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358 stories by "Aleks.sierz"

Sondheim at 90 Songs: 4 - 'America' by Aleks.sierz

Brilliant lyrics from the young composer offer a definitive take on migration Ever since I heard the quintessential prog rock group The Nice do a psychedelic instrumental version of "America…

SOURCE: The Arts Desk at 11:03pm on March 25, 2020[SHARE]

Bubble, Theatre Uncut online review - educational, but unexceptional by Aleks.sierz

Theatre Uncut's streamed play about social media and the woke generation is clear but slender It's only been a week since London's West End went dark, and theatres closed all over the UK, bu…

SOURCE: The Arts Desk at 7:42pm on March 23, 2020[SHARE]

Blithe Spirit, Duke of York's Theatre review - Jennifer Saunders in serious comedy by Aleks.sierz

Thoughtful revival of Coward classic has all the ingredients - except the laughs Jennifer Saunders is a one-woman tickle machine. As her countless appearances in television shows such as Fre…

SOURCE: The Arts Desk at 11:18pm on March 10, 2020[SHARE]

Shoe Lady, Royal Court review - Katherine Parkinson is a footsore Beckettian by Aleks.sierz

Slender new monologue about struggling middle-class womanhood On my way to see this show, I see an urban fox. Before I can take a photo, it scrambles away. And I'm sure that, as it goes, it …

SOURCE: The Arts Desk at 9:54pm on March 9, 2020[SHARE]

The Special Relationship, Soho Theatre review - informative, but uninspiring by Aleks.sierz

Verbatim account of transatlantic deportation is an uneven mix of fact and farce Since 2000, Esther Baker's Synergy Theatre Project has worked with prisoners, ex-offenders and young people a…

SOURCE: The Arts Desk at 7:18pm on March 3, 2020[SHARE]

Pass Over, Kiln Theatre review - fierce critique of racist brutality by Aleks.sierz

Waiting for Godot meets Exodus in American drama about Black Lives Matter The Black Lives Matter movement is such an important international protest that it is odd how few contemporary plays…

SOURCE: The Arts Desk at 6:54pm on February 19, 2020[SHARE]

The High Table, Bush Theatre review - party on in Lagos and London by Aleks.sierz

New debut play is a heartfelt account of the black lesbian experience Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupid…

SOURCE: The Arts Desk at 8:12pm on February 14, 2020[SHARE]

Far Away, Donmar Warehouse review - one for the devotees by Aleks.sierz

Revival of Caryl Churchill's brief dystopic classic is vivid but unexceptional Caryl Churchill, Britain's best living playwright, is enjoying a spate of high-profile revivals of her classic …

SOURCE: The Arts Desk at 7:54pm on February 12, 2020[SHARE]

Death of England, National Theatre review - furious but fabulous by Aleks.sierz

New monologue about rage, racism and national identity is simply magnificent Is this an angry island? Although the British national character (if there is such a thing) has traditionally be…

SOURCE: The Arts Desk at 7:33pm on February 6, 2020[SHARE]

The Sugar Syndrome, Orange Tree Theatre review - pushing empathy to the limit by Aleks.sierz

Excellent revival of Lucy Prebble's disturbing debut play about illegal desire Your sweet tooth can get you into trouble. Lots of trouble. In this revival of Lucy Prebble's provocative debut…

SOURCE: The Arts Desk at 7:42pm on January 28, 2020[SHARE]

The Welkin, National Theatre review - women's labour is a pain by Aleks.sierz

Maxine Peake struggles to make the voice of reason heard in feminist history play History plays should perform a delicate balancing act: they have to tell us something worth knowing about th…

SOURCE: The Arts Desk at 1:42am on January 23, 2020[SHARE]

Scenes with Girls, Royal Court review - feminist separatism 2.0 by Aleks.sierz

New play about female friendship is refreshingly original and dazzlingly exciting Tonight, I discovered the gasp index. Or maybe just re-dicovered. The what? The gasp index. It's when you se…

SOURCE: The Arts Desk at 5:54pm on January 21, 2020[SHARE]

