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94 stories by "Alexandra Coghlan"

The Anatomy of Melancholy, Ovalhouse by Alexandra Coghlan

The Anatomy of Melancholy (or to give it it's full title - The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it. In Three Main…

SOURCE: The Arts Desk at 7:08pm on December 24, 2013

Stephen Ward, Aldwych Theatre by Alexandra Coghlan

Unlikely subjects can make for great musicals. (Assassins, anyone?) Just as great subjects can make for terrible ones (the Broadway Breakfast at Tiffany's comes to mind). Sadly Andrew Lloyd …

SOURCE: The Arts Desk at 2:48am on December 21, 2013

Middlemarch: Dorothea's Story, Orange Tree Theatre by Alexandra Coghlan

Adapt a Jane Austen novel for the stage and you have a generous handful of characters and a selection of drawing rooms in which to put them. Adapt a George Eliot novel and you're faced with …

SOURCE: The Arts Desk at 7:08pm on October 25, 2013

Much Ado About Nothing, Old Vic by Alexandra Coghlan

"What, my dear Lady Disdain! Are you yet living?" Surely never before has Benedick's opening quip cut so close to the literal, nor drawn such a laugh from its audience. With a combined age o…

SOURCE: The Arts Desk at 7:04pm on September 19, 2013

A Midsummer Night's Dream, Noel Coward Theatre by Alexandra Coghlan

It's a nothing of a line " "Hail mortal" " spoken by nobody important, but in Michael Grandage's A Midsummer Night's Dream it becomes the basis for an entire concept. A trivial bit of lingui…

SOURCE: The Arts Desk at 7:04pm on September 17, 2013

The Sound of Music, Regent's Park Open Air Theatre by Alexandra Coghlan

Over in Southwark you can currently find Rodgers and Hammerstein exploring the seamier side of life among the prostitutes and drop-outs of Pipe Dream, but in the woody amphitheatre of the Re…

SOURCE: The Arts Desk at 7:08pm on August 5, 2013

A Midsummer Night's Dream, Shakespeare's Globe by Alexandra Coghlan

Midsummer's Eve may still be a month away and the evenings more bracing than balmy, but despite a serious chill still in the air the Globe Theatre yesterday proved yet again that it exists i…

SOURCE: The Arts Desk at 7:38pm on May 30, 2013

The Tempest, Shakespeare's Globe by Alexandra Coghlan

A thunder sheet booms, a didgeridoo hums distantly, a model ship rears and pitches its way forward through the waves of groundlings and suddenly we find ourselves washed up on the shores of …

SOURCE: The Arts Desk at 7:09pm on May 30, 2013

The Breadwinner, Orange Tree Theatre by Alexandra Coghlan

Although overwhelmingly remembered now as a novelist, Somerset Maugham was best known during his lifetime as a playwright. "England's Dramatist", as the newspapers christened him, produced m…

SOURCE: The Arts Desk at 7:11pm on April 20, 2013

Trelawny of the Wells, Donmar Warehouse by Alexandra Coghlan

His recent film adaptation of Anna Karenina framed the action of Tolstoy's novel in a theatre, so it seems only natural that director Joe Wright should follow it up with a return to the stag…

SOURCE: The Arts Desk at 7:09pm on February 26, 2013

John Cage Lecture on Nothing, Barbican Theatre by Alexandra Coghlan

"I have nothing to say, and I am saying it. And that is poetry." Originally delivered by John Cage at an artists' club in New York in 1949, the composer's Lecture On Nothing went on to becom…

SOURCE: The Arts Desk at 7:09pm on February 25, 2013

Spades, Roundhouse by Alexandra Coghlan

You don't so much watch a Robert Lepage show as surrender to it, and his latest project sees Canada's most innovative theatre-maker in full assault. It's hard to think of another director wh…

SOURCE: The Arts Desk at 7:05pm on February 11, 2013

Great Expectations, Vaudeville Theatre by Alexandra Coghlan

There's nothing novel about novel-adaptations on stage. We've seen every classic from Pride and Prejudice to Tess of the D'Urbervilles, The Woman in White (and The Woman in Black) get the fu…

