DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
1,308 stories by "Alexis Soloski"

A Funny Thing Happened on the Way to the Gynecologic Oncology Unit review by Alexis Soloski

MCC, New YorkDespite the raunchy one-liners, comedy about a couple falling in love in a cancer ward is really about the people mask difficult emotions, especially in familiesAs places to mee…

SOURCE: The Guardian at 10:52pm on June 7, 2016

Review: 'Suddenly, a Knock at the Door,' Based on Etgar Keret's Stories by Alexis Soloski

Theater for the New City's production, positioned as a cracked "One Thousand and One Nights" of sorts, shows the difficulty of translating prose works to the stage.

SOURCE: The New York Times Subscription at 5:55pm on June 7, 2016

The great white way: can the diversity Hamilton brought to Broadway last? by Alexis Soloski

Leslie Odom Jr said last week that despite Hamilton's success, he's still not being offered the roles a white actor would be. Will things ever change? We speak to actors and casting agents a…

SOURCE: The Guardian at 2:19pm on June 7, 2016

War review " complex and packed play begs the question: what is it good for? by Alexis Soloski

Claire Tow Theater at Lincoln Center, New YorkBranden Jacobs-Jenkins's latest is his usual mix of complex ideas with impossible time constraints, so expect a series of knots rather than a fr…

SOURCE: The Guardian at 12:19am on June 7, 2016

Sixteen ways Hamilton transformed theater " and the world by Alexis Soloski

The theater sensation of the decade scooped a record 16 Tony nominations. Here are 16 reasons Lin-Manuel Miranda's hip-hop musical broke new groundTony awards: Hamilton musical makes history…

SOURCE: The Guardian at 3:56pm on June 2, 2016

The Playwright Mac Rogers Explores Robots, Aliens and Allegory by Alexis Soloski

Mr. Rogers, whose play "Universal Robots" is opening at the Sheen Center, said science fiction "makes tackling challenging ideas a lot more fun."

SOURCE: The New York Times Subscription at 2:18pm on June 2, 2016

Stephen Karam: 'artsy weirdo' playwright turned Tony nominee for The Humans by Alexis Soloski

A dark take on the family drama in the post-financial crisis era, The Humans has been one of the most critically raved-about plays on Broadway for yearsStephen Karam is of two minds about th…

SOURCE: The Guardian at 5:16am on May 31, 2016

Bring on the understudy! Does it matter if the star isn't in the show? by Alexis Soloski

As James Corden fans waiting to see One Man, Two Guvnors in the West End now know, the big-name actor may not be the one you see on stage. But sometimes these performances are the bestYou've…

SOURCE: The Guardian at 9:43am on May 30, 2016

The Spoils review " Jesse Eisenberg's comedy of cringes by Alexis Soloski

Pershing Square Signature Center, New YorkEisenberg is such a skilled practitioner of the comedy of mortification it's surprising he can talk through all the feet in his mouth " but is it ti…

SOURCE: The Guardian at 6:18am on May 28, 2016

American Psycho review " Patrick Bateman sings, strips and slashes by Alexis Soloski

Gerald Schoenfeld Theatre, New YorkThe Wall Street maniac rides again in a musical rich in synth pop and buff bodies, but the meaning of the original novel slides off the slick surroundingsH…

SOURCE: The Guardian at 2:34pm on May 27, 2016

A Changing of the Guard for Performance Space 122 by Alexis Soloski

Vallejo Gantner, the artistic director of PS122 who will step down when a replacement is found, said, "You want to leave when the going's good."

SOURCE: The New York Times Subscription at 1:01pm on May 27, 2016

Why did American Psycho get the chop during Broadway's banner year? by Alexis Soloski

The adaptation of Bret Easton Ellis's modern classic couldn't survive in a competitive theater landscape where only the very best is good enoughThe Broadway run of American Psycho, the music…

SOURCE: The Guardian at 12:01pm on May 27, 2016

Review: In 'Ross & Rachel,' Life Isn't Always a Sitcom by Alexis Soloski

This solo show, part of the Brits Off Broadway festival at 59E59 Theaters, imagines that "Friends" couple struggling in a long-term relationship.

