REVIEW: Tick, Tick…Boom, Now showing on Netflix
By Alexa Terry Alexa Terry reviews Lin-Manuel Miranda's film adaptation of Jonathan Larson's Tick, Tick... Boom! now streaming on Netflix. This post REVIEW: Tick, Tick…Boom, Now showing on…
By Alexa Terry Alexa Terry reviews Lin-Manuel Miranda's film adaptation of Jonathan Larson's Tick, Tick... Boom! now streaming on Netflix. This post REVIEW: Tick, Tick…Boom, Now showing on…
By Alexa Terry Alexa Terry reviews Wasted, a new rock ‘n’ roll musical take on the Brontes, now playing at Southwark Playhouse. This post REVIEW: Wasted, Southwark Playhouse ✅
By Alexa Terry Whilst Wilde's intelligent witticisms are successfully displayed here, and despite there being some good performances, 'A Woman of No Importance' feels far too long, and a sen…
By Alexa Terry Julian Clary's comedic timing is faultless, and James Nelson-Joyce is progressively intimidating as the two characters fight for dominance. This post REVIEW: Le Grand Mort, Tr…
By Alexa Terry Alexa Terry reviews the Actor Awareness Scratch Night with the theme of Women at the Spotlight Studios in Leicester Square. This post REVIEW: Actor Awareness Scratch Night : W…
By Alexa Terry Alexa Terry caught up with Tom ahead of Actor Awareness' 'Women' themed scratch night, to find out how far his Actor Awareness campaign has come, and how far the industry is y…
By Alexa Terry Shit-Faced Shakespeare, with the essence of the rustic fringe festival at its heart, is a welcoming night of inebriated indecency which unshackles you from reality. This post …
By Alexa Terry I longed for a feather in my hair, to drink a bottle of champagne too fast and to play my part in the gritty debacle. This post REVIEW: The Wild Party, The Other Palace ✅
By Alexa Terry Dirty Great Love Story' is sweet-natured and is told so inventively, making it no surprise that it has had the success it has This post REVIEW: Dirty Great Love Story, Arts Th…
By Alexa Terry We asked our reviewers to take a look at 2016 and to nominate some stand out productions for 2016. Alexa Terry replied with the following:- The Pianist of Willesden Lane Often…
By Alexa Terry As I write this, I am envious of those who are yet to see this brilliant 20th-anniversary production which offers unparalleled, penetrating rawness, performed by a modest cast…
By Alexa Terry It has to be said: Marianne Benedict as Grizabella gives the best rendition of the infamous show tune that I have ever heard; with the climactic crescendo, her pipes burst wit…
By Alexa Terry The Entertainer', a brilliantly performed play paralleling the breakdown of the British Empire and the decline of music hall, which concludes Kenneth Branagh's season at the G…
By Alexa Terry If I had been wearing a hat, I would have taken it off to Amanda Muggleton. Although I didn't find the character to be particularly likeable, Muggleton's extensive monologue i…
By Alexa Terry for me, 'Murder Ballad' is all about the exciting score which doesn't depend on the screaming tenor, but on the sultry bass and an amalgamation of sexed up jazz/pop, with thir…
By Alexa Terry The piece is told beautifully and simply, with no added spectacle or illusion: just one woman, her piano and a story – and I was holding on to every word and every note.…
By Alexa Terry 'Vanities The Musical' is another dazzling production in Aria Entertainment's charming and growing catalogue and, whether it is an evening with your friends, or with a glass o…
By Alexa Terry Not only does he (Phil Willmott) offer free live performances to theatre virgins, to those who wouldn't normally choose to spend their money on tickets and to those who now re…
By Alexa Terry Although by the end of the piece I wanted to cuddle Uncle Napier, I didn't feel the need to squeeze. Whether the play is liked or not, a promise has been kept and Blow's uncle…
By Alexa Terry This Romeo and Juliet are not gushy and are more than the Innamorati of Commedia Dell'arte. They are (James especially) sincere and relatable versions of two sweethearts. This…