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94 stories by "Alexandra Coghlan"

Twelfth Night/The Tempest, RSC, Roundhouse by Alexandra Coghlan

The RSC's Twelfth Night dumps its audience unceremoniously onto the shores of Ilyria in the thump and beat of waves. While Viola struggles from the (very deep and very real) water, asking "W…

SOURCE: The Arts Desk at 7:10pm on June 11, 2012

Globe To Globe: A Midsummer Night's Dream, Shakespeare's Globe by Alexandra Coghlan

A comedy of alienation, estrangement, and magical metamorphosis " if ever there was a Shakespeare play made for the linguistic transfigurations of the Globe to Globe season it's A Midsummer …

SOURCE: The Arts Desk at 7:06pm on April 30, 2012

Making Noise Quietly, Donmar Warehouse by Alexandra Coghlan

"It's easy for me to talk to you; we don't know each other". Robert Holman's Making Noise Quietly is a work that, like its title, lives in the delicate push-pull of contradiction: intimate s…

SOURCE: The Arts Desk at 7:58pm on April 23, 2012

Uncle Vanya, The Print Room by Alexandra Coghlan

A play of boundaries, limitations, barriers, one that gazes outwards while never crossing the threshold, Uncle Vanya is often betrayed by the physical space of major stagings. In a new produ…

SOURCE: The Arts Desk at 7:07pm on April 1, 2012

A Provincial Life, National Theatre Wales by Alexandra Coghlan

Since their launch just two years ago, National Theatre Wales has staged plays on a firing range, in a miner's institute, and " most memorably " claimed the whole town of Port Talbot as thei…

SOURCE: The Arts Desk at 7:11pm on March 6, 2012

Hay Fever, Noël Coward Theatre by Alexandra Coghlan

"Winsome" isn't a word you hear very often these days. The taint of coy, simpering campery already hung about it in the 1920s when Noel Coward gave it a starring role in the after-dinner wor…

SOURCE: The Arts Desk at 7:10pm on February 26, 2012

'Tis Pity She's A Whore, Barbican Theatre by Alexandra Coghlan

Another week, another tragedy, and another wedding dance routine set to a thumping soundtrack. But while The Changeling buckled under the pressure Joe Hill-Gibbins applied at the Young Vic a…

SOURCE: The Arts Desk at 7:49pm on February 21, 2012

Island, National Theatre by Alexandra Coghlan

Half-term may be nearly over for many, but there is no shortage of children's theatre on offer in London at the moment. Long-running family favourites including Shrek the Musical and The Lio…

SOURCE: The Arts Desk at 7:10pm on February 20, 2012

The Recruiting Officer, Donmar by Alexandra Coghlan

Drum rolls, fiddles and flutes were all in action last night at the Donmar Warehouse to herald the beginning of an era. After ten successful years under the direction of Michael Grandage, it…

SOURCE: The Arts Desk at 7:12pm on February 14, 2012

The Changeling, Young Vic by Alexandra Coghlan

The murder drama is a staple of television schedules. And for every Miss Marple or Rosemary and Thyme there are many more trickling from the Lynda La Plante vein, whose currency of gore, hor…

SOURCE: The Arts Desk at 7:35pm on February 2, 2012

The Madness of George III, Apollo Theatre by Alexandra Coghlan

Alan Bennett's The Madness of George III has enjoyed something of a royal progress around England over the past year. Touring in Christopher Luscombe's slick production for the Peter Hall Co…

SOURCE: The Arts Desk at 7:44pm on January 23, 2012

Huis Clos, Trafalgar Studios by Alexandra Coghlan

Of all the 20th century's literary dystopias George Orwell's Nineteen Eighty-Four has proved most tenacious, epitomised by its sinister promise: "Big Brother is watching you". But what happe…

SOURCE: The Arts Desk at 7:27pm on January 9, 2012

A Christmas Carol, The Arts Theatre by Alexandra Coghlan

That a tale confronting society's most pernicious evils, giving poverty a human face and desperation a voice, should become a cornerstone of the British festive experience is perhaps unexpec…

SOURCE: The Arts Desk at 8:43pm on December 11, 2011

Richard II, Donmar Warehouse by Alexandra Coghlan

A recent newspaper article championed the topicality of Richard II, laboriously rewriting it from camp conservatism to a politically current meditation on the "sad stories" we still tell of …

SOURCE: The Arts Desk at 7:14pm on December 6, 2011

Judgement Day, The Print Room by Alexandra Coghlan

There comes a point in a writer's life when he " it's usually a he " stops writing about life and starts writing about writing. With Ibsen this stage arrived in the self-reflexive rage and u…

SOURCE: The Arts Desk at 7:57pm on November 21, 2011

Salt, Root and Roe, Trafalgar Studios by Alexandra Coghlan

Many dramatists have taken their turn putting faces to Thoreau's lives of "quiet desperation". But the challenge in what Thoreau goes on to conclude " that it is therefore a mark of wisdom a…

SOURCE: The Arts Desk at 7:01pm on November 14, 2011

One For The Road/Victoria Station, Young Vic by Alexandra Coghlan

The short story is a virtuoso form " the guest at the literary party who drops in for the merest of moments, scintillating and fascinating all before withdrawing with calculated aplomb, leav…

SOURCE: The Arts Desk at 2:40am on October 7, 2011

St Matthew Passion, National Theatre by Alexandra Coghlan

It's not like we're short of operas. Thousands of works spanning over 400 years make up the western operatic repertoire. Of these maybe 100 get a regular airing in contemporary opera houses,…

SOURCE: The Arts Desk at 7:01pm on September 19, 2011

A Dish of Tea With Dr Johnson, Arts Theatre by Alexandra Coghlan

It's not every evening one is invited to take A Dish of Tea with Dr Johnson, and the 90 minutes spent in the company of England's greatest wit and original lexicographer pass in a whirl of a…

SOURCE: The Arts Desk at 6:47pm on September 10, 2011
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