Les Misérables, Sondheim Theatre review - join in our crusade by Aleks.sierz

New blood courses through the West End's longest-running musical Do you hear the people sing? In recent months, you're more likely to have heard news stories about the longest running West …

SOURCE: The Arts Desk at 7:54pm on January 16, 2020[SHARE]

Snowflake, Kiln Theatre review - strong but clumsy generational war by Aleks.sierz

Mike Bartlett's Christmas cracker goes with a bang - eventually The prolific Mike Bartlett " from whose pen have leapt television series such as Doctor Foster and Press, as well as stage hit…

SOURCE: The Arts Desk at 10:33pm on December 16, 2019[SHARE]

A Kind of People, Royal Court review - multiculturalism falls apart by Aleks.sierz

Family tragedy is emotionally powerful but incomplete and unsatisfying The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright G…

SOURCE: The Arts Desk at 5:54pm on December 11, 2019[SHARE]

Cyrano de Bergerac, Playhouse Theatre review - James McAvoy triumphant by Aleks.sierz

Magnificent makeover of the French classic - a jaw-dropping success Actor James McAvoy is much in demand: in the BBC's His Dark Materials he is busy saving a parallel world, while in the poe…

SOURCE: The Arts Desk at 8:33pm on December 8, 2019[SHARE]

Midnight Movie, Royal Court review - sleepless and digital by Aleks.sierz

New autobiographical play about night thoughts on bodies real and digital Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade. Yet most members of…

SOURCE: The Arts Desk at 5:12pm on December 3, 2019[SHARE]

The Arrival, Bush Theatre review - boys will definitely be boys by Aleks.sierz

Director Bijan Sheibani turns playwright in a fine two-hander about family Family dramas are a staple of British new writing, but as well as talking about our nearest and dearest, can they …

SOURCE: The Arts Desk at 6:36pm on November 26, 2019[SHARE]

Touching the Void, Duke of York's Theatre review - not quite high enough by Aleks.sierz

David Greig's much-lauded mountaineering story doesn't quite peak Theatre can touch thousands of lives. But can it compete with the success of a bestselling book? First published in 1988, mo…

SOURCE: The Arts Desk at 10:36pm on November 14, 2019[SHARE]

Sydney & the Old Girl, Park Theatre review - black comedy too melodramatic by Aleks.sierz

Family drama is occasionally entertaining, but too dark for its own good Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian starred in high-profile shows both here and in A…

SOURCE: The Arts Desk at 8:54pm on November 5, 2019[SHARE]

On Bear Ridge, Royal Court review - Rhys Ifans's tragicomic masterclass by Aleks.sierz

First Ed Thomas play for 15 years is a post-apocalyptic metaphor-fest Memory involves places, people, things and words, especially words. This abstract proposition is given knotty life in We…

SOURCE: The Arts Desk at 10:03pm on October 28, 2019[SHARE]

Botticelli in the Fire, Hampstead Theatre review - history mash up burns bright by Aleks.sierz

Jordan Tannahill's queering of Renaissance art is riotously vulgar and unapologetic Botticelli is a household name, but who knows the true story behind his most famous painting? The painter'…

SOURCE: The Arts Desk at 4:36pm on October 25, 2019[SHARE]

[Blank], Donmar Warehouse review - strong but dispiriting by Aleks.sierz

Alice Birch's new play prioritizes form over content, and is depressingly reactionary Clean Break, the theatre company that specializes in working with women in the criminal justice system,…

SOURCE: The Arts Desk at 8:06pm on October 17, 2019[SHARE]

A History of Water in the Middle East, Royal Court review - feminist dreams and passions by Aleks.sierz

New lecture about British imperialism is energetically engaging, but rather slender Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British identity in var…

SOURCE: The Arts Desk at 12:03am on October 15, 2019[SHARE]

Baby Reindeer, Bush Theatre review - break, break, breaking Gadd by Aleks.sierz

Provocative one-man show about a stalker by stand-up comedian Richard Gadd is darkly exciting True stories, even in a fictional form, have the power to grip you by the throat, furiously shak…

SOURCE: The Arts Desk at 7:36pm on October 11, 2019[SHARE]
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