SOURCE: The New York Times Subscription at 6:02pm on May 26, 2016

Cirque de Soleil's Paramour review " 'Muddle, miscalculation and mayhem' by Alexis Soloski

Lyric Theatre, New YorkThe popular circus troupe's first Broadway show is a cacophony of ridiculous extravagance, from an erotic aerial pas de deux to … zombiesFitfully thrilling and consi…

SOURCE: The Guardian at 1:44am on May 26, 2016

Review: 'The Tear Drinkers,' Where There's Little to Separate People and Aliens by Alexis Soloski

The performer, playwright, composer and director Mike Iveson has preoccupied himself with what makes us human in his new sci-fi song cycle, at the Kitchen.

SOURCE: The New York Times Subscription at 6:12pm on May 25, 2016

Incognito review " Nick Payne's brainteaser is at the top of its class by Alexis Soloski

Manhattan Theatre Club, New YorkThe multi-narrative work sees the cast " including Charlie Cox " shift through neurological oddities. But is the whole thing too cerebral for its own good?Ima…

SOURCE: The Guardian at 10:50pm on May 24, 2016

Josephine and I review " one-woman show goes deeper than hero-worship by Alexis Soloski

Joe's Pub at the Public Theater, New YorkCush Jumbo performs Jospehine Baker with such passion that it comes to seem less like homage and more like invocationErnest Hemingway called Josephin…

SOURCE: The Guardian at 6:13am on May 23, 2016

Review: 'Half Moon Bay' Shows the Hook Up and the Aftermath by Alexis Soloski

In this Dan Moyer play, a man and a woman meet in a bowling alley bar and forge a relationship.

SOURCE: The New York Times Subscription at 6:10pm on May 22, 2016

The Ruins of Civilization review " a dystopian domestic horrorshow by Alexis Soloski

Manhattan Theater Club, New YorkPlaywright Penelope Skinner offers a powerful portrait of an anguished woman fixating on the prospect of a baby as a source of affection, hope and escapePenel…

SOURCE: The Guardian at 10:16pm on May 18, 2016

The Judas Kiss review " Rupert Everett compels as a doomed Oscar Wilde by Alexis Soloski

Brooklyn Academy of Music Harvey Theatre, New YorkThe 1998 production faltered, but David Hare's play is back with Everett physically transformed to play the famed wit, sharp of mind but foo…

SOURCE: The Guardian at 10:38pm on May 17, 2016

Indecent review " Broadway's first lesbian kiss locks lips once more by Alexis Soloski

Vineyard Theatre, New YorkA tender unconventional new play explores the furore created by Sholem Asch's play God of Vengeance, a flashpoint in Jewish and queer theatrical historyIn 1923, God…

SOURCE: The Guardian at 10:38pm on May 17, 2016

Daphne's Dive review " raising a glass to the Big Apple's outsiders by Alexis Soloski

Signature Theater, New YorkQuiara Alegría Hudes' new play, which shares a director with Hamilton, has a fierce compassion for its characters and an ardent love for New York's diversityIn …

SOURCE: The Guardian at 12:02pm on May 16, 2016

Finding Neverland review " Gary Barlow's dull songs sink muddled show by Alexis Soloski

Lunt-Fontanne Theater, New YorkHarvey Weinstein has spent millions trying to make a film about Peter Pan's author fly on stage " but though the child stars shine, the music is leadenDo you b…

SOURCE: The Guardian at 4:31pm on May 15, 2016

In 'The Humans,' Jayne Houdyshell Embodies Mom by Alexis Soloski

The actress, nominated for a Tony for playing an office manager and mother from Scranton, Pa., knew from an early age that she wanted to be onstage.

SOURCE: The New York Times Subscription at 11:07am on May 12, 2016

Review: 'La Verità' Pays Homage to Salvador Dalí by Alexis Soloski

Acrobats, musicians and pole dancers infuse an air of surrealism into this neo-cirque show at the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 7:10pm on May 5, 2016
« Previous 25   Page 30 of 53   Next 25 »