenoweth, but lack of memorable tunes make…

SOURCE: The Guardian at 8:15am on March 16, 2015

Review: In 'Brothers From the Bottom,' Jousting About Gentrification by Alexis Soloski

Siblings spar about the fate of their neighborhood in New Orleans in "Brothers From the Bottom," a play at the Billie Holiday Theater.

SOURCE: The New York Times Subscription at 6:11pm on March 12, 2015

Review: 'Long Story Short,' Till Death Do Us Part by Alexis Soloski

This two-character show from Prospect Theater Company follows a couple from first date till death.

SOURCE: The New York Times Subscription at 5:45pm on March 12, 2015

Review: 'A Happy End,' Iddo Netanyahu's Play Set in 1930s Berlin by Alexis Soloski

In Mr. Netanyahu's drama, a Jewish couple shies from recognizing just how much life is about to change as the Nazis rise in Germany.

SOURCE: The New York Times Subscription at 10:00pm on March 11, 2015

Josephine and I review " one-woman show goes deeper than hero-worship by Alexis Soloski

Joe's Pub at the Public Theater, New YorkCush Jumbo performs Jospehine Baker with such passion that it comes to seem less like homage and more like invocation Continue reading...

SOURCE: The Guardian at 12:01am on March 11, 2015

Review: 'Woyzeck, FJF' Is a Quixotic Adaptation at the New Ohio Theater by Alexis Soloski

This adaptation of Georg Büchner's challenging fragment of a play, by No-Win Productions, teeters between reality and fantasy.

SOURCE: The New York Times Subscription at 5:25pm on March 9, 2015

The Audience review " victorious Helen Mirren is queen of Broadway by Alexis Soloski

Gerald Schoenfeld theatre, New YorkThe star shows dignity and grace in the lead role of Peter Morgan's play, directed by Stephen Daldry Continue reading...

SOURCE: The Guardian at 5:14am on March 9, 2015

The Mystery of Love & Sex review " reticent characters get a voice by Alexis Soloski

Lincoln Center Theater at the Mitzi E Newhouse, New YorkAn actor with a face built for discontent animates a drama about a young interracial couple whose family keep butting into their low-w…

SOURCE: The Guardian at 4:36pm on March 3, 2015

Review: 'The Man in the Woman's Shoes,' a Mikel Murfi Solo Play by Alexis Soloski

In this play at the Irish Arts Center, Mr. Murfi's cobbler has to deliver goods to a customer, and the audience gets to hear his internal monologue.

SOURCE: The New York Times Subscription at 5:04pm on March 2, 2015

Review: 'Comfort Dogs' Explores the Solace of Communing With Canines by Alexis Soloski

This experimental play by William Burke, whose cast includes dogs played by humans and real dogs, forces you to look at the nature of communication a little differently.

SOURCE: The New York Times Subscription at 4:29pm on March 1, 2015

Review: 'Five Times in One Night,' at Ensemble Studio Theater by Alexis Soloski

Chiara Atik's series of comedy sketches has a lewd title and a tender heart.

SOURCE: The New York Times Subscription at 7:13pm on February 26, 2015

Review: 'Bright Half Life,' a Two-Woman Play by Tanya Barfield by Alexis Soloski

Ms. Barfield's new drama at City Center explores a long-term relationship from start to finish, but not necessarily in that order.

SOURCE: The New York Times Subscription at 5:39pm on February 26, 2015

Jason Biggs on Broadway: 'I'm more complicated than I ever realised' by Alexis Soloski

The actor once struggled to move on from American Pie-type roles, but now he is digging deeper as he costars in the Broadway revival of The Heidi Chronicles Continue reading...

SOURCE: The Guardian at 1:45pm on February 26, 2015

Brooklynite review " superheroes hit New York in genial musical by Alexis Soloski

Vineyard Theater, New YorkWith characters created by Michael Chabon and Ayelet Waldman, this show has good jokes for Brooklyn aficionados but never generates real heat Continue reading...

SOURCE: The Guardian at 12:01am on February 26, 2015

Elisabeth Moss, a Career Woman, in 'The Heidi Chronicles' by Alexis Soloski

Ms. Moss returns to Broadway, portraying a successful professional wondering if she can have it all in this 1988 Tony Award- and Pulitzer Prize-winning play.

SOURCE: The New York Times Subscription at 8:00am on February 25, 2015

Review: 'The Winter's Tale' and Its Wronged Queen, via the Pearl Theater Company by Alexis Soloski

The Pearl Theater Company's "The Winter's Tale" plays out as a tipsy dinner party that skids toward tragedy over dessert.

SOURCE: The New York Times Subscription at 10:00pm on February 22, 2015

Review: 'The Groundling,' a Backstage Farce With Heartbreak by Alexis Soloski

Marc Palmieri's half comedy and half tragedy, at Axis Theater, follows a landscaper turned playwright who hires some New York professionals to stage his work in his Long Island garage.

SOURCE: The New York Times Subscription at 6:36pm on February 20, 2015

Review: In 'Horseplay,' a Terrible Actress Becomes Her Era's Kim Kardashian by Alexis Soloski

Trav S.D.'s play, at La MaMa, is based on the life of Adah Isaacs Menken, a flamboyant liar and theater star of the mid-1800s.

SOURCE: The New York Times Subscription at 4:49pm on February 18, 2015

Hamilton review " founding father gets a hip-hop makeover by Alexis Soloski

Public Theater, New YorkThis exuberant and original new musical mashes up genres from rap to operetta, creating a flawed but glorious portrait of the face on the $10 billIn a letter to Georg…

SOURCE: The Guardian at 12:01am on February 18, 2015

Mac Wellman, a Playwriting Mentor Whose Only Mantra Is Oddity by Alexis Soloski

A professor at Brooklyn College has helped to turn out some of the city's most wildly inventive young playwrights by shooing them out of their comfort zones.

SOURCE: The New York Times Subscription at 5:42pm on February 17, 2015

The Iceman Cometh review " a near-perfect Eugene O'Neill by Alexis Soloski

Brooklyn Academy of Music, New YorkLaughter in the dark rings loudly in this uncut, immaculately cast and virtuosically staged five-hour version of O'Neill's excoriating drama Continue readi…

SOURCE: The Guardian at 9:36am on February 13, 2015

Theater Review: Review: 'Everything You Touch,' a Brash Examination of Self-Image by Alexis Soloski

Sheila Callaghan's volatile new work touches on beauty and body image, intimacy and alienation, art and commerce, fantasy and reality.

SOURCE: The New York Times Subscription at 10:00pm on February 12, 2015

Cush Jumbo Summons the Spirit of Josephine Baker at Joe's Pub by Alexis Soloski

"Josephine and I," Ms. Jumbo's new solo show, tells the story of Josephine Baker, the St. Louis-born performer who became a legend in Paris.

SOURCE: The New York Times Subscription at 2:14pm on February 12, 2015

Brian Dennehy: 'My director says I have more rage than anyone he's known' by Alexis Soloski

At 76, the actor is currently climbing a theatrical mountain: the five hours of Eugene O'Neill's bleak The Iceman Cometh. Yet he can't resist " the playwright's work, he says, is 'like being…

SOURCE: The Guardian at 12:38pm on February 12, 2015
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