SOURCE: The Arts Desk at 7:06pm on February 8, 2013

Meow Meow's Little Match Girl, Royal Festival Hall by Alexandra Coghlan

"How I do love a steely sting in my fairytale ending" croons Meow Meow, eyes glinting even more brilliantly than her eyeshadow. When she says "sting" a whole army of scorpions couldn't equal…

SOURCE: The Arts Desk at 7:06pm on December 19, 2012

Hymn/Cocktail Sticks, National Theatre by Alexandra Coghlan

"You don't put yourself into what you write, you find yourself there." It's a maxim that has guided a writing career that, insect-like, has made itself at home among the lived detritus of au…

SOURCE: The Arts Desk at 7:14pm on December 16, 2012

Julius Caesar, Donmar Warehouse by Alexandra Coghlan

There's no ignoring gender in Julius Caesar. Whether it's Portia's "I grant I am a woman" speech, an enfeebled Caesar likened to a "sick girl", or Cassius raging against oppression " "our yo…

SOURCE: The Arts Desk at 7:06pm on December 4, 2012

Twelfth Night/Richard III, Apollo Theatre by Alexandra Coghlan

Something new is happening in the West End. Just up the road from Thriller and down a bit from Les Misérables a billboard the colour of weak tea (positively consumptive compared to the full…

SOURCE: The Arts Desk at 7:10pm on November 18, 2012

Love's Comedy, Orange Tree Theatre by Alexandra Coghlan

1866 was a crucial watershed in Henrik Ibsen's writing career. As a man he may have come of age some 20 years earlier, but it was only at almost 40 that his writing attained brooding, bearde…

SOURCE: The Arts Desk at 8:46pm on November 17, 2012

What You Will, Apollo Theatre by Alexandra Coghlan

As long as Simon Callow is around, London's theatre scene will never be short of one-man shows, nor of Shakespeare. A new pretender to the Shakespearian throne, a rival for the hollow crown …

SOURCE: The Arts Desk at 7:28pm on September 18, 2012

Hedda Gabler, The Old Vic by Alexandra Coghlan

Hedda Gabler " the doomy tragedy, the one with the pistol, the "female Hamlet". We all know the score when it comes to Ibsen. All, that is, except apparently for Sheridan Smith, who recently…

SOURCE: The Arts Desk at 7:25pm on September 12, 2012

The Curious Incident of the Dog in the Night-Time, National Theatre by Alexandra Coghlan

When Complicite conceived their beautiful A Disappearing Number they gave maths energy, drama, and above all watchability, but they never quite brought the heart. In Simon Stephens's new ada…

SOURCE: The Arts Desk at 7:12pm on August 2, 2012

Richard III, Shakespeare's Globe by Alexandra Coghlan

"Would you enforce me to a world of cares?", croons Rylance's Richard III, lingering tremulously over his question, the picture  of world-sick piety and reluctance. As the groundling ch…

SOURCE: The Arts Desk at 7:06pm on July 25, 2012

The Doctor's Dilemma, National Theatre by Alexandra Coghlan

"Of all the anti-social vested interests the worst is the vested interest in ill-health." The Preface on Doctors that precedes George Bernard Shaw's The Doctor's Dilemma finds the writer at …

SOURCE: The Arts Desk at 7:07pm on July 24, 2012

St John's Night, Jermyn Street Theatre by Alexandra Coghlan

Before Ibsen was, well, Ibsen, he had a successful career as a failed playwright. Producing works on a spectrum between unremarkable and outright bad, he muddled his way through to his late …

SOURCE: The Arts Desk at 7:00pm on July 15, 2012

A Doll's House, Young Vic by Alexandra Coghlan

The front door of Ibsen's A Doll's House may first have slammed shut in 1879, but it's a sound whose echoes and re-echoes continue to resonate. The crash of feminist selfhood, bursting throu…

SOURCE: The Arts Desk at 4:00am on July 10, 2012
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